Nachdem sie von der königlichen Familie brüskiert wurde, legt eine böswillige Fee einen Fluch auf eine Prinzessin, den nur ein Prinz zusammen mit der Hilfe von drei guten Feen brechen kann.Nachdem sie von der königlichen Familie brüskiert wurde, legt eine böswillige Fee einen Fluch auf eine Prinzessin, den nur ein Prinz zusammen mit der Hilfe von drei guten Feen brechen kann.Nachdem sie von der königlichen Familie brüskiert wurde, legt eine böswillige Fee einen Fluch auf eine Prinzessin, den nur ein Prinz zusammen mit der Hilfe von drei guten Feen brechen kann.
- Für 1 Oscar nominiert
- 3 Gewinne & 5 Nominierungen insgesamt
Mary Costa
- Princess Aurora
- (Synchronisation)
Bill Shirley
- Prince Phillip
- (Synchronisation)
Eleanor Audley
- Maleficent
- (Synchronisation)
Verna Felton
- Flora
- (Synchronisation)
- …
Barbara Luddy
- Merryweather
- (Synchronisation)
Barbara Jo Allen
- Fauna
- (Synchronisation)
Taylor Holmes
- King Stefan
- (Synchronisation)
Bill Thompson
- King Hubert
- (Synchronisation)
Bob Amsberry
- Maleficent's Goon
- (Synchronisation)
- (Nicht genannt)
Billy Bletcher
- Maleficent's Goon
- (Nicht genannt)
Candy Candido
- Maleficent's Goon
- (Synchronisation)
- (Nicht genannt)
Pinto Colvig
- Maleficent's Goon
- (Synchronisation)
- (Nicht genannt)
Hans Conried
- Lord Duke
- (Nicht genannt)
Dal McKennon
- Owl
- (Synchronisation)
- (Nicht genannt)
- …
Marvin Miller
- Narrator
- (Synchronisation)
- (Nicht genannt)
Clarence Nash
- Horse
- (Nicht genannt)
Purv Pullen
- Bluebird
- (Nicht genannt)
- …
Empfohlene Bewertungen
"Sleeping Beauty" is definitely a classic among the Disney animated features. It bears the distinction of being the first to be shot in 70mm widescreen format. The score borrows much from Tchaikovsky's classic ballet based on the Brothers Grimm tale. The art is beautiful, being inspired by medieval art. And the characters are delightful, particularly the three Good Fairies, Flora, Fauna and Merryweather. Malificient makes for a wonderful villainess, with awesome magical powers. Even those who would not call this Disney's best animated feature should agree that it harkens back to the famed studio's golden age. It's a classic that all ages can treasure!
...which is that it may have been designed more for an adult audience than a children's. At any rate it was way ahead of its time in 1959. "Sleeping Beauty" was one of the movies I watched as a child, and its grandness overwhelmed me even at the age of ten. I couldn't be happier to see it finally in the DVD format. But watch closely; you'll notice many subtle, sophisticated things which other viewers have touched on in earlier reviews. The animation is almost surreal-- so incredibly lifelike that it abandons its cute, 'Disneyesque' pretensions from previous fairy tales. There are no talking mice, dogs or cats anywhere to be seen. Here the animals are silent, as animals are supposed to be. (I love the sequence with the forest animals as they are awakened by the singing of the barefoot princess and join up with her, like multiple chaperons, in harmonious whistles.) Even the fairy godmothers- who may initially appear as sugary stereotypes- spend so much time bickering (well, two of them do anyway) that you get to identify them as thoroughly fleshed out personalities. The adaptation of the original Perrault fairy tale is also impressive. An ingenious move was to have the prince and princess meet in the forest *first* and fall in love- unaware that they are already engaged to be married. Someone mentioned the chilling sequence which shows the princess, cloaked in an eerie green pallor, actually being lured to the fateful spinning wheel. So dark, so frightening- when was the last time you saw something like this in a Disney fairy tale? And then immediately afterwords is a cleansing sequence of unmatched beauty showing the fairies sailing through the sky like fireflies, magically dusting the rest of the castle to sleep. It is, of course, only matched by the film's finale which shows storm clouds, lightning, a forest of thorns, and a flame-spewing dragon-- all seamlessly bringing the story to a 75-minute conclusion. It stands, in my opinion, as Disney's masterpiece.
