Die Dämonologen Ed und Lorraine Warren helfen einer Familie, die von der Gegenwart eines obskuren Wesens in ihrem Farmhaus terrorisiert wird.Die Dämonologen Ed und Lorraine Warren helfen einer Familie, die von der Gegenwart eines obskuren Wesens in ihrem Farmhaus terrorisiert wird.Die Dämonologen Ed und Lorraine Warren helfen einer Familie, die von der Gegenwart eines obskuren Wesens in ihrem Farmhaus terrorisiert wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 15 Gewinne & 22 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'The Conjuring' is lauded for its effective scares, strong performances, and atmospheric tension, with praise for Vera Farmiga and Patrick Wilson's chemistry. The film's subtle, psychological fear tactics are highlighted, though some criticize its lack of originality and similarities to other haunted house movies. Opinions on pacing and scare effectiveness are mixed, with varied reactions to its religious and exorcism elements. Overall, it's considered a solid horror film, though not a significant genre innovator.
Empfohlene Bewertungen
"The Conjuring" is one of the most thrilling horror film to have come out in recent times. It is up there with "Sinister" as one of the scariest films I have watched. Since it's based off of "true events", it makes it even more interesting. I can't quite give it a full 10 star rating because it does have quite a few jump scares, but at least a good portion of those jump scares add to the atmosphere of this movie. If you are a first time watcher of this movie, it will certainly disturb you for a while. It doesn't stick with me like "Sinister" does long after, but The Conjuring is a fun watch and I always love coming back for a rewatch every now and then.
I'm an avid horror fan. Lately I've been thinking there isn't much that can scare me (though Sinister got under my skin). I appreciate James Wan's films, I love the first Saw, Insidious was a damn good modern ghost story, but like all reviews have stated for it, the movie kinda loses it's momentum in the final act.
The Conjuring is better, scarier, and more tense than Insidious. I'm gonna go out on a limb and say it's one of the best horror movies of the last 5 or 10 years. It goes back to the classic rule of horror film making, never show the bad guy fully to your audience. Plus this movie knows suspense, I tell you, I almost threw a water bottle at the screen from sheer terror once the scare finally happened. There are no fake jump scares, the movie earned an R rating without any blood, sex, or profanity, it's all from the terror that this movie builds upon.
Not only is the movie scary, but as a film itself, it's almost a masterpiece. The script, acting, direction, style, tone, etc were all simply top notch. Wan's camera-work here is by far his best out of any of his movies. The choice to set the movie in the 70s was a stroke of genius as it feels so authentic and all the more real. If this story were set in the present, it simply wouldn't be as a effective or scary. The 70s style film making, costuming, and hair styling are a great throwback to likes of The Exorcist & The Amityville Horror.
Though there are a few (extremely minor) flaws, such are length, repetitiveness, and a resolution that happens way too fast. I don't care, every horror movie (or movie in general) has it's flaws. There will never be a perfect horror movie, if there is one, I haven't seen it yet. But all I know is James Wan's The Conjuring is one of the best horror movies I've seen in a long time, and it's been a really long time that a movie has scared me this badly.
10/10 Don't miss this one, it's an amazing theater viewing experience.
The Conjuring is better, scarier, and more tense than Insidious. I'm gonna go out on a limb and say it's one of the best horror movies of the last 5 or 10 years. It goes back to the classic rule of horror film making, never show the bad guy fully to your audience. Plus this movie knows suspense, I tell you, I almost threw a water bottle at the screen from sheer terror once the scare finally happened. There are no fake jump scares, the movie earned an R rating without any blood, sex, or profanity, it's all from the terror that this movie builds upon.
Not only is the movie scary, but as a film itself, it's almost a masterpiece. The script, acting, direction, style, tone, etc were all simply top notch. Wan's camera-work here is by far his best out of any of his movies. The choice to set the movie in the 70s was a stroke of genius as it feels so authentic and all the more real. If this story were set in the present, it simply wouldn't be as a effective or scary. The 70s style film making, costuming, and hair styling are a great throwback to likes of The Exorcist & The Amityville Horror.
