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Im Namen des Vaters

Originaltitel: In the Name of the Father
  • 1993
  • 12
  • 2 Std. 13 Min.
IMDb-BEWERTUNG
8,1/10
197.381
IHRE BEWERTUNG
BELIEBTHEIT
1.731
77
Daniel Day-Lewis in Im Namen des Vaters (1993)
DocudramaLegal DramaPeriod DramaPrison DramaTragedyTrue CrimeBiographyCrimeDrama

Das erzwungene Geständnis eines Mannes, an einem Bombenattentat der IRA beteiligt gewesen zu sein, führt auch noch zur Verhaftung seines Vaters. Ein englischer Rechtsanwalt kämpft für ihre F... Alles lesenDas erzwungene Geständnis eines Mannes, an einem Bombenattentat der IRA beteiligt gewesen zu sein, führt auch noch zur Verhaftung seines Vaters. Ein englischer Rechtsanwalt kämpft für ihre Freilassung.Das erzwungene Geständnis eines Mannes, an einem Bombenattentat der IRA beteiligt gewesen zu sein, führt auch noch zur Verhaftung seines Vaters. Ein englischer Rechtsanwalt kämpft für ihre Freilassung.

  • Regie
    • Jim Sheridan
  • Drehbuch
    • Gerry Conlon
    • Terry George
    • Jim Sheridan
  • Hauptbesetzung
    • Daniel Day-Lewis
    • Pete Postlethwaite
    • Alison Crosbie
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,1/10
    197.381
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.731
    77
    • Regie
      • Jim Sheridan
    • Drehbuch
      • Gerry Conlon
      • Terry George
      • Jim Sheridan
    • Hauptbesetzung
      • Daniel Day-Lewis
      • Pete Postlethwaite
      • Alison Crosbie
    • 237Benutzerrezensionen
    • 39Kritische Rezensionen
    • 84Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Am besten bewerteter Film #198
    • Für 7 Oscars nominiert
      • 7 Gewinne & 41 Nominierungen insgesamt

    Fotos134

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    Topbesetzung99+

    Ändern
    Daniel Day-Lewis
    Daniel Day-Lewis
    • Gerry Conlon
    Pete Postlethwaite
    Pete Postlethwaite
    • Giuseppe Conlon
    Alison Crosbie
    • Girl in Pub
    Philip King
    • Guildford Soldier
    Emma Thompson
    Emma Thompson
    • Gareth Peirce
    Nye Heron
    • IRA Man 1
    Anthony Brophy
    Anthony Brophy
    • Danny
    Frankie McCafferty
    Frankie McCafferty
    • Tommo
    Paul Warriner
    • Soldier
    Julian Walsh
    • Soldier
    Stuart Wolfenden
    Stuart Wolfenden
    • Soldier
    • (as Stuart Wolvenden)
    Jo Connor
    Jo Connor
    • Bin Lady
    Karen Carlisle
    • Female Rioter
    Seamus Moran
    • IRA Man 2
    Billy Byrne
    • IRA Man 3
    Maureen McBride
    • Mother
    Jane Nolan
    Jane Nolan
    • Girl with Baby
    Laurence Griffin
    • Boy in Riot
    • Regie
      • Jim Sheridan
    • Drehbuch
      • Gerry Conlon
      • Terry George
      • Jim Sheridan
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen237

    8,1197.3K
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    Zusammenfassung

    Reviewers say 'In the Name of the Father' is a powerful film exploring injustice and family bonds, based on Gerry Conlon's wrongful imprisonment. Daniel Day-Lewis and Pete Postlethwaite deliver strong performances, with Emma Thompson's lawyer role noted. The film's direction, pacing, and emotional impact are praised, though some find it oversimplified or confusing. Its portrayal of the IRA and British legal system is both lauded and critiqued. Overall, it resonates deeply but receives mixed reviews on certain aspects.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    10jcanettis

    Extremeley Powerful, With Superb Performances

    A film fully deserving to be in IMDb's top 250, Jim Sheridan's "In The Name of the Father" is an excellent piece of work. Based on a true and very touching story, the film recounts the story of Gerry Conlon (Day-Lewis) who is wrongly accused as an IRA terrorist. Not only are the police bending the facts to prove their case, but in the process they also implicate members of his friends and family, including his father Giuseppe (Postlethwaithe) whose health condition is rather frail. Gerry is a rebellious and mildly delinquent boy who does not seem to have grown up, and his attitude toward his father is not the appropriate one; however, as they start to go through the ordeal together, Gerry gradually matures, and starts feeling a deep affection and respect for Giuseppe.

    The story is heart-breaking and shocking at the same time, all the more so when one realizes that these things actually DID happen. Although there have been some minor modifications for the purpose of the film, the backbone of the story is left completely intact.

