Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Die Zeit die bleibt

Originaltitel: Le temps qui reste
  • 2005
  • 12
  • 1 Std. 21 Min.
IMDb-BEWERTUNG
7,1/10
9425
IHRE BEWERTUNG
Die Zeit die bleibt (2005)
Theatrical Trailer from Strand Releasing
trailer wiedergeben1:47
1 Video
26 Fotos
Drama

Ein Modefotograf mit Krebs im Endstadium beschließt, dass er allein sterben möchte und bereitet seine Angehörigen und Freunde darauf vor, ohne ihn weiterzuleben, anstatt das Unausweichliche ... Alles lesenEin Modefotograf mit Krebs im Endstadium beschließt, dass er allein sterben möchte und bereitet seine Angehörigen und Freunde darauf vor, ohne ihn weiterzuleben, anstatt das Unausweichliche mit einer Chemotherapie zu verlängern oder von dem Mitgefühl in seinem Umfeld erdrückt zu ... Alles lesenEin Modefotograf mit Krebs im Endstadium beschließt, dass er allein sterben möchte und bereitet seine Angehörigen und Freunde darauf vor, ohne ihn weiterzuleben, anstatt das Unausweichliche mit einer Chemotherapie zu verlängern oder von dem Mitgefühl in seinem Umfeld erdrückt zu werden.

  • Regie
    • François Ozon
  • Drehbuch
    • François Ozon
  • Hauptbesetzung
    • Melvil Poupaud
    • Jeanne Moreau
    • Valeria Bruni Tedeschi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    9425
    IHRE BEWERTUNG
    • Regie
      • François Ozon
    • Drehbuch
      • François Ozon
    • Hauptbesetzung
      • Melvil Poupaud
      • Jeanne Moreau
      • Valeria Bruni Tedeschi
    • 52Benutzerrezensionen
    • 81Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 2 Nominierungen insgesamt

    Videos1

    Time to Leave
    Trailer 1:47
    Time to Leave

    Fotos26

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 19
    Poster ansehen

    Topbesetzung30

    Ändern
    Melvil Poupaud
    Melvil Poupaud
    • Romain
    Jeanne Moreau
    Jeanne Moreau
    • Laura
    Valeria Bruni Tedeschi
    Valeria Bruni Tedeschi
    • Jany
    • (as Valeria Bruni-Tedeschi)
    Daniel Duval
    Daniel Duval
    • Le père
    Marie Rivière
    Marie Rivière
    • La mère
    Christian Sengewald
    • Sasha
    Louise-Anne Hippeau
    • Sophie
    Henri de Lorme
    • Le médecin
    Walter Pagano
    • Bruno
    Violetta Sanchez
    • L'agent
    Ugo Soussan Trabelsi
    • Romain enfant
    Alba Gaïa Bellugi
    Alba Gaïa Bellugi
    • Sophie enfant
    • (as Alba Gaïa Kradhege Bellugi)
    Victor Poulouin
    • Laurent
    Laurence Ragon
    • La notaire
    Thomas Gizolme
    • L'assistant photographe
    Estelle Dupuis
    • La styliste
    Hisano Komine
    • La maquilleuse
    Stéphane Forlay
    • Le coiffeur
    • Regie
      • François Ozon
    • Drehbuch
      • François Ozon
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen52

    7,19.4K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    9ranarivelo

    A fantastic movie

    How someone can NOT like this film is beyond me. The emotions the lead character goes through feel completely genuine. This is one of the best movies about dying that I've seen. The lead actor is awesome, and the emotions and physical transformation he goes through are very realistic. This movie was out for about 2 weeks here in California and then it disappeared. Maybe it's too depressing. I don't know. It will make you think though, and occasionally, it will make you laugh, because when you know you have nothing to lose, you speak your mind, as the lead character does.

    A great film.
    8dbdumonteil

    the grandson of "Cléo De 5 à 7" (1961)

    "time slips away and the light constantly fades..." (the Cure, Seventeen Seconds from the eponymous album, 1980).

    Here comes François Ozon once again with a long-anticipated vehicle and a prickly topic which has been used countless of times in cinema with varying results: a person who has an incurable disease and who's going to die soon. She's got only a few months, even weeks to live. How does she react? How does she live her last moments of life? This is the thrust of Ozon's latest opus "Le Temps Qui Reste" (2005) and it is a remarkable movie in which Ozon eschews what could have caused the fiasco of the film: pathos. There's no whiff of it in Romain's slow way towards death. According to his author, it is the second opus of a trilogy begun with "Sous Le Sable" (2000) and which will close with a third film about the death of a child. It's true that "Le Temps Qui Reste" has a few common points with "Sous Le Sable": both end with a sequence in which the main protagonist is standing on a beach but the difference between the two films lies in the fact that in "Sous Le Sable", the viewer and Charlotte Rampling weren't fully sure about Bruno Cremer's death. Maybe did he abscond, maybe did he leave Rampling whereas here we are absolutely sure about the terrible truth: Romain is going to die in spite of the words pronounced by the doctor aiming at bringing an inkling of hope. Besides, the sequence at the hospital is credible. A doctor has to tell his patient that there is a glimmer of hope although he pertinently knows the tragic exit. The sequence which comes after where we can see Romain sitting on a bench, looking around him also rings true.