Though there are a few (extremely minor) flaws, such are length, repetitiveness, and a resolution that happens way too fast. I don't care, every horror movie (or movie in general) has it's flaws. There will never be a perfect horror movie, if there is one, I haven't seen it yet. But all I know is James Wan's The Conjuring is one of the best horror movies I've seen in a long time, and it's been a really long time that a movie has scared me this badly.
10/10 Don't miss this one, it's an amazing theater viewing experience.
The key with The Conjuring is not that it has freshness on its side, as evidenced by the ream of horror fans arguing on internet sites about "nothing new on the table" , but while those fans will be going hungry for a very, very long time, The Conjuring does everything right for the splinter of horror it deals with.
There's a lot to admire about a horror film that in this day and age stands tall and proud against the ream of remakes, sequels and teen friendly slashers that "haunt" the multiplexes with all too much frequency these days. Free of gore and sex, this was automatically going to alienate a good portion of the lustful members of the horror fan base, but for those who like their horror served with appetising scares and a cauldron of suspense, then this delivers plenty to your particular table.
Forget the "based on a true story" tag, since it's kind of irrelevant in this new technological age, it's a selling gimmick that actually means "this story might be true and we might have played with it a bit". Regardless of hoax charges and embellishments, just buy into the premise, commit to it as a scary story in the same way as director James Wan has, for then the rewards are there for the compliant.
Story essentially is based around an investigation in the early seventies by paranormal specialists Ed and Lorraine Warren, who aided the Perron family as they were victims of dreadful supernatural events at their Rhode Island home. Wan builds it deftly, letting us into the Perron families lives as they move into what they believe to be a dream home. Then things start to happen, but again Wan builds it in slow instances, creating a palpable sense of dread, his camera work intelligent. So when the big moments come they have maximum impact and have us also yearning for the Warren's to get involved.
There is no over killing of the boo-jump scares, they are placed with care and marry up superbly with the mounting tension. Naturally all the cliché conventions of the haunted house movie are here, strange smells, creaky doors, ominous cellar and etc, yet these are supplemented with Wan's talented knack for a good scare and a very effective production design. From mysterious bruises and literal leg pulls – breath holding games of hide and seek – to bona fide pant soiling moments, The Conjuring is a lesson in sustained unease until the big finale is unleashed.
The script is devoid of cheese and pointless filler, itself refreshing in a horror sub-genre that suffers often with these problems. Joseph Bishara's musical score is an absolute nerve shredder, and again it's a refreshing accompaniment because it doesn't resort to telegraphed shrieks to tell us to be afraid, it never overwhelms a scene. John Leonetti's cinematography has Gothic textures, both in the house and outside of the lakeside farmhouse, while the strong lead cast of Vera Farmiga, Patrick Wilson, Lili Taylor and Ron Livingston come up trumps for sure.
Met with critical and box office success, The Conjuring justifies its reputation as a superb haunted house movie. 9/10
There's a lot to admire about a horror film that in this day and age stands tall and proud against the ream of remakes, sequels and teen friendly slashers that "haunt" the multiplexes with all too much frequency these days. Free of gore and sex, this was automatically going to alienate a good portion of the lustful members of the horror fan base, but for those who like their horror served with appetising scares and a cauldron of suspense, then this delivers plenty to your particular table.
Forget the "based on a true story" tag, since it's kind of irrelevant in this new technological age, it's a selling gimmick that actually means "this story might be true and we might have played with it a bit". Regardless of hoax charges and embellishments, just buy into the premise, commit to it as a scary story in the same way as director James Wan has, for then the rewards are there for the compliant.
Story essentially is based around an investigation in the early seventies by paranormal specialists Ed and Lorraine Warren, who aided the Perron family as they were victims of dreadful supernatural events at their Rhode Island home. Wan builds it deftly, letting us into the Perron families lives as they move into what they believe to be a dream home. Then things start to happen, but again Wan builds it in slow instances, creating a palpable sense of dread, his camera work intelligent. So when the big moments come they have maximum impact and have us also yearning for the Warren's to get involved.