    The two protagonists, Daniel Day-Liewis and Pete Postlethwaithe are delivering powerful performances, and they both deserved the Oscar hands-down. However, it would be unfair not to mention that virtually everyone in the film is great in his/her role.

    Jim Sheridan's direction is also very good, giving the plot a fair and balanced perspective; although the film might initially appear as pro-Irish / anti-English, in fact I consider it as quite objective. Granted, it vividly shows that some key figures in the London police were profoundly biased and manipulated maliciously the case against the Conlons; yet, it also shows that English public attitudes turned highly supportive for the Conlons' freedom when it started to become clear that they were not the culprits for the atrocities they had been charged with. We have always to remember that the film depicts a period of big tensions, with emotions running high to levels of hysteria, so we have to understand the events within this context.

    Of course, what happened to the Conlons is totally deplorable and unjustifiable; and it is real shame that the people who conspired against them have not been punished yet for their crimes. Still, one should understand the hostile attitude shown by those who were not part of this conspiracy (such as the judge, for example), who were influenced by the climate of terror and the outrage of the public. The Conlons had the terribly bad luck to be at the wrong place, in the wrong time, and with the wrong nationality; the also have the great misfortune to be captured by people who in their quest to show results were shamelessly willing to risk indicting people who could possibly be innocent.

    "In the Name of the Father" is a fantastic film, which one should not miss. 10/10.
    9michelerealini

    Disquieting great film

    The movie is based on a true story. Belfast guy Gerry Conlon is suspected of being one of the IRA terrorists responsible for a bomb in Guilford, London, in 1974, which killed several people. He spends 15 years in jail, fighting for his innocence and for truth.

    After working with Daniel Day Lewis in "My left foot", director Jim Sheridan teams again with the actor for this drama. The strong cast is completed by Emma Thomson and Pete Postlewaite. The result is a brilliant, passionate feature which tells about injustice. It's a disquieting film.

    This is doubtless the most achieved collaboration between the director and the main star. The other pictures as well are very good, but here we have a film of accusation -the story is more involving. Day Lewis performance in "My left foot" was awarded with an Oscar, but the actor could have been given the same prize for his play of Gerry Conlon.

    Strong screenplay, actors and soundtrack -with music of Gavin Friday and Maurice Seezer and songs of Irish stars Bono and Sinead O'Connor.
    8TOMASBBloodhound

    Terrorism hurts everyone.

    In watching this fine film, on idea kept running though my mind. That being terrorism often hurts the innocent much more than the declared enemy. In the Name of the Father is a powerful, well-acted drama about terrorism and injustice. And also the love one man feels for his father. Some of the events in this film are factual, and others are not. Despite some liberties taken with history, the film still makes a strong point, however.

    Daniel Day-Lewis plays Gerry Conlon, a young man falsely accused along with several other friends and family members, of bombing a London pub in 1974. The bombing, performed by the IRA, killed a few persons and wounded several others. Conlon and his friends just happen to be near by when the bombing takes place. Through police torture, Conlon and his best friend confess to the crime, thinking a trial will exonerate them. Trouble is, there had been so many recent bombings that the legal system in Britain was just crying out for a scapegoat. Conlon and four friends are given life sentences. Several members of Conlon's family are also given stiff jail sentences. Even his own father who seems to be the most righteous and kind person imaginable and who never set foot in England at all during the time of the bombing!

    The film starts out like a shot from a cannon, as we see just how violent and chaotic Blefast was during the early seventies. Just living a normal life looked impossible. If the British troops weren't after you, then the IRA members were. The film also scores when we see Conlon head off to London to presumably make a better life for himself. He and a friend force themselves into a commune and enjoy a brief period of free love and decadence. The film gets very heavy once Conlon is arrested and tortured. And the last hour detailing his time behind bars is just plain somber. We watch his father just sort of waste away with him behind bars while an aggressive lawyer (Emma Thompson) fights to get them out. Pete Postletwaite is exceptional as Gerry's father, and seeing him grow sicker and weak is very difficult for the viewer.

    The film tries to shift gears down the stretch and show how Conlon has become determined and more radicalized, but these scenes are nothing spectacular. Even the conclusion seems a little anti-climatic, but at least we see some justice finally get done. The acting is very, very good. Lewis is as good as ever, and nobody looks out of their league. There are some historical liberties taken. Gerry and his father never actually lived in the same cell, for instance. Overall, this film will stick with you, though.

    In watching this film, one cannot help but feel for the victims of terrorism. I have personally not much knowledge of the conflict between the IRA and Britain, except to say that I'm well aware of how long and deep the scars run between the English and Irish peoples. That said, there is simply no excuse for terrorism. Look at how many victims that pub bombing created. Not only those who perished or were injured. That act of terror sent several innocent people to jail and ruined their lives! The British legal system is certainly to blame for sending the wrong people to jail, but would this have even happened if the IRA had not bombed that pub? A similar situation can be seen in the Middle East today. Radical Muslims look to strike out at Western interests, but their actions often hurt scores more other Muslims than any actual Western interests! Will we ever all learn to get along on this planet?

