Sophia, eine brillante Wissenschaftlerin, erfährt, dass ein großer Hai tief im Fluss schwimmt.Sophia, eine brillante Wissenschaftlerin, erfährt, dass ein großer Hai tief im Fluss schwimmt.Sophia, eine brillante Wissenschaftlerin, erfährt, dass ein großer Hai tief im Fluss schwimmt.
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(Yes, I did spend a while trying to come up with a pun that I hadn't seen before).
As this film was gathering some traction on Twitter across the weekend, I decided that I should give it a go. Having assumed it would be an equivalent to the sort of film "The Asylum" make, I was surprised and interested to see that it was initially not that - though in all honesty it gets there by the end.
Having lost her crew, and husband, to Shark attack, on an expedition to the Pacific garbage patch, Sophia (Berenice Bejo) returns to Paris and works in an aquarium. Three years later she's contacted by an Environmentalist Mika (Lea Leviant) who explains that she's hacked shark tracking technology and that one has made it up the Seine, as far as Paris city centre. With Sophia refusing to help them, Mika and her associate Ben (Nagisa Morimoto) undertake the dive instead, with Mika being arrested. Mika, and later Sophia, try to convince River Patrol of the unlikely interloper, but with the Paris Triathlon imminent, the mayor (Anne Marivin) refuses to consider cancelling.
At the start the film is actually reasonably sensible. The shark is played as a looming threat, foreboding in the background or whipping through frame too quick to get a good look at. There's a clear environmental message, where climate change and sea pollution has changed the shark's natural habitats. Berenice Bejo, who was in "The Artist" is a decent lead and does have some chemistry with impossibly heroic Soldier turned River Police action man Adil, played by Nassim Lyes.
I guess the trouble with the film is that, towards the end it does drift into that 'Asylum' "Sharknado" territory with much more explicit use of the, now painfully cheap-looking, CGI Shark. I write my reviews without spoilers usually, and I'll continue to do so here, but I just don't understand how the ending happens. I liked how spectacular it was but where does the water come from?
You never know with Neflix just how well a film has actually done, but there's a chance from that ending that sequels, or sister films might be forthcoming. I'd hope they'd find a more consistent tone, either way, serious, or campy, to be satisfying. This is neither.
As this film was gathering some traction on Twitter across the weekend, I decided that I should give it a go. Having assumed it would be an equivalent to the sort of film "The Asylum" make, I was surprised and interested to see that it was initially not that - though in all honesty it gets there by the end.
Having lost her crew, and husband, to Shark attack, on an expedition to the Pacific garbage patch, Sophia (Berenice Bejo) returns to Paris and works in an aquarium. Three years later she's contacted by an Environmentalist Mika (Lea Leviant) who explains that she's hacked shark tracking technology and that one has made it up the Seine, as far as Paris city centre. With Sophia refusing to help them, Mika and her associate Ben (Nagisa Morimoto) undertake the dive instead, with Mika being arrested. Mika, and later Sophia, try to convince River Patrol of the unlikely interloper, but with the Paris Triathlon imminent, the mayor (Anne Marivin) refuses to consider cancelling.
At the start the film is actually reasonably sensible. The shark is played as a looming threat, foreboding in the background or whipping through frame too quick to get a good look at. There's a clear environmental message, where climate change and sea pollution has changed the shark's natural habitats. Berenice Bejo, who was in "The Artist" is a decent lead and does have some chemistry with impossibly heroic Soldier turned River Police action man Adil, played by Nassim Lyes.
I guess the trouble with the film is that, towards the end it does drift into that 'Asylum' "Sharknado" territory with much more explicit use of the, now painfully cheap-looking, CGI Shark. I write my reviews without spoilers usually, and I'll continue to do so here, but I just don't understand how the ending happens. I liked how spectacular it was but where does the water come from?
You never know with Neflix just how well a film has actually done, but there's a chance from that ending that sequels, or sister films might be forthcoming. I'd hope they'd find a more consistent tone, either way, serious, or campy, to be satisfying. This is neither.
At first, I thought it was a movie from "The Asylum" production. That's until the unexpected and spectacular ending came about. No spoilers though. You'll have to watch it.
Pros. Very nice views of Paris. Nice camera work and pictures. Entertaining.
Cons. All the rest, including the fake sharks that make "Jaws" sharks look so real. Lol. Bad acting unless it was supposed to be a comedy. Not sure it was the intention but it's there!
