Red Riding Hood - Unter dem Wolfsmond

This certainly isn't the best werewolf movie you're ever going to come across (not by a longshot) but I thought it was better than you'd imagine from some of the responses the movie is getting. It's very loosely based on the old folktale of Little Red Riding Hood (which, by the way, goes back far into European history long before the now famous version by the Brothers Grimm; the first print edition of the tale dating to the late 17th century) and it also has one scene (really just one line) that for some reason chooses to pay homage to the story of The Three Little Pigs ("I'll huff and I'll puff and I'll blow your house down" cries out one young man as others fall down around him.) Although you can't avoid those connections (and are probably intended to make the connection) it's probably best that you try not to, and watch the story in its own right.

It's the story of a small village that has arranged a truce of sorts with a local werewolf. Every full moon, they put out livestock for the beast to devour and in return the beast leaves the people alone. For some reason, though, the beast breaks the pact and people begin to die. The mystery revolves around the identity of the werewolf, once a werewolf-hunting priest (Gary Oldman) shows up in town and warns the people that the werewolf is one of them. The question becomes "who is it?" and the mystery is pretty decent. There are any number of reasons to suspect any number of people of being the beast, and the ultimate revelation of the werewolf's identity surprised me a bit - it was not my first choice.

I thought director Catherine Hardwicke made pretty good use of the setting of a small, isolated town deep in the mountains, and Amanda Seyfried was excellent in the role of Valerie (the Red Riding Hood character.) The movie also provides a pretty good depiction of paranoia and the ultimate consequences that paranoia can have, even (and perhaps especially) on people who know each other as well as the residents of this town obviously did.

This isn't really (in my opinion at least) a horror movie. It's more of a mystery, and as a mystery I thought it worked pretty well. I certainly think it deserves to be rated more highly than it is. (7/10)

Is this movie corny? Yes. Are there cliches? Of course. Is it also entertaining, sexy, and fun? 100%. I watched this movie in late high school and now in my mid-20s I still love it. It's a dark take on a classic fairy tale and is entertaining all the way through. The twist in the end took me by surprise, but I am someone who hardly ever sees twists coming, so take that with a grain of salt. This movie is worth a watch. It's not a masterpiece but it is enjoyable if you don't expect anything earth shattering from it.

I have never written a review before, nor have cared enough to look and read through reviews in the first place. However, I do have something to say about this movie, and the reviewers who think their opinions are worth listening to.

In my case, I go in to watch movies on non-biased terms. Meaning, I do not go in with any pretenses or theories jaded by others speculation. I go in to watch what the movie is offering, and interpret it in to my own fashion, seeing as every one will have their own opinions. So, I did the exact same prep with this film. I bought my ticket, sat in my seat, didn't think twice about what I was about to see, and just watched.

I loved Red Riding Hood. I thought it was beautiful, it was subtle and sexy- especially with the knock out soundtrack- and, most importantly, I went on a journey with the film. It kept me hooked, and although there were a few silly moments or corny lines, I still found myself lost in the mystery and the unknowing of the film. All movies will have their faults, or what I like to call, inflections. One, for me, was wanting to see a more developed character of Valerie and her family. I would have enjoyed seeing a relationship between her and her sister before Lucie was killed and where to story we saw began, as I would have understood her pain on the same level. As well, I would have liked to have seem more about her Grandmother and the way she lived at the same age as Valerie growing up with the Wolf and its legend. To me, that would have made the film a whole and the storyline would have become more dynamic. But, seeing as they wanted to have this film out in theatres and not as a mini series, I think what they put in the film fit wonderfully with the time gap of the audience's attention.

Now, it is one thing to review a movie on it's pros and cons and to point out where the plot failed or the story line succeeded. However, it is another thing to write a review comparing it to a movie with the same director and showing the apparent similarities. Yes, I am talking about all you reviewers who only had one thing to say: Twilight. I have seen Twilight, I have painfully endured Twilight, and I dismissed Twilight. Twilight has a flawed script and storyline, and I personally believe the only good Twilight was the first Twilight, as Catherine was able to draw the attention away from the story line with the visuals, the camera angles, etc. To try and accuse Red Riding Hood of being a "Twilight clone" is absurd. If you were to compare anything to Twilight, I'm sure you would find some similarities. It's what makes movies Movies. All movies follow the same structure. There will always be conflict, there will always be a climax, and there will always be a resolution. If you know Red Riding Hood, the actual story, not the censored picture book you were read as a child, then you would know that the censored version is a simple, straight forward idea. The Brothers Grimm tale is however, what you SHOULD be comparing this film to. And, I believe the director, the camera crew, the actors, etc all played in to this old, twisted fairy tale we all think we know and did a very good job of it.

All in all, Red Riding Hood did what it was supposed to. Entertain, and keep you on the edge of your seat. It's beautiful, it is gracious and it is well adapted.

Now, go and read the Brothers Grimm tale!

