Añade un argumento en tu idiomaTed Healy and the 3 Stooges are fired and evicted from a theatre because Ted annoys women working there. They then get jobs as waiters at a nightclub. Chaos leads to destruction of the busin... Leer todoTed Healy and the 3 Stooges are fired and evicted from a theatre because Ted annoys women working there. They then get jobs as waiters at a nightclub. Chaos leads to destruction of the business. At the end, Ted pursues another woman.Ted Healy and the 3 Stooges are fired and evicted from a theatre because Ted annoys women working there. They then get jobs as waiters at a nightclub. Chaos leads to destruction of the business. At the end, Ted pursues another woman.
- Dirección
- Guión
- Reparto principal
Larry Fine
- Larry
- (as Fine)
Moe Howard
- Moe
- (as Howard)
Curly Howard
- Curly
- (as Howard)
Bonnie Bonnell
- Bonny Latour
- (as Bonny)
Edward Brophy
- Theater Manager
- (sin acreditar)
Fred Malatesta
- Restaurant manager
- (sin acreditar)
Jack Smith
- Singing Bartender
- (sin acreditar)
Martin Sperzel
- Singing Bartender
- (sin acreditar)
Al Teeter
- Singing Bartender
- (sin acreditar)
Reseñas destacadas
The Three Stooges got their name because in fact they were 3 stooges to comedian Ted Healy. The way Moe slapped the other two around was about the
way Healy treated all three. A perfect example is this short Beer And Pretzels.
The guys can't keep jobs because Healy can't keep his hands off the women. But they do get a job after the Stooges obey an offhand comment. But the usual chaos ensues.
The guys are a lot younger looking in these Healy shorts from MGM..
The guys can't keep jobs because Healy can't keep his hands off the women. But they do get a job after the Stooges obey an offhand comment. But the usual chaos ensues.
The guys are a lot younger looking in these Healy shorts from MGM..
WHEN ONE HAS been used to having his Stooges movies served up in the tradition of the Columbia Pictures variety, viewing these MGM Ted Healy and the 3 Stooges shorts presents one with a certain set of problems. Essentially we have a sort of 'Time Machine' in which we are able to view others at an earlier state of development; heretofore being an unknown commodity.
THE ONLY OTHER experience that we can site that would compare relates to our two then grade school daughters first viewing of a classic 1940's film. On a holiday off from school, we screened KNUTE ROCKNE ALL American (Warner Bros., 1940); which starred Pat O'Brien in the title role and a future U.S. President as George Gipp. The girls were indeed taken back with Ronald Reagan's portrayal of "the Gipper"; exclaiming that 'Dutch' looked like a College Boy.
BUT, WE DIGRESS. Getting back to this short, the shock is real when one sees that team boss, Ted Healy, is doing the whacking and hitting. Even Moe is reduced to a submissive human punching bag. Ted's demeanor, body language and fish market voice is most domineering and even annoying. His on screen persona would seem to match that to which he was attributed; being tyrannical, self important and cheap.
THE SCENARIO, SUCH as it is, consists of a basic premise of Ted and the boys being banned from an engagement on a Vaudeville Stage by the theatre manager (Ed Brophy). After we learn that the reason for their difficulties in keeping employment is Healy's eye for the ladies. They then seek employment as Singing Waiters.
THE COMIC MATERIAL is obviously tried and true 'old stuff' that they had done on the Vaudeville and Burlesque stages. Tried and true routines, made for a sort of insurance policy for guaranteeing that the laugh meter is being kept busy.
BECAUSE THE SHORTS were being shot at MGM, there is a lot of infusion of talents that were around that studio. Singers, dancers and a large number of extras; all made for a look of opulence. Added to this, we have the obvious use of some sets that belonged to other productions.
BEER AND PRETZELS surely cannot be rated as a top Stooges movie. But it is certainly a fine example of what can only be described as a work in progress. There would be a long tenure with Producer/Director Jules White over at 'Poverty Row' Columbia. But it would be sans Mr. Ted Healy.
THE ONLY OTHER experience that we can site that would compare relates to our two then grade school daughters first viewing of a classic 1940's film. On a holiday off from school, we screened KNUTE ROCKNE ALL American (Warner Bros., 1940); which starred Pat O'Brien in the title role and a future U.S. President as George Gipp. The girls were indeed taken back with Ronald Reagan's portrayal of "the Gipper"; exclaiming that 'Dutch' looked like a College Boy.
BUT, WE DIGRESS. Getting back to this short, the shock is real when one sees that team boss, Ted Healy, is doing the whacking and hitting. Even Moe is reduced to a submissive human punching bag. Ted's demeanor, body language and fish market voice is most domineering and even annoying. His on screen persona would seem to match that to which he was attributed; being tyrannical, self important and cheap.
THE SCENARIO, SUCH as it is, consists of a basic premise of Ted and the boys being banned from an engagement on a Vaudeville Stage by the theatre manager (Ed Brophy). After we learn that the reason for their difficulties in keeping employment is Healy's eye for the ladies. They then seek employment as Singing Waiters.
