Jarhead - Willkommen im Dreck

I am not a professional writer, I am not a director, I am not important. I just enjoy movies. I'm not writing this to convince you of my opinion. I'm not even here to give you a professional review of this movie, or sound educated and witty. I'm here to give a layman's take on the movie and not be concerned with politics or agendas.

1: Cinematography is downright beautiful in this movie. There are some unforgettable shots. Easily a contender for this year's cinematography award.

2: This is not an action war movie. If you want it to be, find another movie. Black Hawk Down might be closer to what you're looking for, although finding an action movie about Desert Storm is kind of hard.

3: This movie will invoke emotions. And just about any person can pick out a lot of evidence to support why they liked it and why they did not. A person can pick out a lot of evidence supporting the military, and at times make it look like a recruiting tool, or it can show anti war, anti-Bush, anti everything. It will make those that like to argue and takes sides, have a wonderful time with it.

4: The acting is good and realistic. It shows the happy carefree side of war, and also the darker undertones, and not-so-under-toned evils of war.

5: The military prepares people to become soldiers, just like a coach prepares people to become athletes. And once you are one, it is hard to switch it off once a person goes back to normal life. Even quote/ unquote "desk jockey's" and those that aren't in the actual combat but provide support roles, are still trained to fight.

6: Media and movies have not helped our perception of war and those involved. They've been putting a spin on things for a while now, and they like to beat a lot of dead horses.

7: This is based on a true story. No matter how "Hollywoodized" a movie can get, it's basic concepts and ideas are still generally intact. And Swoff was actually there. I was not.

8: To me, Jarhead felt like the Full Metal Jacket of this generation. With extreme's of both "anti's" and "pro's" you take it or leave it. Full Metal Jacket is a good movie for taking the approach that it did. Jarhead is no different.

9: Don't hate on anyone trying to do their job, if you see someone in uniform, don't think negatively or positively, unless you know the person. You don't know their story. If you want to find out, just listen. That's all, nothing more. Don't just wait for your next chance to speak.

10: Find a way to see Jarhead, reserve your judgments until afterward, and if you're a jerk, then give all the snotty, ignorant, or mean opinions you want. You won't change anyone's mind, just tick them off.

To finish up, this movie will make you feel something. Let it go. No wonder people's stress levels are high. If you offend easily, lighten up. If all you can do is go around in life and get offended, then I am truly sorry for you. Now, I'm going to grab a beer from the fridge, sit down and watch a movie, to have something to do. Nothing more.

I was reluctant to see this movie. As a veteran of Desert Shield/Storm, I spent my first 90 days in-theater in the Weapons Co of A Swofford's Battalion. I later was moved to the 1st Bn of 7th Marines, but having been in the same unit for some of the same time I felt I could offer readers a unique perspective on the film's accuracy.

From a purely aesthetic perspective I thought the film was well done. The acting was very good, and the script was well written, witty, and accurate. The actors were well suited to their roles. My personal preference for a good plot would have been disappointed were it not for my personal interest in the film. In my opinion this film is an outstanding dramatic-documentary, so adjust your expectations accordingly. If you are expecting a driving plot line and all the accompanying dramatic tension, then I think you will be disappointed (as many whose comments I heard exiting the theater certainly were). But if you think of it as a chance to take a glimpse into a point in history, and see it as some of those who lived it did, then I think you will be impressed.

Many people may think that the obscenity of some of the interactions was overdone for effect. But whatever anyone's personal judgment of that behavior, that is the closest portrayal of Marines (or soldiers) being themselves I have yet seen on screen. Marines are vulgar. They do watch porn. They do fight among themselves. They do both hate, and love, the Marine Corps. There is an omni-present anti-war conspiracy theorist. The do say ridiculous things. There are some who are over the line. The reality of the Marine Infantry is that things happen there every day that are well beyond conventional sensibility, and which strain credibility to the average civilian. It's all true. I love the Marine Corps and I am still serving - I don't have an axe to grind. It just happens to be true.