Simplest possible explanation of what cements Sleeping Beauty's place as an immortal classic: Maleficent.
Sleeping Beauty was never one of my favorite Disney movies, my parents having lost the tape really early. Since maybe ten years I haven't seen the movie, but now, after seeing it again, I have to admit, it's a masterpiece. I don't understand why it was so berated on first release. Where the critics expecting Snow White? 'Cause this is no Snow White. It's much better.
A long, long time ago, in a kingdom far, far away, King Stefan and the Queen have a daughter, Aurora, so-called because she brought sunshine to their lives. There is a great celebration, and the neighboring kingdom's Prince Phillip is betrothed to Aurora. The three Good Fairies, Flora, Fauna, and Merryweather, are invited. Flora and Fauna bestow gifts of beauty and song upon Aurora. Before Merryweather can cast her spell, the uninvited Maleficent--the Mistress of All Evil--arrives, furious at not being invited. She curses Aurora, predicting that at the age of sixteen the princess will prick her finger on the spindle of a spinning-wheel and die. Merryweather counteracts this by making Aurora go into a deep sleep were she ever to prick her finger, to be reawakened by true love's first kiss. To keep her safe, the fairies take her into the forest, no longer using magic, and calling Aurora Briar Rose. The princess knows nothing of her heritage, and meets no other humans, except for a man "Once Upon A Dream".
One of the greatest things about the movie is the style. The contrast between characters and surroundings (except for Maleficent) is stark. The backgrounds and layouts are colorful, stylized, round and angular at the same time. The characters, however, aim for total realism, except for the minor ones, who are clearly cartoon characters. The animation is beautiful. The movements smooth, the artistry unbelievably high quality. If there was no other likable thing about the movie, the animation would go a long way to saving it.
The story of Sleeping Beauty is, of course, set in stone. Despite everyone's complete familiarity with the fairy tale, the movie manages to enliven it and make it gripping, even though everyone has heard it a thousand times. A most definite improvement in the story is the scene in which Aurora pricks her finger. In the original the spinning-wheel was owned by an innocent old peasant, who just happened to own the last wheel in the land, unnoticed by the rest of the world. In the movie Maleficent hypnotizes Aurora, and commands her to prick her finger. In addition to the atmosphere of foreboding already present in the story, the movie adds genuine suspense, largely owing to the brilliant presence of the wicked fairy.
The characterization is very different from other Disney movies in some ways, but very like others. Usually in Disney's princess movies, the princess herself is something of a cypher, a passive element. This is true for Sleeping Beauty (she has no control over the three basic actions in the movie). The prince usually has an even more minute part, although the story would be nothing without him. Not so this movie. Here Phillip is a much more active character, a hero who battles dragons and witches, who goes through all sorts of hazards. In Snow White all the unnamed prince does is show up and kiss our heroine, in Cinderella Charming risks nothing and is nothing but a prop. But the ultimate character is, of course, Maleficent. Supervised by Disney's women's animator-in-chief, Marc Davis, hers has to be one of the great performances in animation. She is brilliantly drawn, amazingly voiced, and the dragon she transforms into is not just a dragon: it is HER particular dragon (a method taken to greater lengths in The Sword in the Stone). She is magnificent. The three fairies are quarrelsome all right, but they are caricatures that convey particularly clearly their good-naturalness.
Sleeping Beauty is one of those irreplaceable masterpieces. It is a magnificent retelling of a classic fairy tale, with no undue distortion of the source material. Come to think of it, the story EXISTS to be made into a movie; it's just perfect. And near-perfection is what Disney achieved.
9.5/10
Sleeping Beauty was never one of my favorite Disney movies, my parents having lost the tape really early. Since maybe ten years I haven't seen the movie, but now, after seeing it again, I have to admit, it's a masterpiece. I don't understand why it was so berated on first release. Where the critics expecting Snow White? 'Cause this is no Snow White. It's much better.
