Eine junge Assistentin, die sich im Zentrum eines Studios voller Manipulatoren, Intriganten und Intrigen befindet. Sie wissen kaum, dass sie bereit ist, sie alle zu überlisten.Eine junge Assistentin, die sich im Zentrum eines Studios voller Manipulatoren, Intriganten und Intrigen befindet. Sie wissen kaum, dass sie bereit ist, sie alle zu überlisten.Eine junge Assistentin, die sich im Zentrum eines Studios voller Manipulatoren, Intriganten und Intrigen befindet. Sie wissen kaum, dass sie bereit ist, sie alle zu überlisten.
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Empfohlene Bewertungen
I see huge potential in this show and the fact that it is on Roku channel is insane, I would have expected this on a streaming service like Apple+ or even HBOMAX.
So far I find the pace to be a little slow and the writing a bit chubby but that being said the paformances are great especially from Shipka.
Give it a chance, I know I will.
So far I find the pace to be a little slow and the writing a bit chubby but that being said the paformances are great especially from Shipka.
Give it a chance, I know I will.
Fabulous transition performance from Kiernan Shipka, who sheds her girl-next-door image, as the deranged Lou seeking to find her place in Hollywood. Other than that though, this show is a mashup of clichés with an overly elaborate and ultimately unbelievable spine.
Had potential, but overplayed its hand.
Had potential, but overplayed its hand.
The show started good. There was a great potential which wasn't used by the end of the show. Acting was great, technically brilliant but unfortunately written poorly starting from episode 4.
Swimming With Sharks is a case where the puzzle pieces don't fit but we're just forcing them in place, mostly based on tropes.
We have the out of town intern, Lou, played by Kiernan Shipka. She's joining the team of Fountain Pictures, run by studio chief, Joyce Holt (Diane Kruger) who still must answer to the sickly owner of the company, Redmond (Donald Sutherland). And Lou has her menacing overseers, the guys running the intern pool Alex and Travis (Ross Butler and Thomas Dekker).
The meteoric rise of Lou, from her first placement right outside of Ms. Holt's office, to becoming Holt's essential right hand is similar in tone to Don Draper's history from Ms. Shipka's previous series "Mad Men." Only Lou is more unsavory than even the 1960s Ad Exec in ways that maybe even Don himself might raise an eyebrow over.
The problem is in all of the elements to do with these characters, what we would expect them to do and what we believe about them, based on what they have done. In many of these cases, characters do or state things that don't seem to fit who they are or what we believe they would likely do in that circumstance and that always spoils the narrative.
Most importantly, with the character of Lou, I expected her to have a plan for every possible contingent, based on how she had dreamed, since childhood, of being where she was and how she has arranged everything to get herself to the upper reaches of Hollywood.
There are some definite good moments for each actor throughout, but they get skewered by all of the unbelievable ones. Everybody here deserved better.
We have the out of town intern, Lou, played by Kiernan Shipka. She's joining the team of Fountain Pictures, run by studio chief, Joyce Holt (Diane Kruger) who still must answer to the sickly owner of the company, Redmond (Donald Sutherland). And Lou has her menacing overseers, the guys running the intern pool Alex and Travis (Ross Butler and Thomas Dekker).
The meteoric rise of Lou, from her first placement right outside of Ms. Holt's office, to becoming Holt's essential right hand is similar in tone to Don Draper's history from Ms. Shipka's previous series "Mad Men." Only Lou is more unsavory than even the 1960s Ad Exec in ways that maybe even Don himself might raise an eyebrow over.
The problem is in all of the elements to do with these characters, what we would expect them to do and what we believe about them, based on what they have done. In many of these cases, characters do or state things that don't seem to fit who they are or what we believe they would likely do in that circumstance and that always spoils the narrative.
Most importantly, with the character of Lou, I expected her to have a plan for every possible contingent, based on how she had dreamed, since childhood, of being where she was and how she has arranged everything to get herself to the upper reaches of Hollywood.
There are some definite good moments for each actor throughout, but they get skewered by all of the unbelievable ones. Everybody here deserved better.
This may look like prestige TV, but rest assured that it is not. It is entertaining, though. The plot twists are out of a soap opera and characters are as clichéd as they come. Donald Sutherland playing his best Harvey Weinstein is a scene stealer.
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- WissenswertesA remake of the 1994 film starring Kevin Spacey and Frank Whaley
- VerbindungenRemake of Unter Haien in Hollywood (1994)
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What is the Canadian French language plot outline for Swimming with Sharks (2022)?
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