Als ein unsichtbarer Feind die Menschheit bedroht, indem er Besitz von ihren Körpern ergreift und ihre Erinnerungen löscht, riskiert Melanie alles, um die Menschen zu beschützen, die ihr am ... Alles lesenAls ein unsichtbarer Feind die Menschheit bedroht, indem er Besitz von ihren Körpern ergreift und ihre Erinnerungen löscht, riskiert Melanie alles, um die Menschen zu beschützen, die ihr am meisten am Herzen liegen, und beweist dadurch, dass die Liebe in einer gefährlichen neuen ... Alles lesenAls ein unsichtbarer Feind die Menschheit bedroht, indem er Besitz von ihren Körpern ergreift und ihre Erinnerungen löscht, riskiert Melanie alles, um die Menschen zu beschützen, die ihr am meisten am Herzen liegen, und beweist dadurch, dass die Liebe in einer gefährlichen neuen Welt alles besiegen kann.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Seeker Wolfe
- (as Michael Parker)
- Trevor Stryder
- (as J.D. Evermore)
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However, the cast was fantastic and the script was beautiful. There were cheesy moments but it was still really sweet and well done. Basically what I am saying, is if you like romance with a twist go and see it! If you are expecting something like Gattaca, you will be disappointed.
I really loved the movie and felt it held up to the book. I usually hate movie versions of books but this was really good! If you like the book chances are you are going to like the movie. There are tweaks of course, but I thought they were mainly well done and helped get the same message across.
Underrated and original, co-written and directed by Andrew Niccol the dude who made 1997 "Gattaca" and co-wrote "The Truman Show" which they're way too many viewers who are still hung up on their "Twilight" movies. And the fact they know that it's based on a Stephanie Meyer's book turns viewers off which viewers are looking for reasons to hate this movie rather than enjoying it for what it is. It just seems viewers in general are unable to look pass this movie as another alien invasion movie. You know, upon attempting to even watch the first "Twilight" movie, I was unable to watch anymore after the first 10 minutes into it, and so far had never looked back. But upon seeing this movie, I was able to watch it all the way through, as the movie dealt with revelations and a somewhat complicated scenario that it would demand viewers full attention to it's dialogue. By looking at some of the criticisms, some had said that their wasn't enough romance or that it's too cheesy, but to tell you the truth, I hardly saw any romance at all, because it addresses a couple of what if's! Such as what if the alien is attracted to a different human being that's not the same as the one you're originally accustomed with, for the only criticism that I agree with from the overall consensus is that it's somewhat influenced by the original 1956 version of "The Invasion Of The Body Snatchers"- the aftermath that is- not the 1978 version starring Donald Sutherland. The reason is that much of the aliens had already inhabited much of the planet earth already, and at first viewers assumed that the aliens intentions are violent which that may not be the case at all. If viewers remember their science-fiction classics there's also inspired remnants of "The Day the Earth Stood Still" but on a different level. Starring Saoirse Ronan who in my opinion, is a much better actress than the 'one- note' and amateurish Kirsten Stewart on the Twilight movies, she plays Melanie Stryder who's attempting to run away from these alien- like captors, which you can tell by looking at their eyes. She jumps out of a second or third story window, and the aliens revive her, but this time with one of them injecting a liquid into her so that she can cooperate with them. Although, her alien self gave herself a new name called Wanda, short for "wanderings" her original self, Melanie still has a presence inside of her and is still alive. The reason is that was so, that her new alien self would retrieve information on clues and hints of other leads regarding other human beings whereabouts, operating like an underground movement. For the objective is evident, but the reasons are still not clear until near the end since the alien self, Wanda did submit a reason. One of them is so that they can take over the earth as they had successfully inhabited other planets. At first, we assume that once aliens had inhabited someone's body like in "The Invasion of The Body Snatchers" or even "The Thing", that their original self can't be revived again, but in this original film it's direction is completely the opposite which the reason we watch these kind of movies is so that we are able to see things that may not be possible in real life. What is wrong with this concept, it is because theirs nothing wrong with it, and may be the first intelligent movie author Stephanie Meyer had ever done since she took up writing.
It is kind of similar to the recent young adult novel based film, Warm Bodies, except the antagonists in The Host are virtuous beings instead of ravenous monsters. It seems that both stories have the same morality. Humans are not the most peaceful beings either and maybe the order and mentality of both sides are the reason why they couldn't get along. When it goes to the romance, it says that Melanie and Wanda's love between the boys might revolt their world's condition. But it strays from its plot giving us a lousily told story and romance. Mostly the romance. It is noticeable that most of their "love" only rely on their lips. Which means they kiss a lot. We do not get to know much about why they care for each other, other than being one of the last normal human beings of their age. It is also filled with plot holes because of course it wants to appeal teens for the endless love that didn't even work. It is directed by Andrew Niccol who is somewhat a Sci-Fi expert but it looks like he's afraid that too much Sci-Fi than romance might disappoint these children. He could have been more indulgent.
The film has a solid cast but not all of them standout. Saoirse Ronan plays two roles here and she fills enough heart on both characters. Diane Kruger looks like she is enjoying playing the film's villain. The roles of Max Irons and Jake Abel seems to be only designed for kissing, slapping, and sometimes strangling, leaving William Hurt being the only likable gentleman of the picture.