A long, long time ago, in a kingdom far, far away, King Stefan and the Queen have a daughter, Aurora, so-called because she brought sunshine to their lives. There is a great celebration, and the neighboring kingdom's Prince Phillip is betrothed to Aurora. The three Good Fairies, Flora, Fauna, and Merryweather, are invited. Flora and Fauna bestow gifts of beauty and song upon Aurora. Before Merryweather can cast her spell, the uninvited Maleficent--the Mistress of All Evil--arrives, furious at not being invited. She curses Aurora, predicting that at the age of sixteen the princess will prick her finger on the spindle of a spinning-wheel and die. Merryweather counteracts this by making Aurora go into a deep sleep were she ever to prick her finger, to be reawakened by true love's first kiss. To keep her safe, the fairies take her into the forest, no longer using magic, and calling Aurora Briar Rose. The princess knows nothing of her heritage, and meets no other humans, except for a man "Once Upon A Dream".
One of the greatest things about the movie is the style. The contrast between characters and surroundings (except for Maleficent) is stark. The backgrounds and layouts are colorful, stylized, round and angular at the same time. The characters, however, aim for total realism, except for the minor ones, who are clearly cartoon characters. The animation is beautiful. The movements smooth, the artistry unbelievably high quality. If there was no other likable thing about the movie, the animation would go a long way to saving it.
The story of Sleeping Beauty is, of course, set in stone. Despite everyone's complete familiarity with the fairy tale, the movie manages to enliven it and make it gripping, even though everyone has heard it a thousand times. A most definite improvement in the story is the scene in which Aurora pricks her finger. In the original the spinning-wheel was owned by an innocent old peasant, who just happened to own the last wheel in the land, unnoticed by the rest of the world. In the movie Maleficent hypnotizes Aurora, and commands her to prick her finger. In addition to the atmosphere of foreboding already present in the story, the movie adds genuine suspense, largely owing to the brilliant presence of the wicked fairy.
The characterization is very different from other Disney movies in some ways, but very like others. Usually in Disney's princess movies, the princess herself is something of a cypher, a passive element. This is true for Sleeping Beauty (she has no control over the three basic actions in the movie). The prince usually has an even more minute part, although the story would be nothing without him. Not so this movie. Here Phillip is a much more active character, a hero who battles dragons and witches, who goes through all sorts of hazards. In Snow White all the unnamed prince does is show up and kiss our heroine, in Cinderella Charming risks nothing and is nothing but a prop. But the ultimate character is, of course, Maleficent. Supervised by Disney's women's animator-in-chief, Marc Davis, hers has to be one of the great performances in animation. She is brilliantly drawn, amazingly voiced, and the dragon she transforms into is not just a dragon: it is HER particular dragon (a method taken to greater lengths in The Sword in the Stone). She is magnificent. The three fairies are quarrelsome all right, but they are caricatures that convey particularly clearly their good-naturalness.
Sleeping Beauty is one of those irreplaceable masterpieces. It is a magnificent retelling of a classic fairy tale, with no undue distortion of the source material. Come to think of it, the story EXISTS to be made into a movie; it's just perfect. And near-perfection is what Disney achieved.
9.5/10
When I was a little girl, Sleeping Beauty was my all time favorite Disney film. I was so in love with this story, it's crazy how many times I wore out the VHS. But growing up, I lost touch with the story, but I recently bought the DVD and re-watched the film and you know what? I'm still in love with this movie. I really miss these old Disney movies where the animation was so bright and beautiful, the characters were so lovable, and the story was so magical. I'm not bashing Disney films from today, just I'm sure we could all relate on this subject where the older Disney films just had a certain charm about it. Sleeping Beauty is just a timeless story and has so much wonderful romance, I guess since I'm a girl, I just couldn't help but still be in love with this beautiful story.
Princess Aurora is born and is the future queen of her land, three fairy's, Flora, Merryweather, and Fauna bless her with three gifts: beauty and song, right as Merryweather is about to bless Aurora, the evil witch, Maleficent, comes in and curses Aurora that she shall touch a spinning wheel by her 16th birthday and die! Merryweather changes it to where she won't die, but sleep and could only be woke up by the kiss of true love. The fairy's wish to keep this from happening still, so they take Aurora and raise her as their own. One day Aurora on her 16th birthday goes out in the forest and meets the charming and handsome Prince Phillipe, but she doesn't know he's a prince and she doesn't know he's fhe man she's actually betrothed too. She is told by the fairy's that she can never see him again and that she's a princess; later that night the curse happens! Now the fairy's need Phillipe to save Aurora before it's too late.
