Montana

If you like westerns and Errol Flynn and who doesn't, prepare to be entertained. Cattle, sheep, a woman, ranches, shootings and all the rest take place in a rather quick paced plot that serves its purpose. It would have been a 5-6 rating but Errol is always a pleasure to watch as he has this way of acting that looks so effortless. Hollywood did well to take advantage how the camera loves this man. Good movie to eat a sandwich while watching with a tasty drink and perhaps some choice candy. There is a couple parts where they sing and in the bat scene, the song is quite catchy. Listen to the words or read them if you have closed captioning. It gives us a glimpse of life back then, what people liked and song subjects can be revealing. Just listen and learn. Okay boys, lets ride

Montana with a running time of only 77 minutes has to be some kind of record for Errol Flynn while he was Warner Brothers for shortest feature film. Some of the B westerns with Dick Foran back from the Thirties had longer running times than Montana.

My suspicion is that Montana is nothing more than a pumped up B film, it certainly does not have as expensive a look to it as say The Adventures of Don Juan which Flynn did the year before.

The plot is a simple one and it's the only time that Errol Flynn actually played someone of his nationality which was Australian. Flynn for reasons left unexplained by the film has decided to leave Australia and homestead new country for sheep raising in the Big Sky country of Montana territory.

Naturally this upsets the local cattle ranchers and two of the biggest in the area are Alexis Smith and Douglas Kennedy who are about to make a personal and business merger. But once Flynn gets into the picture he certainly makes Alexis see the error of her ways about him and about sheep in that order.

As a film, Montana relies heavily on the considerable charm of Errol Flynn to bring it off. Bring it off he does, but Montana certainly will not rank high in the best of Errol Flynn list anyone compiles.

But someone out there was really impressed with the film. Back in the day when I lived in Brooklyn there was a judge who must have loved this film as a lad. He thought Errol's character name of Morgan Lane had character so he changed his own name to Morgan Lane from some Jewish sounding ethnic name. Of course that was before he became a lawyer and eventually a judge.

The second thing Montana is known for is a nice little cowboy duet that Errol and Alexis sing called Reckon I'm In Love. It's nice little ditty and one of only a few times Mr. Flynn got to sing in films. I recall he sang in Thank Your Lucky Stars and in Let's Make Up and that's about it in the vocalizing department.

You might watch Montana for entertainment, but who knows if it will actually move you to change your name.

this is a very primitive western with terrible screenplay, wordy dialog, but most of all, the annoying childish cartoon-like music would drive you crazy. the directing was basic, deadbeat and breathless due to a lifeless screenplay, the acting of all the characters in this boring film were badly affected by the lousy script. when these sheepherders went into the territory of the cattlemen, they didn't pay any attention to the eminent danger, drinking and singing around the camp fire, what a stupid arrangement was that? when the cattlemen attacked them at night, there was only a gun available to fight back, what made the guy think that he could deal with the self-entitled cattlemen in Montana? the childish screenplay then forcefully developed into a more stupid scenario with a gunfight in the tavern, then the guy met a pretty local girl in town that was so predictably boring and so formulaic stupid. do i have to go on and on with the annoying sound track? sorry, no can do.

Montana is directed by Ray Enright and adapted to screenplay by James R. Webb, Borden Chase and Charles O'Neal from a story by Ernest Haycox. It stars Errol Flynn, Alexis Smith, S.Z. Sakall, Douglas Kennedy, James Brown and Ian MacDonald. A Technicolor production with cinematography by Karl Freund and music by David Buttolph.

Flynn plays an Australian sheepman who comes to Montana looking for grazing space but finds local ranchers and a wealthy cattle-woman are greatly opposed to his plans.

Warning! Sheepherders Passing This Point Will Be Shot On Sight.

Just how many films are out there about the Sheep Vs Cattle Wars? What an interesting subject, that cattle ranchers were convinced that sheep were detrimental to the land and therefore a threat to the beef money market. This forms the basis for Montana, a modest budgeted production that never the less has glorious Technicolor to digest and Errol Flynn as a tough handsome dude.

Much of the film is given to talking about the sheep and cattle conundrum, with some duplicitous behaviour, ulterior motives and political nest feathering thrown in for good measure. Naturally there's a fiery romance bubbling away between Flynn and Smith, where they even duet on a song, "Reckon I'm In Love", while there's fist-fights, stampedes and some buckaroo to achieve the action quotient on "B" movie par. Some bad rear projection work shows its face from time to time, a shame because there's a lot of nice scenic photography to enjoy. But the best feature away from Flynn being Flynn, is that Technicolor photography, check out Smith's flame red hair and eyes chipped from Kryptonite, a dinner sequence rich in colour composition or just how the costumes burst out of the screen. This is a beautiful movie to look at even if it's routinely scripted from the page. 6.5/10

Morgan Lane (Errol Flynn) is an Australian sheep herder. He has come to Montana to graze his sheep despite attack by murderous local cattlemen. He encounters traveling huckster Papa Otto Schultz (S. Z. Sakall). He decides to play a peddler and infiltrate the town. Maria Singleton (Alexis Smith) is one of the local cattle ranchers.

It's a fine Errol Flynn western. Sheep herders are not the usual western fare. That's an unique spin. Otherwise, it's very standard and non-challenging. There are some cowboy stunts with the stuntmen. Errol Flynn is doing his leading man work. This is fine but a little slow.