Füge eine Handlung in deiner Sprache hinzuA reclusive scientist, Jeff Peters (Malkovich), builds a robot, Ulysses, which looks exactly like himself and is set to go on a long-term space mission. Since the (real) scientist seems to l... Alles lesenA reclusive scientist, Jeff Peters (Malkovich), builds a robot, Ulysses, which looks exactly like himself and is set to go on a long-term space mission. Since the (real) scientist seems to lack all emotions, he is unable to program his (lack of) emotion into his automaton, and an... Alles lesenA reclusive scientist, Jeff Peters (Malkovich), builds a robot, Ulysses, which looks exactly like himself and is set to go on a long-term space mission. Since the (real) scientist seems to lack all emotions, he is unable to program his (lack of) emotion into his automaton, and an eccentric woman is hired to "educate" the robot on human behavior. In the end, she falls ... Alles lesen
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Unfortunately, Ann Magnuson did not enjoy similar success as a film actress following this part. I found that surprising because she was truly excellent as Frankie Stone, a respected publicist hired to convince the government to provide funds for continuation of Dr. Peters' deep space project. Frankie's approach is to make the android (named Ulysses) more engaging and interesting to the general public during interviews. That is, to make it more human-like. Magnuson, a red-head, was around 30 years old when the film was made, and I thought at times that I was watching a 30 year old Shirley MacLaine.
The style of the film as a whole seemed to me to belong to an earlier time in the film industry, more like 1950s era romantic comedies. I checked to see if the film had been made earlier and not released until 1987, but found nothing to indicate that. Perhaps I'm just not remembering that time period accurately.
As it is, the film is sweet more than it is funny. And it works thanks to John Malkovich's great dual performances and Magnuson's ability to carry a film (the only time she's been allowed to do so before or since--pity). Believe it or not, this was the film in which I discovered them both, and they should still be proud of having it on their resumes, even with all they went on to accomplish.
I shouldn't be too hard on Orion, though. After all, they did put out "The Silence of the Lambs", but they also let "Blue Sky" sit on a shelf until they went belly-up and another studio had to release it four years after it was completed. The only flaw is not in this film itself, but in the way it was marketed and what I as an audience member expected going into it. This film deserves rediscovery--and if it gets it, there's the added bonus of '80s nostalgia in the fashions and some of the dialogue.
Once again, Seidleman has directed another great romantic comedy with a terrific cast. Ann Magnuson is Frankie Stone, a woman who works in high class advertising. She has taken on a new project to help find the proper advertising angle for a new creation that is going to change the future--an android named Ullyseus (Malkovich), designed by a seriously detached scientist named Jeff Peters (also Malkovich). A scientist and an identical, eager android is already destined for great laughs as the situations lead to a few wild misunderstandings.
To Peter's dismay, Stone's quality time with Ullyseus (so she can figure out a successful advertising campaign) starts to make the android more human. And, ironically, he gains more human emotion than his identical creator, Jeff Peters, who gradually sinks into something more like an emotionless, android state. But Ullyseus wants to know what true love is all about (and Stone wants to know if such a thing is even possible).
It is a sweet movie, as Seidleman's movie often are, mostly because all the actors (and their respective characters) work so well together. In particular, this is a great demonstration of Malkovich's talents. It is one of the few comedies I have seen him in. And, it's fantastic to seem his try to act like an android acting like a human. Also, Laurie Metcalf (who was in Desperately Seeking Susan), as usual, is one of the funniest characters in the whole movie (just wait till you watch the scene with her and Ullyseus at the mall). It is a great romantic comedy, and one that I think 80s fans are sure to enjoy. Plus, Chaz Jenkel (who did some of the music for 'Real Genius') adds some great synthesizer/bongo drums music for this movie.
The premise is somewhat cute. This is a rom-com where the successful female lead can't find a good man. Ann Magnuson is not a big rom-com actress. A bigger actress could probably make this work better. Malkovich is a stiff scientist and a learning robot. He's fine but not a hunky lead. I don't think any of the jokes are working. Frankie is a nice character but this isn't that funny.
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- WissenswertesJohn Malkovich, Glenne Headly and Laurie Metcalf had been acting together since the late 1970s as members of Chicago's Steppenwolf Theatre Company.
- PatzerThe morning after the wedding, when Steve Marcus gets into Frankie's car, his tie is untied. He has a cast on his right arm and is filmed from behind when they are talking. When the camera angle flips, his left arm (only one mobile) has not moved, yet his tie has a Windsor knot.
- Zitate
Frankie Stone: For reasons I can't go into and you don't wanna know about, I have to go to this wedding, and I need a date, and you'd be the exact, perfect guy. Now, this isn't a proposition; I just wanna know if you might think about maybe going with me.
Jeff Peters: A wedding? I don't know; I'm not very good with people.
Frankie Stone: Oh, they're not people, they're just my family.
- SoundtracksToo Many Fish In The Sea
Written by Eddie Holland (uncredited) and Norman Whitfield (uncredited)
Performed by Gwen Guthrie
Courtesy of Polydor Records
Music Supervisors
Lynn Geller
Kathryn Schenker
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Making Mr. Right
- Drehorte
- North District Wastewater Treatment Plant, North Miami Beach, Florida, USA(ChemTech exterior)
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Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.584.970 $
- Eröffnungswochenende in den USA und in Kanada
- 444.756 $
- 12. Apr. 1987
- Weltweiter Bruttoertrag
- 1.584.970 $
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