IMDb-BEWERTUNG
8,2/10
75.013
IHRE BEWERTUNG
Zwei Südafrikaner ziehen los, um herauszufinden, was aus ihrem eigenartigen Helden der 1970er-Jahre geworden ist, dem sagenumwobenen Rock 'n' Roll-Musiker Rodriguez.Zwei Südafrikaner ziehen los, um herauszufinden, was aus ihrem eigenartigen Helden der 1970er-Jahre geworden ist, dem sagenumwobenen Rock 'n' Roll-Musiker Rodriguez.Zwei Südafrikaner ziehen los, um herauszufinden, was aus ihrem eigenartigen Helden der 1970er-Jahre geworden ist, dem sagenumwobenen Rock 'n' Roll-Musiker Rodriguez.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 44 Gewinne & 33 Nominierungen insgesamt
Craig Bartholomew Strydom
- Self - Music Journalist
- (as Craig Bartholomew-Strydom)
Empfohlene Bewertungen
I'm going to add my voice such as it is to the chorus of accolades for "Searching For Sugar Man". I loved it. It is indeed an incredible true story about a folk singer named Rodriquez who became a sensation in South Africa while remaining in obscurity in his native US. He's not the first person to be given the boot in his hometown (the Bible has something to say on this subject) but upon listening to the wonderful soundtrack of this film it is a sad commentary. There's plenty of humor here as well in this tale of parallel universes: one in which Rodriquez is Elvis and another where he's scarcely a blip on the radar. The film begins as an investigation by curious fans seeking to learn about the whereabouts of Rodriquez and what may have happened to him. The stories circulating about him are not promising but they are undaunted and continue to search for answers. I think everyone who sees "Searching For Sugar Man" will be thankful that they did.
Greetings again from the darkness. I make no apologies for my tendency to have higher expectations and be more demanding of documentaries than other films. When dealing with a real subject, event or person, there is no place for fabrication or embellishment. The truth must stand (and entertain) on its own. Filmmaker Malik Bendjelloul has no such issue given his fascinating, almost jaw-dropping story of musician Sixto Rodriguez.
Described as Dylan-esque, Rodriguez was a folk singer and songwriter who put out two albums: Cold Fact (1970) and Comng from Reality (1971). Despite critical raves, the album sales were minimal and Sussex/A&R dropped him. After that, the story got a bit hazy. Urban Legend had Rodriguez dousing himself with gasoline while onstage, and committing suicide by lighting himself up. Mostly he just seemed to disappear, not simply fade away.
Nearly incomprehensible in today's age of internet communication, the Rodriguez songs became anthems for the anti-apartheid whites in South Africa. The music reached the country through bootleg copies and the popularity grew. We meet a Cape Town record store owner and indie music supporter names Stephen Segerman who describes Rodriguez as "bigger than Elvis" in South Africa. In the late 1990's a world wide web manhunt began.
What happens after that ... I will leave it to the film. Just know that this documentary is a blend of Mystery, Intrigue, Urban Legend, Who-done-it, and Where are they now? There is a brief interview with Clarence Avant, the owner of now-defunct Sussex Records, during which he provides the only real insight into the music industry underbelly. Additionally, so much of the story goes unexplained. So many questions unanswered ... even unasked! However, the story itself, and Rodriguez the man, are so amazing, that the entertainment and intellectual value of the film remains intact.
Since the vast majority (99% plus) of us have never previously heard of Rodriguez, the film does a nice job of integrating his songs in a manner that allows us to get a real understanding for the musical genius and why the critics (and South Africa) fell hard for it. This is a fascinating story and captivating film, despite lacking in "the rest of the story" department.
Described as Dylan-esque, Rodriguez was a folk singer and songwriter who put out two albums: Cold Fact (1970) and Comng from Reality (1971). Despite critical raves, the album sales were minimal and Sussex/A&R dropped him. After that, the story got a bit hazy. Urban Legend had Rodriguez dousing himself with gasoline while onstage, and committing suicide by lighting himself up. Mostly he just seemed to disappear, not simply fade away.
Nearly incomprehensible in today's age of internet communication, the Rodriguez songs became anthems for the anti-apartheid whites in South Africa. The music reached the country through bootleg copies and the popularity grew. We meet a Cape Town record store owner and indie music supporter names Stephen Segerman who describes Rodriguez as "bigger than Elvis" in South Africa. In the late 1990's a world wide web manhunt began.
