Hawaii Fünf-Null

Outside of Jack Webb I don't think you could make a better case for a cop being totally professional than with Jack Lord as Steve McGarrett. Even with Webb you got hints of a private life usually in the squad car as he and Ben Alexander or later Harry Morgan rode around between locations on an episode. In fact usually TV series last because of various personal dimensions gradually introduced into a series for the characters.

But in Hawaii 5-0, never. Lord was appointed by the Governor of Hawaii to head a special state police force to really go after the high level crooks. His jurisdiction was pretty well anywhere he wanted it. I never saw any complaints from Honolulu PD or any other local police entity about it in the 12 years Hawaii Five-0 ran.

Lord had a picked team with James MacArthur, Kam Fong and several other local players from Hawaii as other police assigned to him. Richard Denning made some appearances every so often as the governor. In fact MacArthur as Danny Williams was the guy that McGarrett ordered almost every week to 'book 'em Danno' in the show's most celebrated catchphrase.

Hawaii Five-0 had three great things going for it. The first was Hawaii itself. I for one can't get enough of the scenery. It's the most beautiful place on the planet and that's on several different levels. I don't the show would have lasted twelve seasons if it was done in East St. Louis.

Secondly the writing was extraordinarily good matched by the editing. I don't recall a frame of extraneous film in any given episode. Like McGarrett and his team, every show got right down to business and moved.

Lastly it was Jack Lord who created a character that solely and totally focused on his job. Normally those are not warm and fuzzy people, but the absolutely incorruptible Steve McGarrett was a guy that any citizen would want to know is serving and protecting. Even if he didn't seem to have a personal life.

To live and work in Hawaii, it doesn't get better.

The longest-running cop show on American TV until "Law & Order"'s thirteenth season, "Hawaii Five-O" still has a long life in reruns and probably will continue in that vein long into the future.

Admittedly it did go downhill towards the end (the last season's episodes, ironically, seem even more dated than those from the '68 run) and no one can really claim that the acting was on a par with your Bochcos or your Levinsons, but it worked - yes, the scenery was a plus, along with Reza S. Badiyi's title sequence (still one of the all-time greats), but ultimately the glue that held it together was the late Jack Lord. He clearly thought the show revolved around him, and he was right - stiff, yes, but the man WAS Steve McGarrett; you never doubted for a second that he was in charge.

The show also had more than a few decent stories to go with the Hawaiian setting; that's the main reason this show was popular enough to run for more than 10 years (and more than twice that length in reruns). That and Morton Stevens's theme music, of course - all these years and that still hasn't worn thin yet either. I doubt "Miami Vice" will hold up so well.

The Stephen J. Cannell-backed pilot shot in '97 (and which brought back Chin Ho, killed off in "A Death In The Family") was judged so bad by CBS that to this day it hasn't aired, and probably never will. Like I'm weeping...

To me this is still one of the all time great cop shows. The thing I think made it so special was its irony. The fact that you it was set in probably the most beautiful of settings, yet it had all the crime of cities like Los Angeles and New York made it Honolulu seem just like any other major American city which is just what Honolulu is. Also, the fact that the native Hawaiians in the cast were not stereotyped made it a great show.

Jack Lord was perfectly cast as McGarrett and pretty much was the embodiment of the character with his tough and almost unemotional demeanor and James McCarthur was great as Danny. Of course, who could ever forget what Kam Fong brought to the show as Chin Ho. This definitely was a classic.

Hawaii Five-O's successful 12-year run proved one thing: A drama doesn't have to be perfect or overly complex to succeed.

Hawaii Five-O's plots were straightforward and self-contained. They rarely had big surprises or twists, and the plot of one episode rarely carried over into future episodes. However, the stories were (for the most part) well written, intelligent, and often unique. For example, in the sixth season's "Draw Me a Killer", a young man "in love" with a female comic book character murders people who resemble her fictional adversaries. This sort of creativity resulted in interesting plots that didn't have to depend upon shocks or gimmicks to be watchable.

Hawaii Five-O was authentic. It was shot entirely on ___location in Hawaii. Most took place in Honolulu, but the show saw some time on the other islands, as well. Local actors were used to fill nearly every minor part in almost all episodes. While many of these actors were clearly amateurs, you didn't care. This actually added to the show's charm and authenticity. Some of these locals had recurring parts, being seen in different roles in as many as 14 episodes. That also wasn't a big deal, provided you didn't take the show too seriously.

Hawaii Five-O was nice to look at. The show went out of its way to create scenes with beautiful backdrops, allowing the viewer to feel he's on a Hawaiian vacation while in his own living room.

Hawaii Five-O featured one of the best opening theme songs and title sequences. It still holds up well 37 years later. Even the end title sequence, showcasing about 20 native Hawaiians paddling a boat through the ocean off Hawaii, fit in with the show's Hawaiian authenticity. A bit of trivia regarding the opening sequence: The famous wave at the beginning was NOT filmed for Hawaii Five-O, and was instead taken from some 1962 stock footage. This footage was so unimportant at the time that it is now unknown exactly where that wave video originated. Also, the 10-year-old boy shown on the beach was randomly selected and given $5 for allowing himself to be filmed. He didn't know he was in the opening titles until kids at school teased him about it! The first 7 seasons of the show were by far superior to the final 5. The show especially deteriorated by season 11. This was simply a case of a show that had run its course, and it honestly should have been canceled two years earlier.

Jack Lord did a superb job as Five-O head Steve McGarrett. We never got to learn too much about the lives of the other characters, but it was always clear that they were there to support McGarrett. The unity and dedication amongst the characters of the show was comforting to watch. While many cop shows (such as NYPD Blue) introduce conflict between the main characters, this had no place in Hawaii Five-O. This was a show about Five-O versus the criminal element of Hawaii.

Despite the repeated showcasing of Honolulu's crime, Hawaii Five-O actually did a lot to boost Hawaii tourism. You would think that episodes showing tourists as murder victims would put people off. Perhaps everyone felt protected by McGarrett and Five-O, even if both were just a work of fiction.

I have been watching this show since I was 8 years old. I remember watching its final episode in 1980(when I was 14 years old). And its still on in syndication some 20 years later after it went off the air. For the astounding 13 seasons that it ran on CBS-TV(from 1968-1980),and again as a very short lived series called "McGarrett"(when Jack Lord's character leaves 5-O to become a private investigator),its no wonder why in point the shows still leaves viewers on the edge of their seats,and at the end its McGarrett telling his partner after he catches the bad guy or super villain to "book'em,Danno...murder one". This show set the standards today for all cop shows that were to follow it,and it still holds up. Kudos to the legendary Jack Lord(who died two years ago on his resort in Hawaii),and series creator Leonard Freeman who were the first to put Asian-Americans and other minorities in non-stereotypical roles(which followed the same format that producer Sheldon Leonard used when he put Bill Cosby as the first African-American in a starring role in "I Spy" four years earlier in 65). One of classic TV cop shows of the late 1960's and throughout the remainder of the 1970's,and it shows. Catch the reruns.