    8 of 10 stars.

    The Hound.
    8gavin6942

    History and Court Drama

    A man (Daniel Day-Lewis)'s coerced confession to an IRA bombing he did not commit results in the imprisonment of his father as well. An English lawyer fights to free them.

    This film is a great combination of history and court drama. Sometimes both mix very nicely (as with the Nuremberg trial) and sometimes they do not. Here, we get a nice glimpse at the IRA in Ireland without dwelling on it too much and also get the true story of a family that was wronged by the state for their alleged involvement in terror.

    Ireland today is not the same place it was a generation ago, but it is not so far removed that this story is "distant history" and not important. Heck, Americans should probably know more about it than what they pick up from a U2 song.
    Chrysanthepop

    In the Name of the Father and the Truth

    Jim Sheridan's astonishingly fantastic 'In the Name of the Father' tells the brutally direct story of a wrongfully accused family who are tortured into making a false confession and imprisoned by the British justice system. Sheridan has a way of telling his stories where he gets straight to the point and does not fear to show the reality of the situation while keeping us viewers at the edge of our seats. The film is based on Gerry Conlan's autobiography where Daniel Day-Lewis plays the central character. Sheridan effectively portrays Gerry and Giuseppe's struggle and fight against injustice and his portrayal of the corrupt British justice system is frightening. Just the idea that people could get away with such things in a country like the UK is chilling and Sheridan skillfully brings that across on screen. Terry George's brilliant screenplay with rich characters and solid dialogues forms a good backbone for the film. I also liked how the humour was infused in a modest dose as not to interfere with the intensity of the story. There are some excellent performances. Daniel Day-Lewis delivers a suitably explosive performance as he breathes fire into the role while Pete Postlethwaite is sublime and equally outstanding as Gerry's father, Giuseppe. Though father and son do have issues to fight over, it is Giuseppe who is Gerry's conscience and Postlethwaite's heartbreaking act really touches the heart. Emma Thompson holds her own and she is simply excellent. The rest of the cast do a superb job (watch out for Tom Wilkinson in a bit role). The soundtrack fits the mood of the film and the cinematography is good, especially in the prison sequences, where it creates that feeling of claustrophobia which gets stronger after Gerry is alone in his cell. I have liked all of Sheridan's ' films that I have seen so far and 'In The Name Of The Father' is another remarkable film from this fine director. It is a difficult movie to watch due to some disturbing themes and scenes (though most of them are rather suggestive it is the idea behind that sends chills down the spine) but it is definitely worth watching.

    Handlung

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    • Wissenswertes
      In preparation for his role, Daniel Day-Lewis lost thirty pounds and spent nights in the jail cell on the set as crew members threw water and verbal abuse at him.
    • Patzer
      In court, Inspector Dixon states that he "never even spoke to Gerry Conlon". Some minutes later, when Gerry Conlon is being interrogated, the accused says "You told Inspector Dixon that you had committed a robbery" holding Gerry's statement. There's proof that Inspector Dixon and Gerry spoke, thus making his testimony in court false. Any defendant's attorney would have noticed this.
    • Zitate

      [Speaking to people outside the court]

      Gerry Conlon: I'm an innocent man. I spent 15 years in prison for something I didn't do. I watched my father die in a British prison for something he didn't do. And this government still says he's guilty. I want to tell them that until my father is proved innocent, until all the people involved in this case are proved innocent, until the guilty ones are brought to justice, I will fight on. In the name of my father and of the truth!

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: The Pelican Brief/Beethoven's 2nd/Philadelphia/What's Eating Gilbert Grape/Wrestling Ernest Hemmingway (1993)
    • Soundtracks
      In the Name of the Father
      Performed by Bono and Gavin Friday

      Written by Bono / Gavin Friday (as Friday) / Maurice Seezer (as Seezer)

      Published by Blue Mountain Music (UK)

      Mother Music/Blue Mountain Music (Eire)

      Taiyo Music/Blue Mountain Music (Japan)

      Polygram Music/Blue Mountain Music (ROW)

      (P) 1993 Island Records Limited

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 17. März 1994 (Deutschland)
    • Herkunftsländer
      • Irland
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • En el nombre del padre
    • Drehorte
      • Kilmainham Jail, Dublin, County Dublin, Irland(Jail scenes)
    • Produktionsfirmen
      • Hell's Kitchen Films
      • Universal Pictures
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    Box Office

    Ändern
    • Budget
      • 13.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 25.096.862 $
    • Eröffnungswochenende in den USA und in Kanada
      • 109.805 $
      • 2. Jan. 1994
    • Weltweiter Bruttoertrag
      • 65.796.862 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 13 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo
      • DTS
    • Seitenverhältnis
      • 1.85 : 1

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