Eine Gruppe von Wissenschaftlern hat den Resonator entwickelt, eine Maschine, die es jedem, der sich in Reichweite befindet, ermöglicht, über die normal wahrnehmbare Realität hinauszusehen. ... Alles lesenEine Gruppe von Wissenschaftlern hat den Resonator entwickelt, eine Maschine, die es jedem, der sich in Reichweite befindet, ermöglicht, über die normal wahrnehmbare Realität hinauszusehen. Aber wenn das Experiment gelingt, werden sie sofort von schrecklichen Lebensformen angegri... Alles lesenEine Gruppe von Wissenschaftlern hat den Resonator entwickelt, eine Maschine, die es jedem, der sich in Reichweite befindet, ermöglicht, über die normal wahrnehmbare Realität hinauszusehen. Aber wenn das Experiment gelingt, werden sie sofort von schrecklichen Lebensformen angegriffen.
- Auszeichnungen
- 3 Gewinne & 4 Nominierungen insgesamt
- Patient - Strait Jacket
- (as Andy Miller)
- Drunk
- (Nicht genannt)
- Asylum Orderly
- (Nicht genannt)
Empfohlene Bewertungen
Rated R; Nudity, Graphic Violence and Profanity.
The film works best when it sticks close to Lovecraft's original tale, and the opening scenes in which Jeffrey Combs sees the mysterious eel-like things floating around in the air invoke thrills and fear at the same time. Unfortunately, as the plot progresses it rapidly unfolds and moves to a hospital, which is where the film is at a low point. However the climax - a predictably slimy and visceral conclusion - is well worth waiting for, if only to watch the special effects.
The acting is definitely tongue-in-cheek and in this respect is effective all round. Jeffrey Combs can do no wrong, even in the worst of bad films, and he's once again on hand to deliver the chuckles and chills with his particular brand of over-acting. Combs' transformation into a monster is rightly disturbing to watch. Barbara Crampton makes for a good heroine and looks very fetching in a black leather outfit, something you probably won't see anywhere else. As well as the two leads, DAWN OF THE DEAD's very own Ken Foree has a comic relief role as a policeman caught up in the horrific events. Watching Foree prance around in underpants made me think just how much I like this great actor, it's a shame he hasn't been in more films since Romero's classic gave him a certain cult status.
The special effects are the real stars of FROM BEYOND, and they range from the typical (brain eating, eyeball gouging) to the superb (big slimy monster things). The effects are used a lot and all are totally brilliant in conception, being wonderfully weird and odd, especially the slime creature and the monster in the basement. With a spine-tingling soundtrack and collaboration from three notable names in horror - Charles Band (a cheapie producer who now owns Full Moon Entertainment), Brian Yuzna (a delightfully sick individual) and finally Stuart Gordon, there is no way this film could miss the mark really. Overall, FROM BEYOND is a delightfully entertaining film which thankfully never takes itself too seriously and can be watched over and over again.
From Beyond is a really well put together movie that literally has all the elements this genre of films should have.
The effects, particularly for the age, are fantastic, a little silly yes, but really well done, they have to put a smile on your face when you watch them.
All the cast throw themselves into the story, they know its silly but they are committed to putting on a believable show. You have to invest with them.
No member of the cast is wasted all providing moments to revel in.
Overall From Beyond was just a lot of fun to watch, its not scary unless your'e a little kid, but it is grat fun.
Check it out :)
Wusstest du schon
- WissenswertesBarbara Crampton sold the leather dominatrix outfit she wore in this film at a yard sale.
- PatzerIn the opening scene the windows of the first floor in Dr. Pretorious' house are shattered. A little later in the movie, when the team arrives again at the "crime scene", it is clearly visible, that the window classes are still unbroken.
- Zitate
Crawford Tillinghast: It ate him... bit off his head... like a gingerbread man!
- Alternative VersionenThe original UK cinema version was uncut by the BBFC (though the print submitted was the MPAA-edited R-rated version). The UK Vestron video releases were cut by 10 secs by the BBFC and edited a scene where Katherine's breasts are molested by the transformed Pretorius.
- VerbindungenFeatured in The Best of Stephen King's World of Horror (1986)
Top-Auswahl
Details
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.261.000 $
- Eröffnungswochenende in den USA und in Kanada
- 514.417 $
- 26. Okt. 1986
- Weltweiter Bruttoertrag
- 1.261.000 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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