IMDb-BEWERTUNG
6,4/10
423
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn enthusiastic young woman runs away to Chicago to start a new life. She is soon confronted with the emotional coldness of the big city, and has to search for her place in the scheme of thi... Alles lesenAn enthusiastic young woman runs away to Chicago to start a new life. She is soon confronted with the emotional coldness of the big city, and has to search for her place in the scheme of things.An enthusiastic young woman runs away to Chicago to start a new life. She is soon confronted with the emotional coldness of the big city, and has to search for her place in the scheme of things.
Empfohlene Bewertungen
This film is in some ways a guilty pleasure--it's occasionally hokey--but I like it because it reminds me of the wonder I felt on my first few visits to Chicago (I'm a small-town girl too). I eventually moved there, staying more than a decade
before moving on to L.A.; my experience was, on the whole, much more positive than T.R.'s, but I can relate to her and to what she's going through. That's a good deal of this movie's appeal--the characters and the situations all have the ring of truth. Kudos to writer Peter Hyams and director Herbert Ross. T.R. may be lonely and lacking in direction, but she's also intelligent, feisty, and nobody's fool, and it's easy to understand how she feels as she tries to build an independent life and find personal and professional satisfaction. Candice Bergen's delivery of her lines is sometimes a bit stilted, but her performance is largely praiseworthy; so are those of the supporting cast, especially Marcia Rodd, James Caan, Peter Boyle, and Howard Platt (very convincing as a real jerk). The filmmakers also make good use of the Chicago setting, with shots of Carson's State Street store, the el, and other landmarks, and the movie's full of early-'70s atmosphere--the clothes, the music, the singles bars, and the fact that the modern women's
movement had a lot of work to do.
before moving on to L.A.; my experience was, on the whole, much more positive than T.R.'s, but I can relate to her and to what she's going through. That's a good deal of this movie's appeal--the characters and the situations all have the ring of truth. Kudos to writer Peter Hyams and director Herbert Ross. T.R. may be lonely and lacking in direction, but she's also intelligent, feisty, and nobody's fool, and it's easy to understand how she feels as she tries to build an independent life and find personal and professional satisfaction. Candice Bergen's delivery of her lines is sometimes a bit stilted, but her performance is largely praiseworthy; so are those of the supporting cast, especially Marcia Rodd, James Caan, Peter Boyle, and Howard Platt (very convincing as a real jerk). The filmmakers also make good use of the Chicago setting, with shots of Carson's State Street store, the el, and other landmarks, and the movie's full of early-'70s atmosphere--the clothes, the music, the singles bars, and the fact that the modern women's
movement had a lot of work to do.
10mmcaskey
T.R. Baskin was a favorite of mine. I have been trying to find it for years. With a cast as strong as this, I wonder why it has never been released in DVD or video. I would love having some help finding this!! What resonated with me was a line Bergen had - How do you know when you are accepting too little for yourself or expecting too much? I have been trying to answer this my whole life.
I didn't remember that it was shot in Chicago, and I would love to see the 1971 shots of that as well.
And I remember the music too was excellent. Please re-release it!
Candace Bergen stood out as a performer in this. I knew of her acting before this - but she really stood out in this role.
I didn't remember that it was shot in Chicago, and I would love to see the 1971 shots of that as well.
And I remember the music too was excellent. Please re-release it!
Candace Bergen stood out as a performer in this. I knew of her acting before this - but she really stood out in this role.
I saw this film when it first came out and was deeply moved because I identified with T.R. - I lived her story when I first left home, including making big mistakes about recognizing when I was merely being used by men I thought really liked me, and the awful places you end up living because you make barely a living wage, and the loneliness - all of it. Every thematic scene in this film could be my own life, with only the details changed. I've never seen another film that comes even close to capturing this experience.
Today when I was trying to find this film, I was shocked to discover how badly it was rated by critics at the time. I'm glad to see that people here respect the film and that most rate it very highly.
I'm going off now to see if I can get somewhere. A classic.
Today when I was trying to find this film, I was shocked to discover how badly it was rated by critics at the time. I'm glad to see that people here respect the film and that most rate it very highly.
I'm going off now to see if I can get somewhere. A classic.
I saw T. R. BASKIN at the cinema in Colorado when I was a college student several times. I recommended it to everyone. I thought it was on a par with FIVE EASY PIECES or THE LAST PICTURE SHOW. I don't think Candace Bergen was ever better and (the now late) Peter Boyle was great as was James Caan. Many years later in New York I had the opportunity to tell Candace Bergen how much I liked that film and she said, "Oh, they hated it. They all hated it." I thought it was very well written, with many very funny and clever lines. There is a heartbreaking misunderstanding in it that makes for fine drama. I recall it had a subtle touching depth to it and I would love to see it again all these years later to see how it holds up.
Chicago, early 1970's, looking gloomy and dangerous, and unfriendly. Young T.R. arrives in the Windy City hoping to find fame, fortune, or at least a decent and interesting life,far from her hometown of rural Ohio. Candice Bergen turns in a performance that you just have to love; her character T.R. has such an offbeat, yet witty sense of humor, and she is a real go-getter, a modern, free-thinking 70's girl who wants to make it on her own.
The movie has an interesting structure, in that it begins midway through her adventure. By the time she is hooked up with Peter Boyle (another terrific performance) in the hotel room, she has already been in Chicago for a while and has experienced a lot. We learn of her experiences as she relates them to her "blind date," always with a sharp sense of sarcastic humor. The question the viewer has is, who is this mysterious guy Larry who arranged this odd meeting of strangers, and why would a gorgeous young woman like Bergen agree to meet an unknown man in his hotel room? Well we find out through flashbacks, of T.R. getting her office job, and becoming acquainted with the city, moving into a cheap tenement apartment, and finally, meeting a man, (James Caan) who sweeps her off her feet,and exposes just how naive and innocent T.R. really is...
"T.R. Baskin" is truly a superb time capsule; it completely encompasses the mores and attitudes of the 1970's. Filled with ___location shooting around Chicago, always a fascinating city, like New York during that decade. T.R. makes us think about life, about the mistakes we make when we are young, and in the end, she brings a tear to our eyes as we see her inevitably lose the innocent quality that made her move to the big city in the first place. I cannot recommend this movie highly enough. It's filled with colorful, funny characters and much insight. Sadly this is a forgotten title, never released for purchase on dvd or even VHS as far as I can tell. The copy I managed to track down is poor, and murky and the picture even jumps for about 10 minutes somewhere in the middle. Strangely this washed out old copy actually adds to the film's already nostalgic feel. I hope "T.R. Baskin" gets rediscovered, as it truly is a lost gem with an amazing cast.
Wusstest du schon
- WissenswertesWhen asked what the initials T.R. stand for, the heroine responds Thelma Ritter. A fitting tribute to this greatest of character actresses.
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Box Office
- Bruttoertrag in den USA und Kanada
- 279.410 $
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By what name was Tanja Baskin - Anruf genügt (1971) officially released in India in English?
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