There is no over killing of the boo-jump scares, they are placed with care and marry up superbly with the mounting tension. Naturally all the cliché conventions of the haunted house movie are here, strange smells, creaky doors, ominous cellar and etc, yet these are supplemented with Wan's talented knack for a good scare and a very effective production design. From mysterious bruises and literal leg pulls – breath holding games of hide and seek – to bona fide pant soiling moments, The Conjuring is a lesson in sustained unease until the big finale is unleashed.
The script is devoid of cheese and pointless filler, itself refreshing in a horror sub-genre that suffers often with these problems. Joseph Bishara's musical score is an absolute nerve shredder, and again it's a refreshing accompaniment because it doesn't resort to telegraphed shrieks to tell us to be afraid, it never overwhelms a scene. John Leonetti's cinematography has Gothic textures, both in the house and outside of the lakeside farmhouse, while the strong lead cast of Vera Farmiga, Patrick Wilson, Lili Taylor and Ron Livingston come up trumps for sure.
Met with critical and box office success, The Conjuring justifies its reputation as a superb haunted house movie. 9/10
It's several years since this film was released, and I have to say that none of the shine has come off it, the quality is still very much there, the film is a classic. As a horror it packs in some real scares, but there is so much more to it, it has tension, a story, and some real intrigue, possibly because of the fact that it was inspired by real life events.
Several films have followed, sequels and spin offs, but none of them come close to this, the only Horror film for many years to actually give me a few scares.
Many of the scares are so memorable, because they are so well executed, they got the balance just right.
Incredibly well acted, the performances are one of the film's best assets, but there are many besides.
I'd have moved! It's a classic, 9/10.
Several films have followed, sequels and spin offs, but none of them come close to this, the only Horror film for many years to actually give me a few scares.
Many of the scares are so memorable, because they are so well executed, they got the balance just right.
Incredibly well acted, the performances are one of the film's best assets, but there are many besides.
I'd have moved! It's a classic, 9/10.
Just saw it yesterday in Nocturna Fim Festival. It was an outstanding film. So well done, scripted and acted. The movie doesn't have any mercy on the audience and it's so disturbing you won't believe until you see.
I'm not gonna enter in details or spoilers, just gonna let you now it a movie that gonna stay for you for a while after you see it. It also opens a door for becoming quite a paranormal investigator myself, looking up for all the details mentioned in the movie, and getting amazed by it' accuracy.
This film it's made to become a new classic in the horror genre, not only because it's quality, but because it's fright factor.
The first half of the movie it's paced down, let you know and love the characters. but the second half! oh boy! it's so damn chilling it will keep you gasping and crawling your hands.
Very well done
I'm not gonna enter in details or spoilers, just gonna let you now it a movie that gonna stay for you for a while after you see it. It also opens a door for becoming quite a paranormal investigator myself, looking up for all the details mentioned in the movie, and getting amazed by it' accuracy.
This film it's made to become a new classic in the horror genre, not only because it's quality, but because it's fright factor.
The first half of the movie it's paced down, let you know and love the characters. but the second half! oh boy! it's so damn chilling it will keep you gasping and crawling your hands.
Very well done
Wusstest du schon
- WissenswertesThe real Perron family visited the set of the film.
- Patzer(at around 1h 15 mins) When Cindy is retrieved from her hiding spot after sleepwalking, there is a cell phone in Carolyn's back pocket.
- Zitate
Lorraine Warren: Do you remember what you said to me on our wedding night?
Ed Warren: Can we do it again?
Lorraine Warren: After that. You said that God brought us together for a reason.
- Crazy CreditsWhen the names "Shannon Kook", "John Brotherton", "Sterling Jerins" appear in the end credits, a white cross on the grave turns upside down.
- VerbindungenFeatured in Showreel: We've Got Keanu Reeves (2013)
- SoundtracksTime of the Season
Written by Rod Argent
Performed by The Zombies
Courtesy of Marquis Enterprises, Ltd.
By arrangement with Ace Music Services, LLC
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El conjuro
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 137.446.368 $
- Eröffnungswochenende in den USA und in Kanada
- 41.855.326 $
- 21. Juli 2013
- Weltweiter Bruttoertrag
- 320.415.166 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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