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Godzilla - Final Wars

Originaltitel: Godzilla: Final Wars
  • 2004
  • 16
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
6,3/10
10.346
IHRE BEWERTUNG
Godzilla - Final Wars (2004)
Home Video Trailer from Sony Pictures Home Entertainment
trailer wiedergeben0:33
2 Videos
99+ Fotos
Action EpicAlien InvasionDark FantasyDinosaur AdventureGlobetrotting AdventureKaijuMartial ArtsSupernatural FantasyUrban AdventureAction

Füge eine Handlung in deiner Sprache hinzuGodzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.Godzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.Godzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.

  • Regie
    • Ryûhei Kitamura
    • Kôji Hashimoto
    • Shûsuke Kaneko
  • Drehbuch
    • Isao Kiriyama
    • Ryûhei Kitamura
    • Wataru Mimura
  • Hauptbesetzung
    • Masahiro Matsuoka
    • Rei Kikukawa
    • Don Frye
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    10.346
    IHRE BEWERTUNG
    • Regie
      • Ryûhei Kitamura
      • Kôji Hashimoto
      • Shûsuke Kaneko
    • Drehbuch
      • Isao Kiriyama
      • Ryûhei Kitamura
      • Wataru Mimura
    • Hauptbesetzung
      • Masahiro Matsuoka
      • Rei Kikukawa
      • Don Frye
    • 163Benutzerrezensionen
    • 121Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Nominierungen insgesamt

    Videos2

    Godzilla: Final Wars
    Trailer 0:33
    Godzilla: Final Wars
    Godzilla: Final Wars
    Trailer 0:27
    Godzilla: Final Wars
    Godzilla: Final Wars
    Trailer 0:27
    Godzilla: Final Wars

    Fotos240

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    Topbesetzung99+

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    Masahiro Matsuoka
    • Earth Defense Force Soldier Shin'ichi Ôzaki
    Rei Kikukawa
    • UN Molecular Biologist Miyuki Otonashi
    Don Frye
    Don Frye
    • Douglas Gordon
    Maki Mizuno
    • Newscaster Anna Otonashi
    Kazuki Kitamura
    Kazuki Kitamura
    • The Controller of Planet X
    Kane Kosugi
    Kane Kosugi
    • M-Facility Soldier Katsunori Kazama
    Kumi Mizuno
    Kumi Mizuno
    • Earth Defense Force Commander Akiko Namikawa
    Akira Takarada
    Akira Takarada
    • UN Secretary General Naotarô Daigo
    Kenji Sahara
    Kenji Sahara
    • Paleontologist Hachirô Jingûji
    Masakatsu Funaki
    • M-Unit Commanding Officer Kumasaka
    Masami Nagasawa
    Masami Nagasawa
    • Shobijin (Twin Fairy)
    Chihiro Ôtsuka
    • Shobijin (Twin Fairy)
    Wataru Shihôdô
    • Major Kita
    Kenta Suga
    • Kenta Taguchi
    Shigeru Izumiya
    • Samon Taguchi
    Shinji Suzuki
    • Mutant Soldier
    Minoru Matsumoto
    • Gotengo Crew Member
    Kanae Uotani
    • Xilian
    • Regie
      • Ryûhei Kitamura
      • Kôji Hashimoto
      • Shûsuke Kaneko
    • Drehbuch
      • Isao Kiriyama
      • Ryûhei Kitamura
      • Wataru Mimura
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen163

    6,310.3K
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    Empfohlene Bewertungen

    5UberNoodle

    A Fun film that makes no excuses for being what it is!

    First, before my review, I have address two points of contention about this film. For starters, the hero (Ozaki), besides having short black hair, black clothes and martial arts skills, no more resembles Keanu Reeves, than a brick resembles a prime-mover. His clothes may have similar pigmentation to the Matrix's Neo but in this film Ozaki is actually wearing white plastic body armour, and his military coat is dark green. Both he and Neo might share martial-arts knowledge. At least Ozaki is from the country that invented a large portion of it! Besides, I thought he looked MUCH more like Noah Wyle. If his coat had been white, perhaps people would say the film was ripping off ER.