Overall terrible movie released just in time as an advertisement push for Paris Olympic Games. As a bad joke the ending would make an awesome and epic Olympics Opening Ceremony. Lol. The movie was entertaining due to the fact that it looked more like a comedy than a thriller.
Pros. Very nice views of Paris. Nice camera work and pictures. Entertaining.
Cons. All the rest, including the fake sharks that make "Jaws" sharks look so real. Lol. Bad acting unless it was supposed to be a comedy. Not sure it was the intention but it's there!
Overall terrible movie released just in time as an advertisement push for Paris Olympic Games. As a bad joke the ending would make an awesome and epic Olympics Opening Ceremony. Lol. The movie was entertaining due to the fact that it looked more like a comedy than a thriller.
Starting with the fact that the main premise of the film, sharks in fresh water, is nonsense, the script itself was very empty of content. Like any horror films premises don't make sense and I guess that's okay with the genre? I don't know because I am not a fan of horror movies but I do enjoy suspense and that is what made me watch it in the first place but there was little to no suspense. No plot depth. Not much good to it actually. There are no good dialogues, no good character development and you don't really feel any attachment whatsoever to any of the characters so you don't care what happens to them. If that is not a sample of bad scriptwriting, I don't know what is. The cinematography is also plain and quite insipid... But hey, I enjoyed the lovely views of Paris a lot and that's why I gave it a 4 and not a 1.
A movie is not good when you are rooting for the villian. In this case, the shark was my superhero.
First of all, with 50 years of advanced technology, robotics, cgi and advancement in film....that sharks today look less realistic than Jaws? It is insane how fake today's sharks look.
To the story...it follows every cliche, nothing is original here, with scenes and dialogues almost straight out of Jaws or Deep Blue Sea.
Acting is way over-the-top, dialogue consists of screaming or incesseantly yelling someone's name. Sharks are fake looking, about the same level as a Sharknado And you cannot find one person making smart decisions. This is a complete miss.
First of all, with 50 years of advanced technology, robotics, cgi and advancement in film....that sharks today look less realistic than Jaws? It is insane how fake today's sharks look.
To the story...it follows every cliche, nothing is original here, with scenes and dialogues almost straight out of Jaws or Deep Blue Sea.
Acting is way over-the-top, dialogue consists of screaming or incesseantly yelling someone's name. Sharks are fake looking, about the same level as a Sharknado And you cannot find one person making smart decisions. This is a complete miss.
The actors are ok, the script is pretty much as bad as any shark movie, but it lacks explanation about why the shark goes to Paris, why has it tripled in size, why it can self reproduce etc... a bit of logic never hurts.
The main focus is actually the Olympic Games in Paris put in the limelight by the lack of preparation from Paris City Hall. Anne Marivin does a good job playing a completely incompetent, dishonest, ruthless, politically driven mayor of Paris that everyone will recognize easily. The only differences are that she's pretty and she can speak French. Shame she doesn't get gulped by the shark.
Ok movie, worth a watch just to break the rhythm of the Netflix TV series.
The main focus is actually the Olympic Games in Paris put in the limelight by the lack of preparation from Paris City Hall. Anne Marivin does a good job playing a completely incompetent, dishonest, ruthless, politically driven mayor of Paris that everyone will recognize easily. The only differences are that she's pretty and she can speak French. Shame she doesn't get gulped by the shark.
Ok movie, worth a watch just to break the rhythm of the Netflix TV series.
Wusstest du schon
- WissenswertesAlthough it may appear that a large number of triathletes are swimming in the Seine, this was not the case. Those scenes were filmed at an open-air water tank in Alicante, Spain. (Famously, the Seine has been deemed too polluted to swim in, something which the French authorities have spent upwards of a billion euros to rectify.)
- PatzerWhen displaying the 3000 miles journey of the shark, it is shown to have swum up the wrong river, namely the Loire, that flows about 200 km south of Paris. The mayor of Orléans, a prominent city on the Loire, cheekily urged his citizens not to panic if they caught a glimpse of a huge fin, that would just be the lost shark hurrying on its way to shoot the movie.
- SoundtracksA Fin in the Water
composed by Anthony D'Amario, Alex Cortés & Edouard Rigaudière
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- En las profundidades del Sena
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 € (geschätzt)
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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What is the Canadian French language plot outline for Im Wasser der Seine (2024)?
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