The Late Late Show with Craig Kilborn

Kilborn has proven that funny isn't genetic. Without good writing, his new effort seems like he's making no effort. His good looks and charm only expose his lack of talent...hopefully only temporary. If he learns quickly, he'll be back in form, bu it's gonna take some solid, new writing.

The Kilborn show was funny, topical, and had ironic class. I miss it a lot. Neither Ferguson or Conan are as good. Also, this was one of the few shows that captured a little bit of 80s nostalgia from someone of the "right" age. Mostly people who came of age in the 80s are skipped over, the media marketing went right from the baby boomers to generation Y and Z. Face it folks, gen x is in their 40s and we didn't even get a t-shirt.

Maybe, it's misplaced, but I kind of felt like this was "our" show and that there will never be another. Look at all those great early 80s bands he brought back-- and he understood them. I hope we get a DVD collection of the Kilborn show with some of his Daily Show material thrown in, too.

Craig Kilborn seems to have a habit of taking a job, putting his style to it and then moving on to something new. He did it on ESPN's "Sportscenter." He did it again at Comedy Central's "The Daily Show," and he did it with this, his CBS Late Night talk fest.

To really understand what went on with this program, you have to know the history. Go back to the remarkable HBO series, "The Larry Sanders Show," where Garry Shandling played a self-absorbed emcee. At a crucial point, the fictional Sanders was looking for someone to host a program after his and the name he came up with was Tom Snyder. In a "life imitates art" moment, David Letterman brought Snyder in to host "The Late Late Show." Where Snyder was innovative and cutting-edge in the 1970s and 80s, his delivery and selection of guests for the late 90s were more conducive to a mid morning deadly dull radio program, and people were quick to tune out.

Meanwhile, Kilborn was building a reputation as an amusing character, doing interviews on "The Daily Show" and introducing his "Five Questions" quiz of guest celebrities there. When it was time to replace Snyder, Letterman plucked Kilborn from his Comedy Central job and installed him at the 12:30am slot. Craig's arrival at CBS may have surprised some, but it was clear that he was ready for this next step in his career. In early 1999, Kilborn signed on, with almost no fanfare whatsoever.

The critics didn't seem to get what Kilborn was attempting to do with the genre at first, and branded him a smarmy frat boy early on in his run. He was, in fact, probably the most underrated host in the history of late night television.

His set looked like an erudite bachelor's lair, with wood tones, a fully stocked bookcase, overstuffed and distressed warm leather chairs, a bar cart and a sound system where he could play the stylish music of Sergio Mendes, Antonio Carlos Jobim or sample the hits of a performer on the program. There was also a "windowseat," to which he brought several female guests to do some canoodling, most famously, Catherine Zeta-Jones.

When he was not figuratively or literally kissing up to his guests, the host of the show was clearly trying to do something a little different from other late night talkers. His affirmational concepts including his catchphrase, "Proud of you," were a constant, and he had a metrosexual air, even before that term became part of the vernacular. His attempt to bring back the Ascot was only one in a series of style choices, and he was typically well groomed, keeping a hand mirror as one of the props on his over-sized Bavarian Oak desk.

His heroes were the stars of Old Hollywood and 1960s teevee, and many made semi-regular appearances on the program. His "Tuesdays With Buddy" segment featured Borscht Belt favorite Buddy Hackett. Adam West, William Shatner and Merv Griffin all paid visits, and his final show featured a taped segment with famed producer Robert Evans. Also notable were the seemingly never ending parade of supermodels and starlets that visited, which gave Kilborn a chance to show off his boyish charm and Midwestern homespun manners.

Perhaps the most historic moment for the show came when, with the sponsorship help of Coca-Cola, they took the program on the road to the NCAA Men's Basketball Final Four in 2003. A week in New Orleans was the first and only road trip for the program, and featured a segment where the modest Kilborn wandered around the French Quarter imploring women to keep their tops on, and permitted him the opportunity to show off some of his basketball prowess, since he was a member of his college team.

Kilborn had a taste of success with acting during the run of the program, including a well-received appearance in the big screen "slob" comedy "Old School," and that might have sealed the show's fate. He realized that he wanted to do something more, and hosting the program meant he would be tied to that desk, unable to continue to grow. He shocked many people (including some CBS execs and industry insiders) by leaving the program on August 27, 2004, a decision that was only made public a few weeks before his departure.

Many of the show's staff remained in place through the guest host trials that followed Kilborn's exit, and many stayed on for the program's ensuing incarnation: "The Late Late Show With Craig Ferguson."

Craig Kilborn always puts a smile on my face when I'm up late enough to see him. If you find yourself up late, I highly recommend watching this show. Unlike late night show hosts on other networks, Craig Kilborn has a personality and is easy to relate to. He looks and talks like someone I would actually know in everyday life. One of the best parts of the show is a skit called "What Up?". They don't do it every night but I wish they did. I've also discovered some good musical groups that have made guest appearances on the show. If you find Conan as hideous and unimaginative as I do, check out Craig Kilbourn for a refreshing change of pace.

When I was about eight years old, I used to tune in to Letterman or Leno from time to time. While their juvenile antics amused me when I was young, and on rare occasion still do to some extent-- I grew weary of their repetitive, unfunny jokes and stupid skits. In my mid-teens, I started watching Conan. I thought, this guy is succeeding where the others have failed. But I also tired of Conan, and rather quickly, as I found his range as a comedian quite miniscule and his jokes monotonously shallow. I still tuned in occasionally, but not more than a few times a year, because that seemed to be the only way late shows could stay funny and fresh to me.

And then, about a year ago, my friend started nagging me to watch Craig Kilborn. I kept forgetting about it, and so he started taping episodes and making me watch them whenever I was over at his house. At first, though I noted Kilborn to be a skilled comedian with a very diverse portfolio of perfectly executed facial expressions, I didn't understand a lot of his jokes. This is because he has built his show upon a foundation of inside jokes that are sometimes rephrased and repeated a number of times within any given week. As a new viewer, I was unfamiliar with his inside jokes. But now, I feel they are one of the best parts of his show, because for an inside joke to be funny-- the audience has to KNOW what he is talking about. It makes you feel like a part of the show.

I treasure parts of Kilborn's show, such as In The News, Five Questions, and Yambo. Not only are these segments often the highlight of Craig Kilborn, they (more often than not) dwarf the competition in terms of wit, humor, and intelligence.

But the thing that makes The Late Late Show with Craig Kilborn succeed more than anything else is Craig Kilborn. He has a style of comedy that is very self-referential, and he puts on the act of a vain man who thinks he is more important than he really is. He'll act like he thinks he's a big star, while in reality, he's really making fun of himself.

You have to hand it to him. This man with no announcer and no band has single-handedly created the greatest late-night talk show of our time.

If you don't like Craig Kilborn, then try watching it for a couple of weeks straight. If you're not converted by the end of those two weeks, then you're simply not American.