What happens after that ... I will leave it to the film. Just know that this documentary is a blend of Mystery, Intrigue, Urban Legend, Who-done-it, and Where are they now? There is a brief interview with Clarence Avant, the owner of now-defunct Sussex Records, during which he provides the only real insight into the music industry underbelly. Additionally, so much of the story goes unexplained. So many questions unanswered ... even unasked! However, the story itself, and Rodriguez the man, are so amazing, that the entertainment and intellectual value of the film remains intact.
Since the vast majority (99% plus) of us have never previously heard of Rodriguez, the film does a nice job of integrating his songs in a manner that allows us to get a real understanding for the musical genius and why the critics (and South Africa) fell hard for it. This is a fascinating story and captivating film, despite lacking in "the rest of the story" department.
This is one of the best music docs ever made! The story about Sixto Rodriguez misfortunes and fortunes is almost to good to be true. It's like a fairy tale, only that this is real life. Swedish film maker Malik Bendjelloul treats the story with great respect and construct the film in a way almost like a thriller without a dead second and the end will not leave a single eye dry. Cinematographer Camilla Skagerstrom made an excellent job in creating a beautiful movie and the music (all by Rodriguez)makes a great soundtrack and it is hard to believe that this musical treasure was forgotten for so many years. Not only is this a strong personal portrait of a grate musician but it also makes you wonder about the mechanics of fame, success and the music industry.
This movie is a MUST SEE. If you are a musician or songwriter and you have ever questioned the importance of what it is that you do, you need to see this film. This was the most inspiring thing I have ever seen. Aside from the unbelievable story, the cinematography had some very great moments and not to mention a stellar sound track. I am recommending this film to everyone I know. The only drawback is that because it is an indie film, it is very hard to find. It is only playing in one theater in my area (DC), and that's West End. I really hope this films picks up and begins showing in more theaters. Until then, I will continue to promote this film via word of mouth because I believe in it so much. ...Amazing things happen.
10BarbP451
This film was by far our favorite at the True/False Film Festival in Columbia Missouri this past spring.
The delights of "Searching for Sugar Man" are revealed along the way, as the story unspools over decades and continents. I BEG YOU to cover your eyes and ears if you happen to see a trailer at your local indie theater - the art of the trailer is apparently a lost one, and most of the surprises are spoiled in the promotion prepared for this film.
The director received a well-earned standing ovation at True/False, and wept - he and other directors said that T/F was the first audience of "real people" to see their respective films, apparently Sundance is peopled with "not real people"?
And be prepared to have the music playing in your head for some time to come.
The delights of "Searching for Sugar Man" are revealed along the way, as the story unspools over decades and continents. I BEG YOU to cover your eyes and ears if you happen to see a trailer at your local indie theater - the art of the trailer is apparently a lost one, and most of the surprises are spoiled in the promotion prepared for this film.
The director received a well-earned standing ovation at True/False, and wept - he and other directors said that T/F was the first audience of "real people" to see their respective films, apparently Sundance is peopled with "not real people"?
And be prepared to have the music playing in your head for some time to come.
Wusstest du schon
- WissenswertesSome parts of the documentary were shot on an iPhone App called 8mm Vintage Camera after the producers ran out of film for an expensive real 8mm camera. The app cost only £1.49/$1.99. Director Malik Bendjelloul was cash strapped from making the documentary.
- PatzerDuring the credits there is a spelling error - It says "Mabu Vinly" instead of "Mabu Vinyl"
- VerbindungenFeatured in 60 Minutes: Huawei/Sticker Shock/Rodriguez (2012)
- SoundtracksSugar Man
Written by Rodriguez (as Sixto Rodriguez)
Courtesy of Hey Day Entertainment, LLC by arrangement
with Light in the Attic Records & Distribution, LLC
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Đi tìm người đàn ông ngọt ngào
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 3.696.196 $
- Eröffnungswochenende in den USA und in Kanada
- 27.459 $
- 29. Juli 2012
- Weltweiter Bruttoertrag
- 9.351.115 $
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen

Oberste Lücke
By what name was Searching for Sugar Man (2012) officially released in India in English?
Antwort