    So, Romain is a young photograph in his early thirties. He's homosexual and lives with his lover in a quite comfortable flat. His life shows all the signs of professional and sentimental success. But one day, everything falls apart when one day he learns that he has a generalized cancer. Where Ozon retains the attention is how he shoots the evolution of his main character. The author of the fabulous "8 Femmes" (2002) has once said that he didn't care about the New Wave (although he puts Eric Rohmer and Claude Chabrol in his straitjacket of favorite filmmakers). Well, I don't care for it either apart from notable exceptions. Among these exceptions, there's "Cléo De 5 à 7" (1961) by Agnès Varda, probably one of the most accessible movies of this movement in spite of the gravity of the topic. The topic is the same as "Le Temps Qui Reste" and the psychological evolution of Cléo is more or less the same as Romain's. Ingoing at the beginning of their tragedy, mature at the end as death comes closer. In Romain's case, Ozon presents him as an obnoxious, brazen and egocentric young man who only lives for his job. Then he has an argument with his family an evening (the sequence of the dinner is quite incommoding) and then with his lover. He decides to visit his grandmother (Jeanne Moreau) and his stay at her house constitutes the crux of the film. He finds himself with a person who lives the same situation as him. He tells to her: "because me and you we are close to death". In Varda's piece of work, it was a young soldier Antoine who helped Cléo to accept her disease and so made her fearless facing death because he saw death very close to him too (the context was in 1961 during the Algerian war, a "dirty war", the equivalent of Vietnam for the USA). In Ozon's flick, Romain's stay at her grandmother's altered him: he tries to reconcile himself with his family, his lover and is even ready to make a baby to a family (the young woman is played by Valeria Bruni-Tedeschi who held the main role in Ozon's precedent film, "5x2", 2004). After that, Romain seems to have become another man, he has accepted to belong to the world that surrounds him and appears to be at ease and relieved amid it (see the last almost timeless sequences when he's by the sea). So, if the first part of the film was disturbing, the second one has a placating whiff. Romain's visit to his grandmother is the central and crucial moment between the two. Ozon's camera knows how to capture the situation, the feeling, the gesture, the look and the director has a real genius to let the what is left unsaid show through.

    As Romain slowly but surely makes his way towards the adamant death, there are flashes of his childhood which arrive in his mind. Maybe, they help him to accept his own death. Moreover, it is often said that old people behave like children. In a way Romain also behaves like a child, at least in the beginning of the movie, then, there's still time to become a grown-up.

    "Le Temps Qui Reste" is a small cracker which maybe won't cater for all tastes because of its thorny topic. But it has the merit to put aside formulaic or corny ingredients. As for Ozon, more power to him although it's very likely that like some of his fellows (Patrice Leconte), he'll still have to wait for a long time to receive the honors he deserves
    8paulmartin-2

    Another Francois Ozon gem

    Francois Ozon is one of my favourite French directors. His artistic renditions of the human drama contribute significantly to what makes French films so worth seeing. This is his second instalment of a trilogy about death that started with the emotionally enthralling, understated Under The Sand.

    Previously he has covered different genres like comedy (8 Women) and thriller (Swimming Pool). While these films have found a wider audience, I find the dramatically subdued exploration of grief and mortality in Under The Sand and A Time To Leave much more interesting and satisfying.

    In A Time To Leave, Romain finds his own way to deal with imminent death. Unlike most of his previous films, Ozon uses a male protagonist. He appears to be selfish and egocentric – not overly likable. Perhaps like an essay on the human condition, it is revealing to observe how he interacts with people and attempts closure on his 'final journey'.

    The film has a bit of a wandering Zen feel about it. There is no sentimentality and Romain does not burden anyone. It appears that he wants to tidy up loose ends before his passing in an attempt to find peace within himself.

    Legendary actress Jeanne Moreau, playing the grandmother, has as strong a screen presence as ever (55 years after her debut). It is only with her that Romain seems to open up emotionally, and we get a glimpse of his warmer side. These scenes were very moving and felt like the emotional core of the film.