Everything about Sleeping Beauty is just a perfect Disney film and I can't wait until to show this to my future kids one day. I know that their generation is going to have just the CGI animation, so it's good that at least we still have these films, they're treasures. The voices, the animation, the story, Sleeping Beauty is the most romantic fairy tale that anyone could easily fall in love with. If you are a Disney fan, this is a must see, it's a great family film or if you're just a film buff in general, I'm a grown up and I still tear up when I watch Sleeping Beauty.
10/10
Princess Aurora is born and is the future queen of her land, three fairy's, Flora, Merryweather, and Fauna bless her with three gifts: beauty and song, right as Merryweather is about to bless Aurora, the evil witch, Maleficent, comes in and curses Aurora that she shall touch a spinning wheel by her 16th birthday and die! Merryweather changes it to where she won't die, but sleep and could only be woke up by the kiss of true love. The fairy's wish to keep this from happening still, so they take Aurora and raise her as their own. One day Aurora on her 16th birthday goes out in the forest and meets the charming and handsome Prince Phillipe, but she doesn't know he's a prince and she doesn't know he's fhe man she's actually betrothed too. She is told by the fairy's that she can never see him again and that she's a princess; later that night the curse happens! Now the fairy's need Phillipe to save Aurora before it's too late.
Everything about Sleeping Beauty is just a perfect Disney film and I can't wait until to show this to my future kids one day. I know that their generation is going to have just the CGI animation, so it's good that at least we still have these films, they're treasures. The voices, the animation, the story, Sleeping Beauty is the most romantic fairy tale that anyone could easily fall in love with. If you are a Disney fan, this is a must see, it's a great family film or if you're just a film buff in general, I'm a grown up and I still tear up when I watch Sleeping Beauty.
10/10
When 'Sleeping Beauty' was first released it was the target of critical villification--perhaps because of the more stylized art work. The art work is actually a leap forward from 'Snow White' and the earlier classics. It took me awhile to get used to the new technique when I first viewed the film--but now I recognize how effectively it manages to convey the "feel" of a genuine fairy-tale. A nice discussion of the art work is featured in 'The Making of Sleeping Beauty' which accompanies the latest VHS release of the film. Aside from the richly textured backgrounds and brilliant animation, 'Beauty' is blessed with the rapturous singing voice of Mary Costa's light soprano doing full justice to the ballad, 'Once Upon A Dream'. The idea of using Tchaikovsky's 'Sleeping Beauty' music for the background score and songs was an excellent decision. This is a film that can be enjoyed on so many different levels--music, animation, story, art work--it ranks with the very best of the classic fairy-tales from Disney. And yes, Maleficent, in all of her wicked glory, makes the most impressive fire-breathing dragon you're ever likely to see!
Wusstest du schon
- WissenswertesThe running gag of Flora and Merryweather arguing about whether Aurora's dress should be pink or blue originated from the filmmakers' problem as to deciding just that.
- PatzerKing Hubert and Prince Phillip both remark at certain points in the movie that it's the 14th century. In another scene, we see fireworks being set off. Fireworks were not used for entertainment until the 16th century.
- Zitate
Prince Phillip: Now, father, you're living in the past. This is the 14th century!
- Crazy CreditsThe opening credits say Technirama, but not Super Technirama 70, which is the process it was filmed in.
- Alternative VersionenAt one point, the Swedish version was slightly edited to remove Prince Phillip hitting the Dragon's snout with his sword, as it was deemed too violent for Swedish children and also not motivated enough. It was eventually restored.
- VerbindungenEdited into Disney-Land: Music for Everybody (1966)
- SoundtracksHail to the Princess Aurora
(1958) (uncredited)
Music by George Bruns
Lyrics by Tom Adair
Performed by Chorus
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Dornröschen
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.600.000 $
- Weltweiter Bruttoertrag
- 51.600.485 $
- Laufzeit1 Stunde 15 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1(theatrical ratio, 35mm, original 1959 release and 1970 re-release)
- 2.55 : 1(original & negative ratio)
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Oberste Lücke
By what name was Dornröschen und der Prinz (1959) officially released in India in Hindi?
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