THE COMIC MATERIAL is obviously tried and true 'old stuff' that they had done on the Vaudeville and Burlesque stages. Tried and true routines, made for a sort of insurance policy for guaranteeing that the laugh meter is being kept busy.
BECAUSE THE SHORTS were being shot at MGM, there is a lot of infusion of talents that were around that studio. Singers, dancers and a large number of extras; all made for a look of opulence. Added to this, we have the obvious use of some sets that belonged to other productions.
BEER AND PRETZELS surely cannot be rated as a top Stooges movie. But it is certainly a fine example of what can only be described as a work in progress. There would be a long tenure with Producer/Director Jules White over at 'Poverty Row' Columbia. But it would be sans Mr. Ted Healy.
Reason why I said before '46 was because Curly was starting to become ill, and it was sad to see Curly in the shape he was in at that time. Because of that, it made it hard to watch any of those without feeling sad :( But here, we have the early days... the EARLY early days. Alright, so this isn't "The Three Stooges", but as it was usually put "Ted Healy and His Stooges". The humor here seems like a mix of what the stooges would become and a little bit of the biggest contenders at the time, The Marx Brothers. Best bit: proof that if you don't throw salt over your shoulder in time, you'll have bad luck... LOTS of it. Anyway, this is worth a look for ALL stooges fans and you can probably find it on a video or DVD collection for about five dollars... and in the words of Curly, "He's got FIVE DOLLARS!!!!!"
Beer and Pretzels (1933)
*** (out of 4)
Ted Healy and his 3 Stooges (Moe, Larry, Curly) are fired from a song and dance show so they take a position of waiters but things don't go very smoothly. The first night out Healy is busy trying to be an owner while the Stooges get into one disaster after another. This short turned out to be the Three Stooges second at MGM and it's true the studio obviously didn't know what to do with them but I think this film actually manages to be pretty fun from start to finish. In the middle we get a musical number that is rather bland and boring but this only lasts for a few seconds thankfully. The rest of the film has the boys doing their act but of course they're still behind Healy. I think Healy actually turns in a pretty good and funny performance here. I really enjoyed the way he tried to be "smarter" than his stooges but he still managed to come across quite foolish in his own way. These early Healy shorts are never going to get much attention compared to the Columbia films but this one here is certainly one of the better ones. As far as the Stooges go, we don't see them in full glory here but I think they're entertaining enough in their own right and the final few minutes are a major plus with some very good laughs.
*** (out of 4)
Ted Healy and his 3 Stooges (Moe, Larry, Curly) are fired from a song and dance show so they take a position of waiters but things don't go very smoothly. The first night out Healy is busy trying to be an owner while the Stooges get into one disaster after another. This short turned out to be the Three Stooges second at MGM and it's true the studio obviously didn't know what to do with them but I think this film actually manages to be pretty fun from start to finish. In the middle we get a musical number that is rather bland and boring but this only lasts for a few seconds thankfully. The rest of the film has the boys doing their act but of course they're still behind Healy. I think Healy actually turns in a pretty good and funny performance here. I really enjoyed the way he tried to be "smarter" than his stooges but he still managed to come across quite foolish in his own way. These early Healy shorts are never going to get much attention compared to the Columbia films but this one here is certainly one of the better ones. As far as the Stooges go, we don't see them in full glory here but I think they're entertaining enough in their own right and the final few minutes are a major plus with some very good laughs.
This is the second Three Stooges short and it's obvious that MGM Studios had no idea what to do with the boys. Part of this confusion may have been because the Stooges still were not the same lovable team we have all come to know. Instead, they were essentially the vaudeville team of Ted Healy and His Stooges--with the obnoxious and totally untalented and unlikable Healy as the front man. In real life, Healy was an alcoholic and bitter man and his 'Stooges' resented his taking the lion's share of the money and headlining the act--they also resented his treatment of them. Incidentally, shortly after the three left this team, Healy was beaten to death in a bar fight.
As for this short, it has some lovely Stooge moments but unfortunately there is also LOTS and LOTS of singing and dancing--little of which was done by the Stooges. Because of this, the short is very frustrating to most Stooge fans, though die-hard fans and film historians would no doubt find this interesting.
As for this short, it has some lovely Stooge moments but unfortunately there is also LOTS and LOTS of singing and dancing--little of which was done by the Stooges. Because of this, the short is very frustrating to most Stooge fans, though die-hard fans and film historians would no doubt find this interesting.
¿Sabías que...?
- CuriosidadesThe first Three Stooges two-reel short comedy film.
- ConexionesReferenced in Conan: Do Not Go Gentle Into That Good Humor Truck (2011)
- Banda sonoraSteins On The Table
Music by Al Goodhart
Lyrics by Gus Kahn
Performed by Bonnie Bonnell, Jack Smith, Martin Sperzel and an unidentified tap dance trio
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Detalles
- Duración20 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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What was the official certification given to Beer and Pretzels (1933) in the United States?
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