Mando siniestro

Set in 1860's Kansas, the story concerns Will Cantrell (Walter Pidgeon), a seemingly harmless school teacher who is secretly the head of an outlaw gang that commits robberies and murders across the state. In Lawrence, Kansas, newcomer Bob Seton (John Wayne) takes on the job of marshal, putting him at odds with Cantrell. They also spar over banker's daughter Mary McCloud (Claire Trevor).

This is a fictionalized version of Quantrill's Raiders. It was unusual seeing Pidgeon in this kind of role. He wasn't bad at all. I liked Gabby Hayes as Wayne's dentist sidekick, and Marjorie Main as Pidgeon's disapproving mother. Claire Trevor received top billing, a testament to the various stars' standing at the time. Western hero Roy Rogers plays Trevor's naive young brother who joins up with Pidgeon, not knowing the true nature of his exploits. Again, it was strange seeing Rogers in such a lesser supporting role. The movie's entertaining, regardless of whatever liberties are taken with the history involved. The film earned Oscar nominations for Best B&W Art Direction, and Best Score (Victor Young).

After the spectacular success of John Wayne in "Stagecoach", Republic realized they actually had an 'A'-list star...still making 'B' movies! While Duke was on loan to RKO for "Allegheny Uprising" (continuing to 'farm out' their biggest star out to major studios would provide a MAJOR source of cash for the small studio), Republic worked on creating their first 'major' western, borrowing MGM's Walter Pigeon, top Warner director Raoul Walsh (who'd directed Wayne's failed initial 'starring' role, "The Big Trail", ten years earlier), Claire Trevor (in what would be her third teaming with Wayne in two years), rising star Roy Rogers (who'd inherited the "Singing Cowboy" roles a dubbed Wayne had played in the thirties), and ever-popular Gabby Hayes (a frequent Wayne co-star for nearly a decade).

The result of all the assembled talent was a well-crafted, if still modestly-budgeted film, showcasing Duke's charisma and 'star' quality. As an illiterate but straight-talking Texan in Lawrence, Kansas, Duke wins the hearts of the townspeople and (eventually) banker's daughter Trevor, over intellectual schoolteacher William Cantrell (Pidgeon, playing a variation of infamous Southern guerrilla fighter William Quantrell). With the beginning of the Civil War, Cantrell, showing the signs of insanity his mother (the ever-wonderful Marjorie Main) had warned him of inheriting, recruits an 'army' of mercenaries, dons a stolen Rebel uniform, and burns and pillages, with Duke in pursuit, climaxing in a last-ditch defense of Lawrence.

While very 'fast and loose', historically, "Dark Command" is great fun, and the Wayne/Trevor chemistry was never more enjoyable!

Although 'Dark Command' reads like a 'Who's Who' of Westerns (John Wayne, Roy Rogers, Gubby Hayes, Clare Trevor etc), the real 'star' is its writer - William Riley (WR) Burnett.

He created a vivid moral fable of the wild west - William Cantrell (Pidgeon)gives up the role of good School teacher to become a ruthless bushwacker and gunrunner. In the opposite corner is the illiterate Bob Seton (Wayne) who keeps the Faith and becomes town marshall. Both want to achieve things and get the same girl before the Civil War strikes(Trevor)

Seton stands up for right even if it means losing friends and the girl, whilst Cantrell will stop at nothing to make a difference and as his Mother (Main) remarks "the Devil is walking with you". The title of the movie must say it all for W R Burnett.

The picture is not only gripping but hilarious and good hearted in parts. Gubby Hayes is superb as Seton's Dentist/Barber/Butcher and is responsible for most of the humour and keeps your interest when the film starts to fade.

For Western fans, 'Dark Command' is a must - to see Wayne, Rogers, Hayes & Trevor together should not be missed. But general moviegoers should try and catch it if they can - to see the work of the man who (amongst others) penned 'Little Caesar', 'High Sierra', 'The Alsphalt Jungle' and of course 'The Great Escape' (all great titles!)and frankly any movie that has the line "Jumping Catfish - I can give up Barbering!" has got to be worth a looksee.

Mr. Walsh never let historical accuracy get in the way of telling a good rouser about a historical character. This film and Errol Flynn's "They Died with Their Boots On" made the following year for Warner Brothers are prime examples. This is a good Saturday afternoon movie when is what day I first saw it on. Mr. Wayne was still working on his iconic Western Hero image ( which he would nail down perfectly in "Tall In the Saddle" far more impressive than his lummox with a mission performance in "Stagecoach") and to my mind wasn't grating, Gabby Hayes wasn't a total clown, Roy Rogers was actually acting! and Claire Trevor was good doing her part at playing a bland upper class town girl. But Walter Pigeon steals the picture. No namby pamby Greer Garson where are you stuff here! He gets a chance at playing the marauder William C. Quantrill (in this movie called Cantrell)and goes for it. From freeing slaves after killing their owner and selling them to someone else ( Deep real real Deep that scene... ahem) to massacring a Rebel supply train then donning their uniforms and saying he and his growing band are going ' fight for Dixie, Pigeon is a good man to be bad. In a way he seems to be a precursor to Cody Jarret W.R. Burnett and Raoul Walshs' other crazed mamma obsessed bandit. Like Cody he comes from a family of guntoting pyschos who have bad endings. Unlike Cody he is more educated and Mom isn't a gunslinger herself, though Majorie Mains' character could've been written that way. I can hear her raspy voice telling Walter "Ya need ta go to Lawrence and burn it down 'round that Seton fellas ears and git yer woman back boy, how else yer gonna keep these coyotes in line." All in all a good Western with some darker issues bubbling beneath the popcorn.

John Wayne's first "A" film at Republic is a good story carried by a strong cast. One year after Stagecoach, he still takes second billing after Claire Trevor in their third of four pairings together. They worked extremely well together, and remained close friends for the rest of their lives. Walter Pigeon is given the part of the heavy, Roy Rogers gives the finest acting performance of his entire career, and veteran character actors Gabby Hayes and Marjorie Main round out the cast. Veteran director Raoul Walsh keeps the story moving and gives emotional depth to the characters that was unusual for Republic films at the time.

Set in pre-Civil War Kansas, when both Northerners and Southerners were scrambling to settle Kansas and decide its political position on slavery, the story revolves around an uneducated Texas cowboy, Bob Seton (Wayne), who finds himself in conflict with local schoolteacher Will Cantrell (Pidgeon) over both the job of Marshall in Lawrence, Kansas, and the hand of the local Southern banker's daughter, Miss Mary McCloud (Trevor). When Seton appears to have won not only the job, but also Mary's heart, Cantrell decides that the way to power lies through lawlessness, and forms a band of freebooters who ravage both Northern and Southern settlements, causing destruction and terror in Kansas.

While the film is not totally historically accurate, it does do a good job of portraying the viciousness and ruthlessness of pre-Civil War Kansas. It is told from the Northern point of view, and is a nice contrast to Errol Flynn's Santa Fe Trail, which came out the same year (1940) and portrays similar events in "bleeding Kansas" from a Southern point of view.

Part-Western, part-Civil War movie, Dark Command is one of Wayne's best early starring roles. Fans of his, or of the genre's will not be disappointed.