You'd be hard pressed to find a better example of a film ruined by trying to be too many things to too many people than Red Riding Hood, which opens Friday and, by all rights, should close Saturday.

The most obvious audience Hood hopes to attract is fans of the Twilight film series, snagging the director of the first film, Catherine Hardwicke, and refashioning the Little Red Riding Hood folk tale into, in a remarkably halfhearted way, a love triangle between three extraordinarily uninteresting characters. (If all three had been eaten by the wolf in the first act, we might have been onto something.)

What's weird about Hood, which inexplicably counts Leonardo DiCaprio as one of its producers (stick to swimming in icy water, Leo), is that this romantic angle is not its main thrust. It doesn't have a main thrust.

In fact, for a supposedly sexier take on a classic folk tale, it's in desperate need of thrust in general.

It flits around the idea of being a more adult folk tale but never commits. It throws in a bit of (pretty bad) CGI werewolf attack action from time to time, but it's nowhere near violent or bloody enough (it's PG-13) to interest action or horror fans. It has moments of campy fun, specifically every second Gary Oldman appears as a sinister Cardinal Richelieu-type character, but other scenes are played ridiculously straight.

Perhaps the film's biggest mistake — and that's saying something — is structuring itself like a Scream film. The Big Bad Wolf is indeed a werewolf, and our sweet little Red (named Valerie, played by Amanda Seyfried) has to figure out which of her fellow villagers turns into a beast when the moon is full. Is it her forbidden love, the dull as dishwater Peter (Shiloh Fernandez), who presumably equates to the hunter of the folk tale? Or is it the man she's been arranged to marry, the somehow even duller Henry (Max Irons)? Or is it one the other remarkably dull villagers? And given how dull Valerie is, who the hell really cares?

On looks alone, Seyfried perhaps is perfectly cast as Red, considering Christina Ricci might be a bit too old for the role. Seyfried's pristine, alabaster skin and enormous eyes give Red just the right look, but every time she opens her mouth you're begging for that werewolf to put her out of our misery.

To be fair, no actor could be expected to excel given the cheesy dialogue and Hardwicke's uninspired direction; solid veterans such as Virginia Madsen, Julie Christie and Lukas Haas struggle to make an impression, with Christie holding up the best. As Red's father, Billy Burke seems more zoned out than James Franco at the Oscars, suggesting he's only here for one more Twilight connection.

Only Oldman acquits himself well, simply because he treats the film as the campfest it should have been from the opening credits. He's acting in an entirely different movie, a Sam Raimi romp like Army of Darkness or Drag Me to Hell, and Red Riding Hood briefly becomes almost fun during Oldman's most animated scenes.

The film doesn't even look that great in a technical sense: The exteriors look fake, all clearly shot on soundstages, and not fake in an intentional "this is a dreamy heightened reality, because this is a folk tale" way. They look fake in a "we really suck at our jobs" way.

Red Riding Hood is pretending to be a darker, more adult take on the folk tale, but it's hardly the first: Neil Jordan mined the territory in 1984 with the R-rated The Company of Wolves, focusing more on sexual metaphors and heavy werewolf action. It wasn't great, but at least it knew what it wanted to be. Red Riding Hood tries to be a little bit of everything, but ultimately it succeeds only in being a tedious mess.

I wasn't sure whether I wanted to see this movie. I am not a fan of the Twilight movies(the first of which Catherine Hardwicke also directed) and it didn't look like my kind of film. But I saw it for the wonderful Gary Oldman.

I wasn't expecting much, and I didn't get much. Red Riding Hood(not the fairytale by the way) does try hard to be a lot of things, including introducing a number of horror, fantasy and mystery elements. But due to the sluggish pace and disjointed story structure(that is full of overlong filler, particularly the celebration scene, and the dream sequence was very awkwardly placed) the film fails at pretty much all these elements.

The script is very clunky, underdeveloped and banal as well. A lot of it did not keep my attention and I found myself chuckling into my coke at any unintentionally funny bits. The CGI is quite poor here, with the wolf looking as though it was done in a hurry. Hardwicke's direction never rises above mediocre, the editing is unfocused and frenzied and the three titular characters are incredibly dull and uninteresting with the romantic elements between them poorly written and directed.

The acting doesn't fare much better. Amanda Seyfried is pretty but bland in the title role and shows little or no chemistry with her co-stars, while Max Irons(son of Jeremy), Lukas Haas and Shiloh Fernandez show good looks but awkward line delivery. Virginia Madsen and Billy Burke are both wasted, both over-doing it in a valiant attempt to elevate their weak material(these two actors probably had the worst of the dialogue next to the leads actually). And the climax is little more than a mangled mess and devoid of depth.

Despite these many cons, there are some decent assets. The score is atmospheric enough and the costume and set design are spot on. Plus there are two good performances, Gary Oldman and Julie Christie. Oldman does chew the scenery, but he looks as though he's having a ball, while Christie is very enchanting.

Overall, not terrible, but deeply flawed and over-ambitious. 4/10 Bethany Cox