Luana

This feature is interesting in a number of respects, both in its techniques and in its subject matter. And if neither of those is enough, Dolores Del Rio has a role that allows her to dazzle the viewer with her beauty and her screen presence. A young-looking Joel McCrea, as her co-star, is himself earnest and likable, though he is overshadowed by Del Rio in their scenes together.

The story starts off with McCrea, as a sailor on a yacht, being rescued from a shark by Del Rio, as the daughter of the king of a native tribe. Romance develops from there, with McCrea's character dreaming of taking her back home with him when his trip is done, but having his plans hindered by the responsibilities she faces as a king's daughter. (Why any man, given the opportunity to live alone with a woman like Del Rio on a tropical island, would yearn for 'civilization', is also a pretty good question.)

The story features some rather sensitive themes in the running contact between the two cultures. If it does not always face them comfortably, at least it is relatively even-handed much of the time. Although some 'primitive' beliefs are ascribed to the natives' culture, they are portrayed as sincere beliefs. There are also a number of points of interest on the technical side. Most obviously, there are the wealth of atmospheric shots of the tropical setting. But beyond that, there are a few interesting attempts to offer some interesting views with the camera, such as the water-level shots in the opening sailing sequence.

One particularly interesting idea is that, for a long time, the language barrier is allowed to stand realistically between the characters, especially in McCrea's efforts to communicate, instead of using a stock device to get around it. Only much later is it assumed that Del Rio's character has learned enough English to be able to communicate.

Certainly, there are times when this feature shows a little of its age, and in some respects it's not completely successful. But it would probably be worth watching to see Del Rio alone, and the rest of it contains several interesting aspects.

One really couldn't ask for more than hunky Joel MCrea and gorgeous Delores del Rio as eye candy in "Bird of Paradise," a 1932 film - which makes it precode and quite sexy. McCrea plays a young man on a yachting trip who is saved from a shark by a South seas beauty named Luana; he decides to stay on awhile. When it becomes clear to him that she is to be sacrificed to the volcano Pele, the two escape to an island, where they lead an idyllic life together. Eventually his friends return for him, and he assumes Luana will go with him.

Not a huge amount of dialogue, but lots to look at in this King Vidor film, which has jungle choreography by Busby Berkley and music by Max Steiner, both pre-Warner Brothers. Del Rio doesn't wear much; in fact, she has a nude swimming scene. McCrea here is very athletic.

Amazing what they were able to do precode that in a couple of years would be taboo. Worth seeing. Del Rio was one of the most beautiful stars ever, and McCrea one of the most appealing.

I despair of non-romantics taking the time to denigrate with their reviews ultra-romantic films, such as this.

BIRD OF PARADISE is a masterwork - superbly photographed (the lighting, composition and mobility of the camera are astonishing), lushly scored (Max Steiner's score is the first ever to run from beginning to end of a talking film), and lyrically directed. Del Rio's performance is perfection - a native woman whose only future is to be sacrificed to Pele, the God of Volcanos, who finds true love with a white man who visits her island and chooses to stay.

For romantics, this is a classic tear-jerker and an exercise in sheer visual beauty. The underwater swimming scene between a nude Del Rio and a McCrea clad only in the thinnest of briefs is unique in cinema.

Perhaps the Academy's shut-out of this work is due to its coming on the heel of the semi-documentary Murnau TABU, the year before which explored similar themes. No reason however not to nominate it for Del Rio's performance, the cinematography and the score.

One of the most visually beautiful films ever made and a must-see for romantics.

Directed by King Vidor, Joel McCrea is a young sailor who stumbles upon a remote Pacific island with his crew. It is inhabited by a tribe of natives, whose princess is brilliantly played by Dolores Del Río. She and McCrea's sailor instantly fall head over heels for one another, but their romance is predictably taboo, since the king's daughter is traditionally reserved for a native prince.

The tribe worships and fears 'Pele', the volcano god (there is an active volcano on the island), to whom they frequently sacrifice young maidens, and who would curse the young lovers should they act upon their desires. Of course, they do, and this fearsome figure effectively acts as the main antagonist.

It's a nice watch, the editing being quite choppy here and there, and the plot quite basic, but beautifully shot and with a very impressive, empathetic performance from Del Río as the princess Luana. Quite a sizable portion of the film has little to no dialogue (at least before Luana learns basic English) since McCrea's crew is absent throughout the entire second act and only returns for the climax. This does not negatively impact the film, and in fact, the relationship develops quite nicely through nonverbal forms of communication and it's interesting to see.

One critic has named Vidor's portrayal of "the rhythms of collective action" as something he often demonstrated in his films and, in this early sound outing, the tribal dances and processions are among the film's best scenes. This is by no means a masterpiece, but a pleasant watch nonetheless.

This film is a good example of Pre-Code Hollywood Essentially the story of a sailor who falls in love with a native girl, this film has numerous examples of how Hollywood flourished before the production code set in some 3 years later. In most of the film Dolores Del Rio runs around in a straw skirt with nothing but a lei covering her breasts. In scenes where she is swimming, she appears to be totally nude with just some distortion in the water keeping us from seeing her totally naked. Also co-star Joel McCrea spends a good deal of the film walking around in his bathing suit.

The love scenes between McCrea and Del Rio vary. The first time it looks like rape, and Del Rio looks like she is visibly in pain. 3 years later the production code would not permit a white man to wed or be romantically involved with anyone but a white woman.

Among the crew of the ship is Richard "Skeets" Gallagher, who plays a stereotypically gay role, along with another sailor on the ship.

This film is now in the public ___domain and can frequently be found on television, and is available on DVD.