    The second issue is about the 'Matrix style'. Since even the creators of those films admit that their style harvests greatly from manga, anime, and HK action movies, it would be fair to say that Final War's director, Ryuhei Kitamura is more influenced by his own culture than three blockbuster popcorn flicks. Stopping bullets with telepathy, psychic battles, gravity defying fights, and slow motion have been enjoyed in Japan and mainland Asia for a VERY long time. Unfortunately, many aspects of their fiction have been somewhat hijacked by Hollywood.

    The director shows many influences in this film, and it would foolish to deny that the Matrix did not play a part in shaping his approach. However, many film goers are simply unaware of the depth of The Matrix's own influences, and shouldn't attribute too much to them. Anyway, on to the review.

    Well, if you are seriously wanting to get anything out of this film, you should probably become a fan of Godzilla and Kaiju genre. Anyone else would probably mistake this film's style, steeped in Kaiju tradition, for faults. It is true that the special effects are mostly 'analogue', and that the monsters are NOT CGI (usually). Yes, they are men in suits wrestling in model cities, but is it a flaw? Heck no! This film is great entertainment, and even a little touching!

    The story is simple: a new force threatens the earth and sends monsters to destroy cities and crush humanity. What else? Luckily, the defenders of earth, a collection of mutants themselves, strive to combat the threat and restore peace. Godzilla herself may just be the only weapon left to mankind that could save the human race.

    And so stylistically this film is very SF. The human forces wear futuristic body armour and sport hightech weapons. There are flying battleships and alien spacecraft. This may be an angle that some fans don't agree with but atleasy the monsters are all here. I forget how many, but quite a few from the Godzilla bestiary return to wreak havoc, and there are some fantastic clashes between them.

    However, Final Wars is as much a human story as it is one of mass destruction at the hands of giants. Yes, that was a little difficult to say. But there is quite a lot of focus placed on the human protagonists this time. They are fighting a new and mysterious new foe. Many of the action sequences, and in fact often the longest ones, involve humans in hand-to-hand.

    Even if this raises the hackles of a few Kaiju fans, I can understand: bring on the rubber-suited titans and all that. Yet I think that this dual focus adds an engaging dramatic quotient to the film. The action sequences may also draw a few comparisons to a certain fizzled out sci-fi trilogy, and all I can I say to that, is written above. And the words "get", "over" and "it".

    The acting skill of the players varies between that of a seasoned performer to that of a pro-wrestler grapling with his lines. Oh wait, I think he is a pro-wrestler. I feel though, that if viewers are looking at acting skill in a film like this, they missing out on the bigger picture. Rest assured however, that this is definitely not like Devilman, where store-front manikins could have acted better.

    Reportably, Final Wars is an anniversary film, and it is, though doubtfully, the last in the Godzilla series. For that reason, regardless if it remains that way, I was very happy to see the film stay true to the heritage it is a part of. It provides a fitting farewell. There is something refreshing, watching rubber-suited actors trample miniature sets - actors pretending to be monsters, waving their claws about. Sure the such things are cheesy and yes the rest is overly stylised, but the film makes no excuses for that, and it shouldn't.

    Bring it on!
    6ebiros2

    This is More Like It

    The story of "Godzilla Final Wars" is like "Godzilla Vs. Monster Zero", "Independence Day", and "Matrix" rolled into one. An alien from Planet X comes to earth pretending to warn earth people about the danger of planetoid Golath which will be impacting earth in 11000 hrs. They also remove monsters that are on rampage in several cities around the world. But of course this is all just a show to win favors from the earthlings. They are secretly out to destroy civilization and transform earth people into human cattle. Earth has seen birth of mutants which have special powers. They all have the same "M" gene that people from planet X has. Ozaki (Masahiro Matsuoka) is one of them, and like Neo in Matrix, he's the only mutant who's powerful enough to beat the Planet X invasion force leader (Kazuki Kitamura). Earth's last chance to save itself is the core Earth Defence Force team on Gotengo (Atragon), and Godzilla who's kept in hibernation. Gotengo goes on a mission to wake Godzilla up and confront all the monsters under the influence of Planet X leader and destroy their mother ship.

