La víctima del dragón

For all of us seasoned armchair detectives, Warren William remains one of the best in his class. He more than likely solidified that image with his entertaining portrayal of Perry Mason in a short series produced by Warner Brothers, who was crankin' out whodunits about as fast as they could in the early 30s. In fact, William Powell's portrayal of the THIN MAN came pretty darn close to William's portrayal of Mason, and it could justifiably be argued the other way around at that.

One interesting note is that William replaced Powell as Philo Vance, beginning with THE DRAGON MURDER CASE. Now you had William playing Vance fairly similarly to Perry Mason. Go figure. But it all was so much fun to watch because William, like Powell, was a terrific actor, in fact extremely hard to dislike, charming and a tad on the mischievous side. This Vance entry also took a turn to the macabre, often compared to a horror film, though not quite. It is a close call and most definitely more fun to watch late at night as Vance investigates the death of a pro swimmer who drowned in a mysterious pool, said to be haunted...

Leave it to those imaginative writers at Warners to come up with this one, and the identity of the murderer will keep you guessing through and through. Good supporting cast with the likes of Margaret Lindsay and Lyle Talbot, but you have to hand it to frog-voiced Eugene Pallette as the second guessing, cigar chimping long arm of the law coupled with Etienne Giardot as the ever frustrated coroner. Very atmospheric with some nice, spooky touches and DO NOT forget a host of red herrings to match.

Soooo, if you can, just sit back and enjoy this neat little thriller that keeps on giving in glorious black and white. Remastered separated on dvd by Warners, or in box sets with other episodes. Thank you TCM for the memories.

Philo Vance (Warren William) investigates a cursed swimming pool. It's called the dragon pool because there is supposedly a killer dragon in it! Extremely interesting idea elevates this murder mystery. Nice cast too. Warren William is good. It's amusing to me how there seems to be little consensus on Philo Vance's character in these films. He seems to change personality depending on who is playing him. This is probably why he's one of my least favorites of the classic mystery film detectives. But I do enjoy Warren William so I enjoyed this. Eugene Palette reprises his role as Sgt. Heath and he's always fun. Also returning is Etienne Girardot as the coroner Doremus. I love this actor. He's hilarious! The lovely Margaret Lindsay appears as one of the suspects, as does character actor George E. Stone. Lyle Talbot plays a half-Indian apparently. He doesn't look it but they keep referencing it so I thought I'd throw that in there. Short runtime helps keep the pace tight. Good old school detective flick. Fans of them will enjoy this one.

In this Philo Vance film from Warner Brothers and director Bruce H. Humberstone, Warren William stars as the famous detective.

A group of wealthy people are partying at the Stamm household, and apparently several people are upset that Bernice Stamm (Margaret Lindsay) is planning to marry Monty Montague for reasons that seem to have nothing to do with love, but that she will not reveal. She's actually in love with Dale Leland (Lyle Talbot), who confronts her about it, and her brother is so upset he is drinking himself into a stupor. The guests assemble at the Dragon Pool - a kind of dammed stream - for some late night swimming. But when Monty dives in he never comes out. The police are called by Leland, who suspects foul play. The next day Monty's body is found a good distance from the pool with claw marks on his throat. There is a myth surrounding the pool about a flying dragon, a prehistoric creature, who still lives in the area. Is Philo Vance about to go X-Files in this installment? Watch and find out.

Warren William is very smooth and debonair in the role of Vance, but he spends lots of time picking on and insulting Sgt. Heath (Eugene Pallette) where in previous film installments, Vance and Heath were allied and treated each other as peers. Of course, William Powell was playing the famous detective in those previous films, and Warren William always played even his roles as a protagonist as a bit caddish.

Although Vance systematically interviews witnesses and investigates clues, the final deductions that he makes seem to come out of nowhere. And the actual killer makes a complete confession when he really hasn't been found out at that point at all. Released right after the production code began to be enforced, it seems robbed of the hard bitten situations and dialogue you would expect from a similar film just the year before. It does have its charms though. Warren William is always fun to watch, though Robert Warwick steals the show as a coroner who gets cranky if he is called to a crime scene and there is no corpse.

This is the seventh Philo Vance film, the first after the retirement of William Powell from the lead role, and the first and only one starring Warren William as Vance. William is very insouciant and droll, more so than Powell was. (Powell had not yet fully found himself, as he had not become the future Powell of the Thin Man films. But then, he had not found his Loy yet either, with whom he was later to create his ALL-LOY of magic, fusing his silver with her gold.) William also has greater warmth and manages a far better rapport with Eugene Palette as the idiotic Sergeant Heath. When Palette keeps boasting of 'my knowledge of criminality', William genuinely grins sympathetically and teases him very gently like a friend. This works very well, since in previous films, Palette had been floundering around like a stranded fish and over-acting to an embarrassing extent, and Powell never engaged with him. On the other hand, this film lacks the effectiveness of the coroner's grumbling except with exasperation. In the previous film (THE KENNEL MURDER CASE, 1933, see my review) we saw him (played by Etienne Girardot, who despite his French name was born in London and in his films is 'as American as apple pie') being interrupted at his meals and rushing off to examine bodies, but this time that standing joke is taken for granted, no screen time is given actually to showing his frustrations, which are merely referred to in occasional lines of dialogue, and hence that comic sub-plot does not work nearly as well. The story line of this film is however a superior and unusually mysterious one. It concerns a sinister and mysterious pool behind a large house which they call 'the Dragon Pool'. People swim in it all the time, treating it as a swimming pool, but it is a natural feature, not an excavated pool, and it has bizarre features. It links to extended sink holes beyond, and is said to contain a mysterious aquatic dragon who comes out at night and occasionally eats people who dare to swim after dark. This is said to be an ancient Indian legend, and the pool was reputed to have been regarded by the Indians with awe and fear. The film concerns the disappearance and presumed murder of one of the characters who dove into the pool one evening and never reappeared. The pool is drained but nothing is found. An eccentric rich man lives in the house, whose sitting room is full of identical fish tanks (a low budget prevented these from being properly effective, and they look cheap and unconvincing) which contain rare and exotic fish. There are several scenes where the man and his visitors watch 'Japanese fighting fish' killing one another in tanks. That certainly sets a sinister tone at the very beginning of the film. This is definitely a superior Vance film, and the story is so unusual that it could be remade as a very effective modern film if the right people realized its possibilities.

"The Dragon Murder Case" (1934) is not nearly as weak as some of these comments would lead you to believe. It should be cut some slack based on when it was made (it has Code Certificate #109) and viewed from the perspective of its intended audience. At the time its claim to fame was as a murder mystery packaged inside a lot of clever misdirection. For today's viewers, these sorts of twists will seem rather routine. Not so forgivable are several huge plot holes but as long as you are suspending disbelief anyway….

There is even a (Stanley) Kubrick-style subtext about Native Americans although they don't take it as far as he did in "The Shining".

This is a Philo Vance story (basically an early version of William Powell's Nick Charles character) with Warren Williams replacing Powell. Williams is nothing exceptional but the supporting cast and the production design are quite good. Eugene Palette (Friar Tuck) steals all his scenes with the funniest lines and the best delivery; his stuff alone makes the film worth viewing. The quotes section has his line about women generally speaking. Helen Lowell has a lot of fun playing the loony grandmother; she was born in 1866-wonder how many pre-1870 actors can claim lines in a talking picture. Margaret Lindsay is extremely beautiful as she was in "Jezabel" (1938); beautiful enough to stand out from all but a handful of her contemporaries.

Then again, what do I know? I'm only a child.