Der Kopfgeldjäger

This show has been a favorite of mine from the time it first aired in the late fifties. As another reviewer astutely pointed out, TV westerns of the day were rife with 'gimmick' weapons such as "The Rifleman"'s "rifle", or maybe "Yancy Derringer's", umm, "Derringer". In "Wanted Dead Or Alive", the gimmick weapon-du-jour was Josh Randall's sawed-off Winchester. These "weapons" were never meant to portray reality (well, "Yancy Derringer's" Derringer may be an exception). Rather, they were meant to catch the attention of those rabid "baby boomer" kids whose parents were fortunate enough to own a television. Realistic or not, these weapons were "cool" to every "boomer" kid, and the networks were keenly aware of that fact. As such, the networks may have felt compelled to "out-weapon" one another from time to time. Few who were born after, including most all of the reviewers here who have focused on the technical inaccuracies, ambiguities, and anachronisms of Josh Randall's weapon, have meaningful first-hand insight into what any of this was about.

"MeTV" has been airing re-runs of "Wanted Dead Or Alive" for several months now. I watch it every day. To me, it has been like renewing the acquaintance of a long-lost friend. Steve McQueen's portrayal of the "benevolent bounty hunter" is so convincing, and the story lines so compelling, that you come away believing that bounty hunters were the ultimate "good guys". And as those of us "boomer kids" fondly remember, the "good guys" always won.

Steve McQueen's first big exposure in either film or television was, of course, "The Blob", the filming of which was completed long before WDOA went into production. According to IMDb, it was McQueen's performance in "The Blob" that caught the attention of Four-Star executive Dick Powell. This, in turn, resulted in McQueen's casting as Josh Randall. As I recall, it was some time after "Wanted Dead Or Alive" first aired on television that "The Blob" finally went into theatrical release. By that time, McQueen was already a "star" (at least to us "boomer" kids), and we went to the theater, not just to see "The Blob", but also to see "Josh Randall" as a "teenager". Talk about an anachronism!!

I usually write long reviews, but having just read the other 23 reviews that are here, I am going to keep this very brief. I am in my 70s and am giving the classic TV Westerns one more go-round, before hanging it up. What impressed me about this series, and I mean really impressed me, is the quality of the writing. It is sometimes spare, but it matters. I also think that, for a 22-minute show, the direction was unusually good. There were times that I had to remind myself that John Ford wasn't directing. Look carefully, and you'll see what I mean. The series brought the best out of a lot of pedestrian actors. Lastly, I agree with everyone that McQueen was a very cool guy, but what he was doing required attention to the director and a performance that is reminiscent of the best method actors (Brando, Steiger, others). I am glad I gave this series another look. It is more enjoyable now than it was when I was a kid.

Wanted, Dead or Alive was a star vehicle in the truest sense of the term. It was a western calculated to exhibit the talent and charisma of its star, Steve McQueen. It lasted for three seasons before McQueen decided to devote full time to the big screen.

McQueen was after some of the most dangerous fellows in the old west, plenty who could shoot a lot better than he. His character Josh Randall needed an equalizer.

In John Wayne's classic western El Dorado, you remember that Duke discovers that James Caan can't hit the broad side of a mountain with a regular six shooter. Before going to El Dorado to aid Robert Mitchum, they stop off and see a gunsmith who fixes Caan up with a Josh Randall special. After that Caan's of considerable help to Wayne and Mitchum.

Of course the sawed off shotgun was also an evil weapon in the wrong hands. Take note of the Dan Duryea western, The Bounty Killer, a very Freudian piece where Duryea becomes hated and feared as a bounty hunter until an innocent bystander gets shot with it.

But with McQueen you knew the weapon was on the side of law and order. As for his Josh Randall character, you can see a bit of him in all the people Steve McQueen brought to the screen like Virgil Hilts, Nevada Smith, all the way to his last two films, Tom Horn and Pappa Thorsen.

Wanted, Dead or Alive was most folks first exposure to a screen legend. I wish that westerns like that were made today.

