Maxwell Smart, ein hochintelligenter, aber taumelnder Spion, der für die CONTROL-Agentur arbeitet, hat die Aufgabe, einen Terroranschlag der rivalisierenden Spionageagentur KAOS zu verhinder... Alles lesenMaxwell Smart, ein hochintelligenter, aber taumelnder Spion, der für die CONTROL-Agentur arbeitet, hat die Aufgabe, einen Terroranschlag der rivalisierenden Spionageagentur KAOS zu verhindern.Maxwell Smart, ein hochintelligenter, aber taumelnder Spion, der für die CONTROL-Agentur arbeitet, hat die Aufgabe, einen Terroranschlag der rivalisierenden Spionageagentur KAOS zu verhindern.
- Auszeichnungen
- 3 Gewinne & 6 Nominierungen insgesamt
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There are some good laughs in "Get Smart", but what pleasantly surprised me is how well-done the action is. From an exhilarating freefall sequence that was probably designed as a homage to the opening of "Moonraker" to Carell's and Hathaway's quick, efficient fight scenes (choreoghraphed by a veteran at this sort of thing, James Lew), and from the explosions at the "bakery" factory to the incredibly kinetic final chase sequence involving various means of transportation, the action in this movie probably surpasses the recent James Bond pictures, helped by the fact that a lot of it seems to have been done by the actors themselves, willing to take some risks. So people who are more into action than into comedy should still get some satisfaction out of this.
Nothing brilliant, but a dependable crowd-pleaser nonetheless. I'd give it *** out of 4 stars.
I was hoping "Get Smart" to be a comedy with intelligent humour, but I was so disappointed. The plot is hopelessly contrived and full of clichés. The film is full of silly jokes that are irritating instead of funny. Those so called funny scenes are repetitive and tiring. The tooth microphone joke is not funny, but they did it three or four times. The get hit by a car scene is annoying as it tries to be funny by stating the obvious. Hence, the scene become not funny.
"Get Smart" is boring, with irritating and silly humour that fails to be funny. I am thoroughly disappointed by it.
I remember enjoying the "Get Smart" TV series when I was a kid, and like some other reviewers here, I feared the remake might screw it up (even though watching a couple of 5th-season episodes recently reminded me just how bad the show itself became late in the game.) But this movie version strikes just the right balance of action and comedy, while also balancing fresh ideas with welcome nods to the TV series.
After all, it wouldn't be "Get Smart" without "Would you believe...", "Sorry about that, Chief", or "Missed it by THAT much." It was also great to see such classics as the shoe phone, the Cone of Silence, Hymie the robot, and not one but two of the cars that Don Adams would have driven. But while some remakes mining the past for material have nothing new to say, and get stuck in paying homage to their predecessors, the "Get Smart" movie has a pretty good story of its own.
Now this isn't Robert Ludlum material, and I doubt anyone is real surprised to see who turns out to be a bad guy, but it's a lot of fun along the way, with either a sight gag or surprisingly good action (and often both at the same time) coming down the pike every few minutes. There just aren't really any slow spots. I'm sure a lot of funny stuff got left on the cutting room floor (surely they didn't put Carrell in a fat suit for a mere ten seconds of film) but the pacing felt just right. We can catch all that other stuff when the DVD comes out at Christmas.
Steve Carrel plays Agent 86 almost exactly the way he portrays Dunder-Mifflin's Michael Scott. He comes off as basically well-meaning and earnest, and although a bit bumbling at times, his Maxwell Smart is thankfully not Don Adam's version. Neither was this one of those "Naked Gun" characters who stumbles into success despite his incompetence; Smart has some hilariously bad moments, but is never made out to be simply a lucky fool.
Carrell and Anne Hathaway have surprisingly good chemistry, and Alan Arkin is perfect taking over Edward Platt's role as "the Chief." Former wrestler Dwayne "The Rock" Johnson does a good job as Agent 23, and an even larger wrestler (7-foot 2-inch, 387-pound Dalip Singh from "The Longest Yard") is well-cast as a KAOS underling, although most of the other main bad guys are rather forgettable. Even TV-series KAOS agent Bernie Koppel shows up for a cameo, as does Patrick Warburton (who will be terrific in the inevitable sequel) and Bill Murray (almost unidentifiable hiding in a tree.)
Bottom line: you won't come out of this movie feeling as if you were cheated out of your money. Judging from the laughter in the theater and smiles in the lobby as we left, a lot of folks agreed with me. This is going to make a ton of money, and deserves it. Look for "Get Smart II" in a couple of years, and let's just hope it is as good as this one.
