Post Mortem

Saw this film at the Science plus Fiction festival of Trieste. I really loved it. The story and pacing are good. The historical setting is very well done and immerse the viewer in the era and ___location, the supernatural element has a nice crescendo, it reminded me of a good ghost story around a fire that people would narrate to others during a long winter night. The atmosphere is palpable. The two main actors (the young girl and the photograper) were phenomenal. I would suggest to do not miss this one if you like good ghost stories.

Despite the actors and the never clear plot, especially at the end where it gets lost in big confusion, the whole entertains quite well.........................

Hungry's official entry to 2022's Oscars is an okay horror. It has a beautiful gothic atmosphere. Production design is nice. But the story is stupid and ridiculous. Screenplay is messy and confusing as well. It's a well made movie with a nonsense plot.

It's WWI. Tomás barely survives the trenches and almost left for dead in a mass grave. He ends up photographing the dead posed with the living in family portraits. A little orphan named Anna recruits him to visit her village. He had seen her in a vision. There are many dead haunting the place.

I like the use of some physical effects. I find them adorable. It has an endearing indie charm. As a horror, it's not scary. It's like an old fashion ghost story. I like the photography premise although it could use some more poetry. The back story needs some work. This is a good simple old style horror.

I really, REALLY wanted to like this movie. It had my kind of description, my kind of look and feel, and ... my kind of story. Several of the actors are competent, (not many, but several), and, on THIS budget (which appears to be about 59¢), the director did a "passable" job. Now, don't get me wrong ... I really love when a director has to make a shoestring budget work (i.e. George Romero).

Not to give anything away, but, when lead character Tomás is rescued from death in war and becomes a photographer of the dead for poor families in the early 1900's Europe ... I got excited! THAT plot line had a lot of possibilities. Tomás goes to a small, war torn village to photograph family members with their dead, in really kind of "macabre" family portraits, and the hijinks ensue.

Look for little Anna, Tomás's village "helper", who also does a credible acting job.