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Im Jahr 1848 werden zwei Kriegsschiffe, die HMS Terror und HMS Erebus auf eine Royal Naval Expedition geschickt, um die Nordwestpassage zu finden. Die Expedition wird in der Nähe der Arktis im Eis gefangen und die Mannschaft muss mit Hunger, Meuterei, Kannibalismus und einem dämonischen Eisbären fertig werden.

Eine junge Amerikanerin und ihre zwei besten Freundinnen suchen einen heißen DJ in Spanien.

Martina starts a relationship with Filip, a young man who spends most of his time playing video games. After Martina convinces Filip to steal her father's money to go to the Party Beach, everything turns into a bloody nightmare.

Three episodes depicting genocide over Serbs, but also Jews and Romans, committed by Ustashas in the Independent State of Croatia during WWII, mainly in death camps and children camps - only such during the war. Heart-wrenching testimonies of survivors and how their stories were ignored during ex-Yugoslavia only making it possible for despicable crimes to repeat 50 years later.

Award-winning poet Gordana Benic's poetic vision of Diocletian's Palace is portrayed in the film through a combination of the lunar landscape of the island of Pag, the cosmic archaeology of the city of Split, and the futuristic vision of Nikola Tesla. Benic's poetic work is devoted in its entirety to the city of Split, and in the film the Palace has the dimension of a new reality that the locals have not seen. The title of the film "Grounded Cosmos" is an oxymoron, a paradox, as also is the prose poetry of Gordana Benic. Having received the "Goran's Wreath" award in 2014 for her entire poetic oeuvre, this year, for her collection "Equator of the Heavens", she has won the literature prize of the Croatian Academy of Sciences and Arts. Her poetry has been translated into a dozen foreign languages, and her books into German and French. Her four books, each on an imaginary poetic palace, were written on the island of Pag, as it is her way to approach the Palace by distancing herself from it. It was the infinitude within us, that cosmic component within the Palace, which Gordana Benic felt whilst still a child in her day-to-day comings and goings past the Sphinx. The power of the visuality of her poetry, also in the film, brings the viewer sensations both sensory and spiritual. The film is intended for an audience that has retained the power to feel the artistic energy that is driven by an impulse that comes from dimensions that are invisible to the eye, and the consequence is lift-off.

The Grand Tour is in Croatia to make a completely unscripted film featuring Jeremy Clarkson in an Audi TT RS, Richard Hammond in an Ariel Nomad, James May making a fire engine out of an old Lada, and everyone trying to find a non-existent link between the three.

After a long winter trapped in the ice, scouting parties are sent out in search of open water. One of the teams makes a frightening discovery.

As the men make new attempts to find rescue, a series of shocking events underscores how vulnerable and exposed their situation has become.

Deaths under mysterious circumstances create paranoia among the men, and some of the crew may be considering mutiny.

Hope comes in strange forms, and the question of what the men are willing to do to survive begins to be settled in both noble and horrifying ways.

The expedition's epic journey reaches its climax as men find themselves in a final confrontation with the Inuit mythology they've trespassed into.