P.S. - It's rated PG-13, but there's very little that's objectionable for even younger viewers (Carrel rips the seat out of his pants.) Take the kids, and have a good time!
First of all: great casting! Steve Carell and Anne Hathaway give performances that nicely reflect those in the TV series, without doing cheap impressions of the original actors. Their performances stand on their own, and Carell delivers all your favorite Max-isms ("Sorry about that, Chief", "Missed it by that much", etc.) with aplomb. But the real prize in this movie is the casting of Alan Arkin as the Chief of Control. Brilliant casting, great performance!
Even beyond the leads, the casting was outstanding - from old friends (Larabee, Siegfried, Shtarker) to new characters (notably, Dwayne Johnson as Agent 23).
In all, a fun 110 minutes that stands on its own while also paying tribute to a classic.
Good, you're still here, so we'll assume that you're willing to give this flick a fair shake. "Get Smart" (2008) is a reboot of the iconic tv series, and by "reboot" I mean that it doesn't necessarily follow the original storyline except that the characters share the same names. In this version, Maxwell Smart is a lowly analyst who gets his big shot at being an agent. Other than being a general nerd, his schtick is that, being an obsessive intelligence analyst, he knows the enemy inside out. So even though he may not be a dashing superhero, his intelligence is his strength. When he's not being a total clueless dolt, that is. I thought this was a great new angle.
His counterbalance is Agent 99 (Anne Hathaway), an experienced field operative who has to put up with Max's quirky arrogance. She may possibly have some anger issues. Again, a really fun character to watch.
The plot? Not important. Like the original tv show, the plot is rather superficial with the real entertainment being carried by the gags. There were some nice nods to the original show, such as the ridiculous "cone of silence", the absurd gadgets crammed into common household objects, and of course some of the original trademark catchphrases ("Missed it by that much"). A few of the zingers were really funny and got some full belly laugh out of me. But they were sparsely placed, and that's my only criticism. Perhaps in an attempt to keep the plot moving, there were not enough bizarre wisecracks as I would have liked. One of my favorites was when Agent 99 somberly tells Max that if he gets caught, there's a pill in his belt buckle that causes death in 9 seconds. To which Max replies: "But how will I get them to take it?" This is the kind of humor that made the original so fun and makes this version a worthy homage.
The cameos are awesome with fleeting appearances by Kevin Nealon (from SNL), Patrick Warburton (Elaine's weird boyfriend "Putty" on Seinfeld), James Caan as "the president" (who can't pronounce "nuclear" - I wonder who that is), and none other than Bill Murray as Agent 13.
Dwayne Johnson practically steals the show as Agent 23, a caricature of every action hero he's ever played.
A final note worth noting: the technical consultant mentioned in the credits is THE Mel Brooks. It didn't surprise me because at times this has a somewhat Brooksian flair, especially in the hilarious ballroom dance number, oddly reminiscent of "the czardas" dance in Dracula: Dead & Loving It. Bottom line, if you are ready for a good time you'll have a good time.
Wusstest du schon
- WissenswertesThe five-minute skydiving scene, where Maxwell Smart falls from the airplane, and is saved by Agent 99, was actually shot in real life. Led by Norman Kent, a world famous skydiving photographer, a team of professional skydivers shot the entire sequence over a total of seventy jumps during a four-week period, always jumping during sunset and sunrise, to keep continuity in the scene.
- PatzerIn the combat training range, the first scene shows a less-lethal ammunition round being fired, and the round hits an agent. The slow-motion scene shows the entire round being propelled through the air, including the casing. In reality, only the "slug" would be propelled, and the bullet casing would be ejected from the weapon.
- Zitate
Maxwell Smart: I think it's only fair to warn you, this facility is surrounded by a highly trained team of 130 Black Op Snipers.
Siegfried: I don't believe you.
Maxwell Smart: Would you believe two dozen Delta Force Commandos?
Siegfried: No.
Maxwell Smart: How about Chuck Norris with a BB gun?
- Crazy CreditsThe Warner Bros logo is a lock on CONTROL vault doors, which opens up and let the doors swing open.
- SoundtracksTake a Chance on Me
Written by Benny Andersson and Björn Ulvaeus (as Bjoern Ulvaeus)
Performed by ABBA
Courtesy of Universal Music AB (SE)
Under license from Universal Music Enterprises
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Get Smart - Wir lieben es, die Welt zu retten!
- Drehorte
- McGill University, Montreal, Québec, Kanada(car breakout scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 130.319.208 $
- Eröffnungswochenende in den USA und in Kanada
- 38.683.480 $
- 22. Juni 2008
- Weltweiter Bruttoertrag
- 230.685.453 $
- Laufzeit1 Stunde 50 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1