I'm just old enough to remember when Wanted Dead or Alive was first run, when I first went to the show to see The Magnificent Seven, and when I first realized Steve McQueen was on his way to being a "star".

I received the boxed set of the first season of this groundbreaking show this past Christmas and have been having great fun with it ever since. McQueen is the real star of the show, honing his craft for later career moves, with the truly offbeat story lines and resolutions coming in a close second.

Forget that it's 1877, he was in the Union Army in 1864, which would make him 8-10 years older than his real age at the time. Forget that his sawed off Winchester 1892 didn't exist in this time frame, that it fired short pistol ammunition like .44-40 and possibly .45 Colt, that it couldn't possibly accept the long .30-30 cartridges on his belt that weren't developed until the Winchester 1894 came along. In the first episode he has to bury a murdered doctor and he pulls a U.S. military shovel circa 1944 from under his saddle. While he puts 19th century cuffs on some prisoners, ties some with rope, on one occasion he puts old fashioned leg irons on a prisoner's hands, way too dangerous and way too stupid for a pro like Josh Randall. In a feat too fantastic to believe, an outlaw takes away his sawed off Winchester and removes the firing pin without the aid of tools and without so much as removing the bolt from the receiver. Of course there's also that sawed off rifle of his that sometimes has a D-ring on the lever and sometimes a teardrop ring, a gun barrel that changes from round to hexagon, and a gun barrel that always has a bigger bore than the .30 caliber slug in a .30-30 shell. And let's not forget that the outdoor scenes seldom match the geography of the story lines and that more times than not they use the same western street sound stage for towns ranging from Wyoming to Arizona to Texas with just the store front names changing! All this in just the first half of the first season. LOL

The show is all about watching McQueen, watching the offbeat stories that sometimes beg for more time for storytelling, and watching for all the goofs. It's great fun and well worth the time even 50 years later!

"Wanted: Dead or Alive" was one of the "greatest" if not the "best" of the Four Star produced television Westerns to come out of the late- 1950's and continued into the early-1960's that made an unknown actor by the name of Steve McQueen into a bonafide star. This was his first and only attempt to star in a weekly series before he went on to become a huge theatrical star in his own right. His first big exposure in either film or television. Long before "Wanted:Dead or Alive" went into production,Steve McQueen was already making headway as a huge star in the 1958 theatrical release "The Blob"(which was released in theaters by Paramount Pictures on September 12, 1958)that became a runaway box office hit. But it was McQueen's performance in "The Blob" that caught the attention of Founder and Executive of Four Star Television Dick Powell. It was here that Steve McQueen made his television appearance as bounty hunter Josh Randall in an episode of another Four Star produced series "Trackdown" starring Robert Culp titled "The Bounty Hunter"(Season 1, Episode 21 of the series)that aired on March 7, 1958. His performance was the greenlight for the spin-off to the series "Trackdown" titled "Wanted:Dead or Alive" that premiered on CBS' Saturday night schedule in prime-time on September 6, 1958. It was sometime after "Wanted" premiered on television that his movie debut in "The Blob" was released in theaters a week after his television series premiered. By that time McQueen was already a star and with his success as bounty hunter Josh Randall on "Wanted:Dead or Alive" the series became one of the biggest hits of the late-1950's and a huge ratings boost for the CBS Television Network.Out of the eight television Westerns that premiered in 1958(which included "Northwest Passage"-one of the earliest short-lived series that was produced in color,and the ones that were in classic black and white included "The Texan","Bronco", "Bat Masterson","Cimarron City","The Rough Riders",and "Yancy Derringer" not to mention the premiere of another successful Four Star produced Western "The Rifleman" which became a huge colossal hit for ABC)only "Wanted" had a premise,and it worked.