Are there parts of the film that I find incredible? Yes. But they are not the essential things. There is a scene, it's even in the trailer, in which everyone is firing their weapon into the air. I wasn't there, but I can't fathom a breach of discipline on that scale. I can't say it's impossible, but I am doubtful. But whether it's true or not is not important. At its essence this is a film about Marines, how they adjusted to the Marine Corps, each other, and a war. If there are a few incredible details, then we can just be grateful that Hollywood didn't impose a car-chase on us.

This is a film about Marines. At that time, there were very few who turned down scholarships to Ivy League schools to come in. We were from strange backgrounds. We were obscene. We did want to get our kills. Many of us were frustrated that our war was only 100 hrs long. We knew we were filling the footsteps of giants - the Marines of Iwo, The Chosin, Belleau Wood - and I think we all wanted a chance to earn a place next to those men. In our wild, adrenalized youth, those aspirations just took the crude form of looking for a kill. Or at least that's how I've put it in perspective 15 years later.

If you go and see this film, try to recall yourself at 18 (as I was). Suspend your judgment of the obscenity and vulgarity until you're sure you would've done it differently. I can't speak for Swofford, but I am still incredibly proud of my service there. The insanity of this film reminds me why: because it is characteristic of the immense hardship that our youth bears on behalf of the rest. Do the characters look stressed? It's not hyperbole. We were 18 and we thought we were going to die over there. Still, at H-Hour, everyone marched North. In my opinion, you better fill some big shoes before you judge that.

So don't go into this film champing at the bit to pigeon-hole it as "Anti" or "Pro" war, with all the pre-fab rhetoric that comes with such a judgment. You have an opportunity here to look back into our little moment in history. Swofford has invited you into our memories. They are not Right, and they are not Left, they are just our story as Swofford lived it. If that kind of thing interests you, then go and see this movie.

Just saw an advanced screening of this tonight. While it isn't the film that has been so brilliantly advertised, it's a very solid film. It feels a lot like "Full Metal Jacket" early on, but with more humor. Then, it becomes an entirely new animal. More of a psychological study. I would actually call this the "Blair Witch Project" of war films in that you (and the characters) know the Boogeyman's "out there," you're just waiting for him to strike. And the longer you wait, the more stir-crazy you become within your own mind.

The acting is superb and the cinematography is stellar. It's an anti-war film without being distinctly liberal about it. It's a true story, and for the most part, Mendes tells it like it is. So, you can make your own judgment about it. But based off what you see, and all that happens, you have no choice but see the absurdity, not only in war, but perhaps in some of the USMC's tactics as well. It's heartbreaking to see what an experience like this can do to young men.

If you're looking for action, this is not the film you're looking for. No heroism, judgments, insight, or hope. Just the documentation and reflection of build up, the destruction of lives, psychological torment, boredom, camaraderie, and...waiting.

I saw a promotional screening of the film, sponsored by my university. Following the screening was an audience Q&A with the author (and main character), Tony Swofford.

And it was no surprise that the very first question from the audience was, quite ambiguously, "Do you support the military?" When Swofford dismissed the question as too broad and complex to be answered with a simple yes or no, the inquirer followed up with, "Well, do you support the war?" Swofford dismissed this even more readily.

To me, this was perfectly representative of how the film handled its potential political implications.

As Troy says early on in the film, "To hell with politics. We're here now." And that's essentially how the movie went.

It bypasses the soapbox and simply tells you how it was, from the perspective of a single soldier. And while the opening boot camp scenes may seem like Full Metal Jacket Lite, the rest of the film is truly unique.

Sam Mendes directs with his usual brilliance, showing once again his affinity for bright, vivid color, even in the largely monochromatic desert.

Jake Gyllenhaal gives an excellent performance as Anthony Swofford, complemented by the able talents of Jamie Foxx and Peter Sarsgaard.

The film's only real flaw is that, like the war on which it was based, it's pretty slow, and not a lot really happens.

In the strictest sense, I would have a hard time even classifying this as a war film, and it's certainly not a deliberately political film.

But in its own way, it tells an intense, personal story. Beyond that, you're simply left to make your own judgments.

