IMDb-BEWERTUNG
7,2/10
17.642
IHRE BEWERTUNG
Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 33 Gewinne & 39 Nominierungen insgesamt
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I see a lot of gender prejudice here from folks who demand that others not be so prejudiced about gender. It doesn't matter whether young Victor Poster is cisgendered, transgendered, or androgynous, the performance in this role is nuanced, vulnerable, and entirely believable. I am shocked that people would criticize either Victor's sexuality or gender identification in their evaluation of the film. Victor is not a poster-child... victor is acting. And doing it beautifully.
Others seem concerned that the film oversimplifies a complex issue. But when you are a 15 year old girl in the wrong body, it is kind of simple. It's one girl's story and experience and pain and fear, not a testament to the entire world of being transgendered. You simply cannot try to cover all issues in one person's story. This is not a story about the general "truth" of being transgendered, it is the story, as titled, of a girl. One girl. One girl's experience.
I felt extremely moved by the end. I hope others appreciate this as a film... a story... and not try to judge it as some sort of manifesto or expect something more of it than it should be.
If we want to normalize all human experience, we need to stop demanding more from projects like this than we would of any other story of personal trauma or tragedy. Every person is unique, every person's life is their own and should stand on its own merits rather than being obligated to represent an entire diverse group.
Others seem concerned that the film oversimplifies a complex issue. But when you are a 15 year old girl in the wrong body, it is kind of simple. It's one girl's story and experience and pain and fear, not a testament to the entire world of being transgendered. You simply cannot try to cover all issues in one person's story. This is not a story about the general "truth" of being transgendered, it is the story, as titled, of a girl. One girl. One girl's experience.
I felt extremely moved by the end. I hope others appreciate this as a film... a story... and not try to judge it as some sort of manifesto or expect something more of it than it should be.
If we want to normalize all human experience, we need to stop demanding more from projects like this than we would of any other story of personal trauma or tragedy. Every person is unique, every person's life is their own and should stand on its own merits rather than being obligated to represent an entire diverse group.
Following a year or so in the life of a teenager and the dilemmas faced as they struggle being somebody they're not. Sincerely and genuinely presented, although you will have to scrape your eyebrows off the ceiling toward the end as life's frustrations become all too overwhelming.
First things first: I really enjoyed the movie. Do I think its great? No. But I actually thought the ongoing ballet metaphor (and all the discipline and equilibrium that is involved in classical training) was powerful in showing the development of an "unbalanced" psyche that is trying desperately to cling on to whatever "normal" it can construct. Although certainly repetitive I thought it was inspired,, rather than boring. I also appreciated the non-preachy nature of most of the film, thus I rated it how I rated it.
Having now read some of the reviews, I do understand possible objections to the depiction of the characters transition, and how it is shown. But, as in other instances with many other films for many different reasons, I don't know enough to judge. I will be more aware in the future, so for me both film and reviews were very useful.
The story about a 16 year old girl named Lara who is born inside a boy's body. She dreams of being a ballerina and works hard for her career ambitions while also undergoing the process of gender confirmation surgery. The central performance by Victor Polster is astonishing; it feels really transcendent to the point where Lara is real and this feels like an intimate documentary. Her psychological and physical struggles are heartbreaking and I couldn't wait to see her succeed. It's beautifully filmed which accompanies its soulful understanding of being human fantastically. It's a tough watch in places but it's an incredibly involving experience and a perfect character study
Straigh, gay or trans, everybody should watch this flick so that we get this transphobia out of the current topics and see people as human beings.
Beautifully narrated and visually impressive, shocking even at some point.
Beautifully narrated and visually impressive, shocking even at some point.
Wusstest du schon
- WissenswertesThe casting call for the protagonist was genderless, i.e. open for girls, boys, and those who were neither. 500 people between 14 and 17 auditioned but none of them could both dance and act well, so the filmmakers decided to cast the rest of the dancers first, and there they found Victor Polster.
- Crazy CreditsThe movie's title is not shown until the start of the end credits.
- VerbindungenFeatured in 2019 Golden Globe Awards (2019)
- SoundtracksTomboy
Performed by Princess Nokia
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Cô Gái
- Drehorte
- Gent, Oost-Vlaanderen, Belgien(street scenes)
- Produktionsfirmen
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Box Office
- Budget
- 1.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 4.179.737 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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