    Like Under The Sand, A Time To Leave doesn't seem to be making any particular point. Neither are evangelical or proselytising a world view. Nor are they gratuitous, contrived or flamboyant. Each of them is like another essay about the human condition, done with great artistry. There are no grand sweeping statements – just one person's story. There is such understated confidence, intelligence and skill in Ozon's direction. Highly recommended.
    jovadewo

    Le Temps Qui Reste

    This film's main theme is such a cliché and so simple: What would you do if you are told that you only have 2-3 months to live? How would you deal with things? Would you fight, and do everything in your power to, perhaps, experience that curing miracle, or would you accept things, as a matter of course... and wait for death to come. This film really makes you think. The main character, marvelously performed by Melvil Poupaud, is not really a sympathetic man, is he? Or is he? Aren't you master of your own life, especially when you have a short time left... He obviously wishes to solve some "personal problems" (relations with people around him which he doesn't find as they should be) in an accelerated, black and white way. To create something clear and defined before dieing... Obviously his life had been a mess. But relations are also about giving and taking, and about accepting imperfect things in relationships. Throughout the movie you get more sympathy with Romain. The telephone call with his sister (whom he had told some unkind things just before) is moving. 'It isn't about you, it's about me". Didn't Fassbinder tell us "Each man kills the thing he loves"... Do you want to protect others by not saying you are going to die... This is altruism in an egoistic way, isn't it? The film is a melodrama, but in my case it made me think... And that's the purpose of a good film, isn't it? All the characters are well typecast and performed. At times the film is even moving, but a tearjerker it never becomes... It's not a new "Love Story". Romain's "Pardon", a sorry softly spoken, with nobody around and never addressed to the person it was meant to, was a moving moment in the film. Also the fact that Romain being gay (and his gay life style) is no theme for the plot in the film, is absolutely refreshing. Homosexuality should just be one of the many facts of life (in the lives of many). (Joris, Amsterdam)
    8Pierre-Paris2

    Melvil Poupaud and the essentials

    Dying? Why? How? Do I have the chance to look at my own demise from where I'm standing and I'm given the chance, even if brief, to do what I can to arrive to the fatal randez-vous without a heavy heart. Is that possible? We live the question in painful, stunning moments of reflection. Melvil Poupaud's face is not merely beautiful but transparent. I decided very early one that he/his character and I were diametrically opposites and yet, I felt the communion, I was with him I sort of understood. I wept for him and for me, I wept for everyone I've lost and for all the ones I'm going to loose before I go. I've also decided that I like François Ozon very much. That his movies take me places in a brutally gentle way and I come out of this experiences with something new. Thank you very much.

    Mehr wie diese

    Unter dem Sand
    7,0
    Unter dem Sand
    Tropfen auf heiße Steine
    6,7
    Tropfen auf heiße Steine
    Ein kriminelles Paar
    6,4
    Ein kriminelles Paar
    Frantz
    7,5
    Frantz
    Besuch am Meer
    6,8
    Besuch am Meer
    Sommerkleid
    7,0
    Sommerkleid
    Swimming Pool
    6,7
    Swimming Pool
    5X2 - Fünf mal zwei
    6,6
    5X2 - Fünf mal zwei
    In ihrem Haus
    7,3
    In ihrem Haus
    Eine neue Freundin
    6,5
    Eine neue Freundin
    8 Frauen
    7,0
    8 Frauen
    Der andere Liebhaber
    6,2
    Der andere Liebhaber

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      First feature film role for Christian Sengewald.
    • Patzer
      The Canon IXUS i5 is not turned on when Romain uses it.
    • Zitate

      Romain: In my dreams I'll sleep with anyone. My father, my mother... even myself as a kid. Guess I'm trying to do it all before dying.

    • Verbindungen
      Features Siren (2003)
    • Soundtracks
      Symphony no. 3
      Music by Arvo Pärt

      © C.F. Peters Music Publishers

      (p) 2002 EMI Records Ltd/Virgin Classics

      avec l'aimable autorisation de EMI Music France

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ19

    • How long is Time to Leave?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 20. April 2006 (Deutschland)
    • Herkunftsland
      • Frankreich
    • Offizieller Standort
      • Official site (France)
    • Sprachen
      • Französisch
      • Englisch
      • Deutsch
    • Auch bekannt als
      • Time to Leave
    • Drehorte
      • Paris, Frankreich
    • Produktionsfirmen
      • Fidélité Productions
      • France 2 Cinéma
      • StudioCanal
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 117.686 $
    • Eröffnungswochenende in den USA und in Kanada
      • 20.717 $
      • 23. Juli 2006
    • Weltweiter Bruttoertrag
      • 2.893.462 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 21 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Die Zeit die bleibt (2005)
    Oberste Lücke
    By what name was Die Zeit die bleibt (2005) officially released in Canada in English?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.