    Out of all Godzilla movies made in the 21st century, which was on again off again at best, this one in my opinion is the best. Being the 50th anniversary Godzilla movie, this movie doesn't skimp on nostalgia. The old faces like Akira Takarada (Gojira '54), Kenji Sahara (Rodan), Kumi Mizuno (Matango) shows up to say fare well to the franchise that lasted 50 years. CGI special effects are also more realistic on this movie than say the '90s Mothra franchise.

    On the minor note, music by Keith Emerson is terrible, and acting is as soul less as the actors themselves. Wardrobe is unbelievably bad, and the plot - well, there's really no plot to speak of.

    Godzilla fights the following monsters: "Gigan (1)", "American Godzilla (Called here Zilla)", "Kumonga", "Kamacuras", "Anguilas", "Rodan", "King Caesar", "Hedorah", "Ebirah", "Monster X", "Gigan (2)" and "King Gidorah". Mothra and Minilla (Son of Godzilla) makes appearances as well. I had some loathing about Toho's poor selection of talents, and sometimes cheezy special effects until I heard they make these movies for under $10 million, and I had renewed respect for Japanese efficiency (average Hollywood picture costs $64 million). This movie seems to be made on slightly bigger budget than usual and effects are better. So after some disappointing shows since the death of Heisei Godzilla, this movie recaptures the excitement of Godzilla movies, and in my opinion, this is more like it !
    7kosmasp

    Didn't like the US Godzilla/Gojira?

    Neither did the makers of this movie ... that's why they took the US-Godzilla "for a ride here"! But that's not the only creature from the Gojira/Godzilla past that is brought back. I don't if every creature is on display here, that was in a previous movie, but there quite a few of them. So if you know your Gojira movies, you'll have plenty to enjoy from those "cameos" alone!

    You might have guessed it already, but this movie doesn't take itself serious, too. It's a great fun ride and it never aims for anything else than this promise. And since it delivers on that promise/premise, it's a pretty good movie (for me at least)! You will even enjoy it, if you're not familiar with the back story of Gojira, just bare in mind, that this is mostly old-school effects (man in costume kind of effects, so to speak). There are occasionally a few CGI, but it's mostly old school. And that's the fun of it! So it just depends on your expectations, on how you'll like the movie ...
    damonfoster

    Great, but Overkill

    My favorite Godzilla movie since TERROR OF MECHAGODZILLA (Toho; 1975)! Since 2000, I felt the series was a string of indistinguishable films. I was also never impressed by the 'heisei' or post-GODZILLA 1985 series. So for better or worse, GODZILLA: FINAL WARS stands out. It tends to emulate the more over-the-top Godzilla movies of the 1970s, which I certainly don't mind. Instead of following the exact same pattern as all of GODZILLA 2000's (Toho; 2000) predecessors, GODZILLA: FINAL WARS takes a more creative approach and swipes ideas from THE MATRIX (Silver Pictures; 1999), all them X-Men comic books, and spatterings of typical Japanese TV hero stuff. While all these mixed genres may not play off each other perfectly and we have a mess of a film at times, at least we've finally got a Godzilla movie that actually stands out from the rest (I think the only other stand out film is 1971's GODZILLA VS. THE SMOG MONSTER).

    However, its over-the-top approach was headache-inducing: The fast pace is overkill (in sharp contrast to every movie in the series starting with GODZILLA 1985), and reminded me of crazy Hong Kong fantasies of the 1980s or 1990s, specifically Tsui Hark farces like ZU: WARRIORS OF THE MAGIC MOUNTAIN (Golden Harvest; 1983). It got frustrating trying to keep up, amid all the quick edits and flashy gimmicks which hide a fairly simple story we've seen before (space invaders attack Earth and control giant monsters). Yet despite all this, I still like the movie a lot, and consider it an improvement over everything to come out of the series in the 1980s and 1990s.