The script explains some points of the concept which is fine in that way in spite of the plot holes but it gets terrible on the romance. There are dialogues that may get way out of hand, ends up being laughable. Even more laughable is one scene when the protagonist tries to wake up her subconscious by kissing her boyfriend. I don't know if I should blame anyone about it. I mean what choice does she have? Still, it's ridiculous. The film is at least stunning. It gets to explore something magnificent around. The exteriors serves a lot of intrigue to its world. It features shiny cars and choppers. Most of the action are well shot even though the action itself isn't really that interesting but everything in the film looks good.
The Host is not interesting enough. It thematically talks about peace and stuff. Well, you can make peace out of love but the film only shows kissing and I think there is more in love than just making out. Hormonally, this could be a perfect escapism for teens. An apocalyptic world about relationships of these good looking couples with fast awesome cars crashing on the road. But the story seems to offer more. Again, they are unable to show it because the only fan service for adaptations of teen books is to follow every single sequence from the book because they love comparing. Too bad, they could have also shown what's behind the words as well. The Host is another victim of a generic young adult film adaptation that doesn't understand much of the meaning of the story, and throw away the most bland of all romances.
Let's get the comparisons with Twilight out the way; yes there is a is love triangle (or should that be a love square?), The Host has a much better lead actress with Ronan then Kirsten Stewart and has a stronger supporting cast, with the likes of William Hurt and Diane Kruger. Andrew Niccol also gives the film more creditability behind the camera, acting as both the writer and director. The Host has interesting ideas that had many potential avenues to explore: but unfortunately it focuses more on the love story instead of all of the other aspects that could have lead to a much more meaningful film.
Ronan does rise above the material and gives very strong performance, as you would expect from her. This is even more remarkable that she has to argue and talk with herself, like Homer Simpson arguing with his own brain. Whilst there was the potential for themes of locked in syndrome as Melanie is trapped inside her own head, fighting to control her own body or going through a more literal, internal conflict. But it turns really silly when she argues with herself over two men, as opposed of having a much more difficult time of having a stronger conflict within her character. Ronan gets battered and beaten throughout the film as she gets hit, verbally abused and discriminated against and yet, still persevere through everything she's up against.
Whilst Ronan does a good job, the two men she is meant to be conflicted about are blank stales. Neither actor has much of a personality or character and they are very indistinguishable from each other. Ronan has no choice but to carry the film, considering that there was nothing going for the main love interests. At least Hurt and Kruger looked like they were having fun with their roles and were highly professional with their performances.
The idea of some sort of insider for an oppressive regime having an awakening, usually because a love interest and ends up turning against their own side has been used before. We have seen it in novels like Nineteen-Eighty Four, Fahrenheit 451 and We and films such as Metropolis and THX-1138. The Host does twist this age old idea in sci-fi, even if the execution was lacking.
The Host had a really strong premise with opportunities to explore multiple themes. They could have been themes about identity, the battle within the mind, split personalities, trust and how humans would survive after this invasion. But like Twilight, the film only touches on these concepts and puts all of its focus in the wrong places.
Much like Twilight, The Host has been criticised for its dialogue and being unintentionally funny. It is true that the film has some bad dialogue, but with some of the moments that were comical that had be intentional, with some of its moments of cultural clash and the bickering between Wanderer and Melanie. There are also some dark moments and there were really refreshing when they do come around.
Niccol is known for being an excellent writer director, making Gattaca and Lord of War and was nominated for an Academy Awards for his screenplay for The Truman Show. The Host is his first adaptation and it felt very rigidly close to the source material. What it results to is a bland experience that has episodic nature, having mini-plots with some developments, instead of a larger overarching story. Looks wise, the film is pretty flat and dull, using nothing but silver chrome for the alien technology, concrete and glass for the buildings and the humans are based in an empty desert environment. The cinematography and the special effects were solid but, Niccol was coasting and he is much more capable then this.
Currently on Rotten Tomatoes, The Host has an 12% rating and seemingly on course to be considered one of the worst films of 2013. Whilst it is hard to argue that The Host is a good movie, it is certainly not terrible: its crime is merely being mediocre, dull and forgettable.
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- WissenswertesAs the Seekers wear completely white clothing throughout this movie, including in the desert sequences, it was a tedious process for the costume designers and make-up artists to constantly clean the clothes whenever they became dirty, which was often.
- Patzer(at around 28 mins) When crossing the desert on foot, Melanie tells Wanda to walk only on rocks so as to leave no tracks. The cave-dwellers, however, drive 7.5tonne Mercedes trucks in and out.
- Zitate
Wanderer/Wanda: Why is he looking at you?
Melanie Stryder: Why are you looking at him?
- VerbindungenFeatured in The Nostalgia Chick: The Host (2013)
- SoundtracksRadioactive
Performed by Imagine Dragons
Written by Alex da Kid (uncredited), Ben McKee (uncredited), Joshua Mosser (uncredited), Dan Reynolds (uncredited), Wayne Sermon (uncredited)
Courtesy of Kid Ina Korner / Interscope Records
Under license from Universal Music Operations Ltd.
Top-Auswahl
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Details
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 26.627.201 $
- Eröffnungswochenende in den USA und in Kanada
- 10.600.112 $
- 31. März 2013
- Weltweiter Bruttoertrag
- 63.365.859 $
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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