Ein Toter hing am Glockenseil

I just had the opportunity owning this film on video & I'm glad I jumped at it when I did. This film is very rare & hard to find.

This is a story of a family curse that threatens to wipe out every last member of the Karnstein family. A count seeks out a historian to help him search into his family's past to disprove the curse.

As a child this film scarred me but as an adult it intrigues me. It has elements that horror films lack today: atmosphere & mood. It grosses out but not that much. I enjoyed it a great deal. Since its so rare, any Christopher Lee fan should grab it if they ever find it.

If there is one thing that even the most low-budget of Spaghetti horrors excel in, it has got to be atmosphere. That is one thing that Terror in the Crypt does extremely well. It exudes a flair of picturesque horror and mystique enhanced all the more by its superb cinematography and eerie score.

Apart from it's great atmosphere, the film is very well crafted and entertaining. I would put it in the vein of other great EuroGoth gems like Terror Creatures From the Grave and The Blancheville Monster. Plus, the immortal Christopher Lee adds plenty to the picture as he always tends to do. But, like many of the other fans of this picture, I would have loved to have seen Lee chew the scenery with genre queen Barbara Steele as this is the type of film that was right up her alley.

Like so many other Gothic efforts, the story revolves around a generations-old family curse. Christopher Lee's character is a Count who fears that a witch's curse is starting to come to fruition as members of his extended family are dying one by one. A great cast of characters makes this story even more interesting. There's Laura, the Count's daughter and prime suspect in carrying out the witch's hex during her nightmare-wrought sleep. There is Laura's sultry friend Lyuba (I must note that the two starlets have great chemistry together and always look like they are on the verge of releasing years of bottled up sexual frustration on each other). A wise old crone who tries to help Laura decipher her nightmares. And there is a young historian who is brought in to try and find out as much of the family's dark history as he can in an effort to thwart the curse.

Terror in the Crypt (recently released as Crypt of the Vampire) is definitely worth the time and money for any fan of EuroGoth films or even just for those wanting to get a glimpse at Christopher Lee's Italian ventures.

Though only superficially faithful to Joseph Sheridan Le Fanu's famous novella, "Carmilla," this picture merits praise for its consistent visual distinction, and a unity of mood, (elsewhere, and accurately described as "stately") that lift it far above the overpraised (and dramatically disjointed) "Castle of the Living Dead" which Mr. Lee completed about the same time.

Allegedly set in Styria, but filmed in Italy, this film boasts deep focus black and white cinematography that clearly takes its visual cues from Bava's "Black Sunday." Indeed, this film even features a witch condemnation sequence rather similar to the one depicted in the earlier film.

The castle interiors are alive with looming shadows, the rooms dressed with the appropriate paraphernalia of the genre, (flaming braziers, suits of armor, baroque prickets and saint statues; while the exteriors contain some of the most enchanting landscapes one could wish for--not to mention unforgettable nightscapes--as of two women fleeing across a hillside in billowing peignoirs and lit by the moon, (rather like the cover of a Phyllis Whitney novel).

Also in its favor are some scenes quite faithful to Mr. Le Fanu's original, as in the barouche accident which occasions the arrival of the vampiress, (here re-named "Luba" for inexplicable reasons).

There are some demerits: a heroine that looks like a cross between Barbara Streisand and Maria Callas, and an Elke Sommerish Lady in Waiting whose adulterous relationship with Mr. Lee seems entirely gratuitous.

Nonetheless, admirers of 1960s Italian gothics need to re-examine this piece which is often unfairly dismissed, as it warrants far more attention and respect than such slush as "Terror Creatures From the Grave."

The film is known by a few titles 'La cripta e l'incubo' (original title)'Crypt of Horror' aka 'Terror in the Crypt' aka 'Crypt of the Vampire' - no matter the title, it's a pretty good Gothic vampire and witch film. I enjoyed the film anyway.

It's basically about a girl who is having nightmares and taken ill. Her father calls in a doctor for help and a historian to find out more about the family history - to see if he can find what the family curse is and help put an end to it.

This is a film that if you enjoy the clichés like: family curses, vampires, witches, worshiping devils, evil spirits, nightmares, castles, cellars, graveyards and crypts all rolled into a fun Gothic film experience then you might like this particular movie.

7.5/10

Terror in the Crypt certainly seems like a great film on paper - it's stemmed from the classic novel "Carmilla" by Sheridan Le Fanu and the screenplay is by none other than Ernesto Gastaldi; the man responsible for a number of great Giallo films in the seventies. Adding to the writing credits is the fact that the film stars the great Christopher Lee; but unfortunately the pacing is far too slow and the film is more 'Castle of the Living Dead' than 'Black Sunday'. Anyone that has seen one of the numerous films based on the La Fanu novel will probably know what this film will be about. Count Karnstein comes to believe that his daughter Laura has become possessed by the spirit of the dead ancestor Carmilla and sends for a doctor to help her. However, this does not stop the daughter from being influenced by Carmilla. The film does well on the atmosphere front and director Camillo Mastrocinque delivers a great setting for the film to take place in with a lavish Gothic castle. However, there's just not enough going on to keep the film interesting for the duration and unfortunately despite the positives; the film is not very easy to follow for this reason. Perhaps fans of Gothic horror will find something to like here; but while I consider myself just that, unfortunately I didn't.