7/10

"Every war is different," says Anthony Swofford as the movie "Jarhead" comes to a close. "Every war is the same." Looking back on his experience, he sees that the first Gulf War and the Marine Corps have become ineradicable parts of who he is: "Every jar-head is me." The screen shimmers and shifts into a scene of a desert patrol dwarfed by distance and hazed by heat waves. "We are still in the desert," he says. The screen darkens. The credits begin to roll.

A critic once observed that audiences emerge from a comedy talking animatedly with one another, but after a tragedy they come forth subdued and solitary, each absorbed by his or her own thoughts.

"Jarhead" is not a tragedy but a tragic coming-of-age story. As in "The Last Picture Show," a young man discovers what a cruel, destructive business life can be. Swofford emerges from a war that has consisted of a long, maddening wait followed by a hard march through the surreal aftermath of battles already won by jets dropping smart bombs, toward a horizon blackened by Saddam's burning oil wells. He returns home to find that his girlfriend has left him for another man. His best friend, who suffered with him through the combat that never came, dies as a civilian, possibly a suicide, as he was thrown out of the Corps with a dishonorable discharge.

Subdued and solitary, I waited outside the theater for my wife.

"So, what did you think?" I asked her when she came out. "Definitely not a John Wayne movie," she said. "No," I responded, reminded of Clint Eastwood sharing a victory cigar with a young Marine beneath an American flag raised atop a hill in Grenada in "Heartbreak Ridge."

"It wasn't as dark as the book," I said. "In the book," she replied, "you couldn't see Swofford's smile."

Jake Gyllenhaal does display an engaging, youthful grin in the early part of the movie. He plays the twenty-year-old Swoff very well. And Jamie Foxx does Sgt. Sykes brilliantly. Against the backdrop of a night made at once hellish and spectacular by blazing oil wells, the Sergeant tells Swoff that he (Sykes) could have joined his brother and had a nice safe job stateside, but with no chance to see such sights as this. "I love this job," he says. "I thank God for every day he gives me in the Corps. Oorah... You know what I mean, Swoff?" Foxx's delivery is flat, point blank, neither sarcastic nor enthusiastic. He is an exhausted soldier giving himself a pep talk he scarcely believes in any longer. Get out your Oscar Nomination forms.

At dinner we tried to recall what was book and what was movie. I did not remember the scene in which the soldiers are interviewed by a TV journalist from the book, but from Kubrick's "Full Metal Jacket." From "Full Metal Jacket" also, I believe, came the bizarre business of a soldier's sardonically making a corpse his buddy. The war-is-surreal-hell moral of the movie reminded me of Coppola's "Apocalypse Now" - a film the young jar-heads watch with sexual intensity in Mendez's movie. But the scene in which the soldiers sit down to enjoy a home movie one Marine's wife has made - of herself being humped by their next door neighbor - that, we all agreed, was in the book.

I remember when "Battle Cry" came out in 1955. Unlike the Boy-Scout-clean soldiers of most WW II movies of that era, these Marines said Hell and Damn. And one of them actually shot the finger at some troops riding past - What a shocker!

A Jacksonville, NC Daily News reporter interviewed several Marines from the local base who saw the movie. Excerpt:

Their reviews seemed to be positive, especially concerning the portrayal of the relationship between Marines and how deployments and war are mostly about sitting around and waiting.

"I thought it was good," said Lance Cpl. Richard Usher, 19, from Tampa, Fla. "From what I know, it's accurate. They did say 'Oorah' way too much."

Lance Cpl. Josh Rader, 29, of Georgia, said he thought the movie was one of the more accurate portrayals of the Marine Corps, with the only more accurate movie being Stanley Kubrick's "Full Metal Jacket."

"A lot of the training, they dramatize it more," Rader said. "I'd say it's probably more accurate."

Lance Cpl. Adam Blades, 20, with 1st Battalion, 2nd Marines, agreed, but took exception to the actors' ages.

"The actors were a little old," he said. "The majority of guys going over there are like 18 and 19. But it was pretty cool. As accurate as I've seen." +++