"Wanted:Dead or Alive" for the three seasons that it aired on CBS, was placed on it's Saturday night time slot in prime-time between the courtroom drama "Perry Mason",and "The Gale Storm Show",and it faced strong competition against NBC's "The Perry Como Show In Color",and also the variety series "Jubilee USA" over at ABC. "Wanted:Dead or Alive" aired from September 6, 1958 until March 29, 1961 producing 94 episodes all in classic black and white and was produced by Malcolm Enterprises in association with Four Star Television and the CBS Television Network. Steve McQueen was the only actor that starred in all 94 episodes but during the show's second season McQueen's Josh Randall had a sidekick or assistant bounty hunter named Jason Nichols(Wright King) that appeared in 11 episodes from 1959-1960. Some of the best writers were in hand for some great episodes of this series ranging from D.D. and Mary Beauchamp, Don Brinkley, Calvin Clements, Christopher Knopf, Fred Freiberger, to Richard Matheson, Dan Ullman, Frank Gilroy, David Lang, Richard H. Landau, Tom Gries, Cy Chermak, Samuel A. Peeples, John Robinson, to Wells Root, George Slavin,and Tony Barrett to Ed Adamson contribute to some of the stories. Great directors ranging from Thomas Carr, George Blair, to future film director Richard Donner. Others included Harry Harris, to Murray Golden, Gene Reynolds, Don McDougall and actor-director-producer R.G. Springsteen just to name a few.

The guest stars that appeared on in this series were some of Hollywood's best ranging from future "Bonanza" television stars Michael Landon and Pernell Roberts,to future box office superstars Warren Oates, James Coburn, and Martin Landau. Others were Fay Spain, Mala Powers, Nick Adams, Cloris Leachman, Paul Burke, Constance Ford, Susan Oliver, Mara Corday, to Frank Silvera, Dyan Cannon, Royal Dano, Denver Pyle, Clu Gulager, along with Mary Tyler Moore, Vic Perrin, J. Pat O'Malley, Lee Van Cleef, Claude Akins, Jay Silverheels, John Carradine, Stafford Repp, Ed Nelson, Gerald Mohr, John Lupton, Wayne Rogers, Harold J. Stone, Beverly Garland, to Howard Morris, Stephen Talbot, Jay North, Jay C. Flippen, Regis Toomey and R.G. Armstrong(who directed and star in several episodes).

The best episodes from the series ranged from "Desert Seed"(Season 2, Episode 11), "Three For One"(Season 3, Episode 13), "The Prison Trail" (Season 2,Episode 31), "The Voice of Silence"(Season 3, Episode 20), "The Sheriff of Red Rock"(Season 1,Episode 13), "Eight Cent Reward:The Christmas Story"(Season 1, Episode 16), "Twelve Hours to Crazy Horse" (Season 2,Episode 12), "The Bounty"(Season 1,Episode 3) and from the premiere episode that started it all "The Martin Poster"(Season 1, Episode 1). Others included "Bounty on Josh"(Season 3, Episode 17), "The Bad Gun"(Season 2, Episode 8), "The Hostage"(Season 2,Episode 6), "The Choice"(Season 3, Episode 12), "The Trial"(Season 3, Episode 1),to "Death Divided By Three"(Season 2, Episode 29), "The Empty Cell" (Season 2, Episode 7),to the comedial "The Twain Shall Meet"(Season 3, Episode 5).

The phenomenal success of the "Wanted:Dead or Alive" television series propelled Steve McQueen's career as a bonafide Hollywood superstar. And it showcased his great talent in such great theatrical films as "The Magnificent Seven","Baby,The Rain Must Fall", "Soldier In The Rain","Nevada Smith","Love With The Proper Stranger","The Reivers", "Junior Bonner", "The Getaway","The Cincinnati Kid",not to mention the movie that cemented his status as a top box office star "Bullitt"(who became one of the top ten highest grossing pictures of 1968). Not to mention his Oscar nominated performance in "The Sand Pebbles"(Oscar nominated for Best Actor in 1966),and also for his work in "Papillion" (Oscar nominated for Best Actor in 1973). And to also mentioned his work opposite Paul Newman in Irwin Allen's "The Towering Inferno",and the movie that would be his last theatrical feature was 1980's "The Hunter"....the lists goes on and on.