    The human characters at least offer old timers like Kumi Mizuno and Akira Takarada some interesting roles, and I didn't recognize Akira Takarada right away. The younger actors are interesting too-- better than the generic, boring soldiers of the last few movies, at any rate. The main villain, in his typical post-MATRIX black cape, has this eerie make-up, but is so emotional and bumbling that he's more clown-like than scary.

    Many Godzilla fans dislike the movie, but with me, you're seeing it from the point-of-view of a fan of superheroes & martial arts. So I think this puts me in a position to evaluate & appreciate the over-all movie on another level. When the heroes and villains clash, it's fairly exciting action, but being a post-THE MATRIX movie, everything is over-enhanced with CGI junk. Their plight is diminished because we know there's really no thrilling stunt work. I met action choreographer & stuntman Tsutomu Kitagawa last year, and we did some comical martial arts moves for video cameras. His karate skills are first rate, having studied at Sonny Chiba's Japan Action Club and made his debut in superhero programs such as the classic AKUMAIZER 3 (Toei; 1974) series. Unfortunately, his work is diminished because of the CGI 'enhancements' which give all the choreography & stunts an artificial feel. What's the point of a high-speed motorcycle chase that isn't real? It's like a radio ventriloquist; simply defeating the purpose. While it might not impress the average dai-kaiju fan, there are fans of superheroes & martial arts who will find fun in GFW. Though the typical Godzilla fans might hate GFW, the typical Kamen Rider fans will like it.

    There's an impressive list of nostalgic names on hand: Not just Godzilla and Ghidrah, but Rodan, Mothra, Atragon, King Seesar, Minya, Manda, Angilas, Hedorah, Gino, Spiga, Gimantis, and Ebirah all make appearances. This tops the masterpiece DESTROY ALL MONSTERS (Toho; 1968) in that respect (sheer quantity). It's always exciting to see old favorites return. Angilas looked pretty damn slick, but I didn't like the designs of the two new (and over-used!) Gigans, felt Gimantis & Rodan relied too much on CGI artificiality, I never liked the "Godzilla with ears" look, and thought the meager cameos by Gino & Hedorah were way too brief and abrupt; amounting to little more than in-jokes than actual monster battles. Sad to say, for the first time ever, I thought Minya had one of the better designs and was the most interesting monster! So I guess I didn't like the way all the monsters looked, but just seeing them all in one film made it amusing.

    All in all, it strikes me as a great film and if it wasn't the "final" (?) film in the series, I would consider it a step in the right direction. -Damon
    BrianDanaCamp

    GODZILLA FINAL WARS: The Big G goes out with a big bang

    GODZILLA FINAL WARS may not please Godzilla purists but it delivers the goods for everybody else, -at least those with some knowledge of Godzilla lore. I saw it with a packed house of G fans at Subway Cinema's annual New York Asian Film Festival and it was the perfect audience for a film as steeped in the kaiju mythos as this one. Every time a new monster appeared on screen the crowd applauded or, rather, they applauded once that monster became recognizable, since the director often teases us with quick cuts and blurry motion before giving us a good, steady full-body shot. There are 15 monsters in all, many friendly old faces and some obscure ones, but all recognizable to longtime Godzilla fans.

    The other real pleasure for G fans is the star-studded cast. Three venerable stars of older kaiju films turn up, two in major roles. Akira Takarada (star of the original GODZILLA, 1954) plays the UN Secretary General and Kumi Mizuno (the gorgeous leading lady from MONSTER ZERO, FRANKENSTEIN CONQUERS THE WORLD, WAR OF THE GARGANTUAS and more) plays the Commander of the Earth Defense Force. In a smaller role, Kenji Sahara turns up in a lab coat assisting the attractive young female biologist (Rei Kikukawa) assigned to investigate the monster attacks. Also on hand are Jun Kunimura (Boss Tanaka in KILL BILL VOL. 1); Kane Kosugi, a martial arts star in his own right and son of "ninja" star Sho Kosugi; and one other gorgeous actress, Maki Mizuno, who plays the biologist's newscaster sister. Masahiro Matsuoka plays Ozaki, the lead mutant hero who uses MATRIX-style martial arts to fight the alien invaders. Don Frye plays the tough American captain who pilots the Gotengo (the flying, burrowing ship from ATRAGON) and stands up to the aliens in several memorable confrontations. A martial artist/wrestler/extreme fighter known primarily in Japan, Frye speaks all his lines in English in the Japanese print I saw, while everyone else speaks Japanese to him.

