Füge eine Handlung in deiner Sprache hinzuThe lives of two strangers - a struggling mother and a gambling addict - who meet in tragedy. Years pass and they must come to terms with themselves and one another.The lives of two strangers - a struggling mother and a gambling addict - who meet in tragedy. Years pass and they must come to terms with themselves and one another.The lives of two strangers - a struggling mother and a gambling addict - who meet in tragedy. Years pass and they must come to terms with themselves and one another.
- Auszeichnungen
- 6 wins total
- Truck Driver
- (as Courtenay Kellen Taylor)
Empfohlene Bewertungen
The cinematography was cutting edge and experimental (a patent is even pending on a new camera rig, according to the DP at a Tribeca Q&A), and it worked well to saturate the viewer with the mood of each part of the film.
The writing was precise and tight, but the director allowed the force of the film to be carried more in its silences and in tiny nuances of expression than in dialog.
Which brings me to perhaps the most powerful of the film's elements: the acting. Without the right actors, the powerful message of the film in evoking the immense struggle surrounding rage and forgiveness would have been lost in the silences. Minnie Driver's face on one tight closeup after another showed nuances that were unbelievably powerful. Jeremy Renner's portrayal of a slow inexorable descent into darkness was captured flawlessly. And the little boy - Bobby Coleman (Driver's son in the film)- both enchanted with a completely natural portrayal of charming boyhood and terrified with a chilling reaction to what happens to him. Although young, he was completely real, with none of the Dakota-Fanning-blankness we've come to accept. In a sense, he was the linchpin of the film; if we hadn't cared about him and his relationship to Minnie, we would not have cried as we did.
The whole audience was in tears; be prepared. But...also be prepared to think, and wonder, and grapple with the film. It is well worth it.
The story was told without judgment, you could feel the anguish and redemption of the characters, it was portrayed, not preached. This was movie making and story telling at its best.
Although the ending was predictable, suspense was present throughout the movie. There were a few quirky things going on that made and kept the movie interesting. The only criticism I can offer is that it seemed the conclusion of the story lacked the impact it could have had, although I am not sure how that could be pulled off, the message did get across. The movie is well worth the time.
Wusstest du schon
- WissenswertesAllison Miller's debut.
- Zitate
Title Card: Most prison will not allow victims to meet with their offenders.
Title Card: RESTORATIVE JUSTICE is a worldwide effort that encourages victims and offenders to meet. The program forces offenders to give a face to their crime, to feel remorse, and to understand the true repercussions of their actions.
Title Card: This year over 700,000 inmates will be released from prison. More than 50% will be re-incarcerated within 3 years. Where Restorative Justice is allowed to work, the re-incarceration rate drops to as little as 8%. To learn more about Restorative Justice, go to www.TakeJustice.org
- VerbindungenReferences Jäger des verlorenen Schatzes (1981)
- SoundtracksComing Back to Life
Written and Performed by Minnie Driver
Produced by Marc Dauer (as Marc "Doc" Dauer)
Courtesy of Rounder Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Was kann man verzeihen?
- Drehorte
- Four Aces Movie Ranch - 14499 E Ave Q, Palmdale, Kalifornien, USA(Gas station, diner)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 6.627 $
- Eröffnungswochenende in den USA und in Kanada
- 1.264 $
- 20. Juli 2008
- Weltweiter Bruttoertrag
- 6.627 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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