    The film's all-star monster cast and alien invasion plot seem derived chiefly from DESTROY ALL MONSTERS (1968), but with everything pumped up to hyper speed. The film is incredibly fast-paced and filled with action, either in the form of battles between monsters or martial arts fights/ray-gun shootouts between the human and mutant defenders and the alien invaders. Since the monsters attack numerous cities around the world (including New York, Paris, Shanghai, Tokyo--of course--and even Vancouver!) there turns out to be more mass destruction in this film than in all other G films combined.

    One can argue that the whole production is sheer lunacy, but it's lunacy done with conviction and affection. The director clearly knows and loves Godzilla films and he conveys that love while also adding new twists and imaginative touches (e.g. Anguirus, the spike-covered ankylosaurus, curling up into a spiked ball to launch a rolling attack). One's overall reaction depends on any number of factors, but this should definitely be seen by all kaiju fans.

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    Handlung

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    • Wissenswertes
      This 28th Godzilla film marked the final use of Toho's Big Pool water tank, which was used for the water scenes for all Tôhô special effects-related films since Banzai-Banzai, die Piloten des Teufels (1960), for which it was constructed. The Big Pool was 88 meters wide and 72 meters long. It was given one final performance when it was last used for this film on September 7th and was demolished on October 13th. Toho's decision to destroy the pool was due to "progress of special-effects technology such as CG, and a large-scale reconstruction plan of the studio." This was considered by many to be the end of an era.
    • Patzer
      The New York cop's mouth and speech are badly mismatched. This is because actor Mick Preston used the F-word repeatedly during filming and was later required to dub over his original dialog with less-offensive language. Viewers can still see him mouthing the F-word in certain shots.
    • Zitate

      The Controller of Planet X: [after Godzilla defeats 'Zilla'] I knew that tuna-eating monster was useless!

    • Crazy Credits
      After Godzilla and his son wade off into the sea with a final roar, the title monster's name appears on screen one last time. The ending credits themselves play over various scenes from the movie, including some that were deleted or removed from the finished cut. These include Mothra flying back to her home island, Hedorah the smog monster with some brief city destruction, more lead up to Ozaki making his way too Douglas Gordan, a fight between Kazama and Kumasaka in the news room, a new shot of King Caesar running, and several different shots of Godzilla. The credits fade to black with the sound of the original Godzilla roar signaling the end.
    • Alternative Versionen
      Though the film is already filled with references to past Godzilla movies, the German dub adds a new one by referring to the monster Gigan with the code-name "Monster Zero", as a nod to the film Befehl aus dem Dunkel (1965) in which King Ghidorah had that designation.
    • Verbindungen
      Featured in Cinemassacre's Monster Madness: Godzilla 1998 (2008)
    • Soundtracks
      We're All to Blame
      Performed by Sum 41

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    • Is this really the final Godzilla movie?
    • Does King Ghidorah appear in this film?

    Details

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    • Erscheinungsdatum
      • 4. Dezember 2004 (Japan)
    • Herkunftsländer
      • Japan
      • Australien
      • China
      • Vereinigte Staaten
    • Offizielle Standorte
      • Distributor's official website for private individuals
      • Distributor's official website for professionnals
    • Sprachen
      • Japanisch
      • Englisch
      • Kantonesisch
    • Auch bekannt als
      • Godzilla: Final Wars
    • Drehorte
      • Broken Hill, New South Wales, Australien(Arizona scenes)
    • Produktionsfirmen
      • Toho Pictures
      • C.P. International
      • Zazou
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 19.500.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 9.167.302 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 5 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital EX
    • Seitenverhältnis
      • 2.35 : 1

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