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For me, House of Wax is a very good movie, but I am not sure if it is Price's best horror film. I did prefer the Corman-Price-Poe collaborations Pit and the Pendulum, The Raven, The Fall of the House of Usher and especially The Masque of the Red Death. The story occasionally loses bite and Phyllis Kirk is a rather bland female lead(though in all fairness her character is as well). Conversely, the Gothic sets look gorgeous and add a real sensual beauty to a lot of scenes. The photography is just as lavish. On the subject of visuals, I had the pleasure of watching House of Wax in 3D, I am not a fan of 3D and find it distracts from the film and doesn't focus on the story enough. In the case of House of Wax however, not only does the 3D look good, but it enhances the scares without making them gimmicky. Igor appearing to have leapt out of the audience was a standout. House of Wax is fine in 2D, but even better in 3D in my view, and I thought I'd never say that. The music is haunting and robust, the writing is sharp and the story is suspenseful and mostly exciting. There are some very effective scenes, such as the sight of the figure in the cloak, Jarrod chasing Sue down the alleyways(pure suspense and horror), the murders especially that of Jarrod's partner, the heart-breaking scene where Jarrod tries in vain to save his wax works and Sue strapped nude on the table in the climax. The wax works are very creepy as well. The pace is brisk and the direction handles the atmosphere very well. The performances are very good on the whole, Carolyn Jones went on to do better things but is interesting to see. Frank Lovejoy is great at just playing it straight, Reggie Rymal provides another of the 3D's finest moments with the paddle-ball and Charles Bronson is wonderfully creepy even without uttering a word. Best of all is Vincent Price in his first array into horror and for me still one of his best roles, his make-up is exceptional and he is very malevolent and sympathetic, a type of role that always saw him at his best. Looking at him also, you'd never guess that it was his first horror role, he looks as though he'd done it for years beforehand. In conclusion, a very good film and a great 3D experience. 8/10 Bethany Cox

Here's the film that put Vincent Price on the horror map and redefined his career. His wonderfully unhinged performance as Professor Jarod is one that you should not miss. Price chews up the scenery and has a great time doing it. It would have been great to see it in 3D but I don't even know if you can get 3D on home video. But don't let that stop you from checking this one out. There is also a fine supporting cast including Frank Lovejoy, Phyllis Kirk, and a very dasterly Roy Roberts. Price plays a scuplter who takes his work just a little too seriously, especially after Roberts sets his wax mueseum on fire with Vinnie in it. The rest of the film focusses on Price's revenge, as it were. Also check out a very young Carolyn Jones (the future Morticia Adams). Check it out, you won't be disappointed.

Perhaps I've been lucky. I've only seen this film twice in the past 15 years, but both times were in 3D, the second time last night. The crowd just loved it, with a big round of applause at the end.

The paddle ball scene is a highlight, but the reprise of the paddle ball is even more hilarious. It's completely over the top, and helps to create the carnival atmosphere that makes the film so effective in a large group.

The really dramatic 3D effects in this film are played for laughs, and I think that's one of the keys to its overall success. Director André De Toth treats the gimmick as a gimmick, and doesn't try to get more out of it than that. Hitchcock, in "Dial M For Murder", tried to use the technology for dramatic effect, but that was a complete failure. The gimmick gets in the way of real drama. The attempted murder of Grace Kelly in "Dial M" is more shocking in 2D. In 3D, you're completely jolted out of your involvement in the scene when Grace's grasping hand comes lunging halfway out into the audience at you.

In "House of Wax", the effect found its real home, a melodramatic thriller, played by everyone with tongue firmly in cheek.

De Toth composes his shots really nicely, I think. There's some foregrounding of chandeliers and other props, but never too much. He mostly holds back on the effect until he can make the best use of it -- the paddle ball, the can-can dancer's round bottom, the bust of Charles Bronson at the end. There is one great 3D thrill, the shot where Bronson, playing Vincent Price's evil mute assistant, has to grapple with policeman Frank Lovejoy. Bronson appears to leap out of the audience and onto the screen; it's an unexpected moment, and a real treat.

I love Vincent Price, my all time favourite horror actor. 'House Of Wax' is an important movie in his career, because it was his first legitimate horror film, after thirty something pictures in a variety of genres. This really is where the Price persona fans know and love began. He made non-horror pictures after this, it was a few years later that he made 'The Fly' and the William Castle movies which made him a horror star, something cemented later in the 60s with Roger Corman's Poe movies. But you can see Vincent Price horror icon right here. He's terrific as Jarrod and he would draw upon this role for 'The Mad Magician', and later, the Phibes movies and 'Theatre Of Blood'. 'House Of Wax' is a remake of 'Mystery Of The Wax Museum' made twenty years earlier. In that one Lionel Atwill played the Price role (different name, but same character). Atwill was great but Price is even better, as is the movie overall. 'House Of Wax' sticks pretty much to the earlier movie, but with a few changes, most notably the absence of the girl reporter character that Fay Wray played in the original. In this, the policeman played by Frank Lovejoy ('In A Lonely Place') takes on a similar role. Phyllis Kirk is good as the female lead, better in my opinion than Glenda Farrell in the earlier picture. The supporting cast also includes Carolyn "Morticia Addams" Jones, and an early appearance by Charles Bronson, who plays a deaf mute named Igor. 'House Of Wax' was made specifically for 3D, so there's a few gimmicky shots, but that doesn't spoil the movie, which to me is a horror classic that every fan of the genre should see.

My great uncle was in this movie, being the barker. Watch this movie and get out of the way of his ''tricks''. His name was Reggie Rymal. I'm Larry...

My uncle was an entertainer and comedian in the early 1950s and was well known for his paddle-ball skills. He performed standup comedy and paddle-ball at hotels around the country. He appeared on many television shows during the early days of TV including "The Eddie Cantor Show, You Asked For It, and Ladies Choice.

I have always felt he was chosen for this movie due to the contribution in content for the 3-D effects. He was simply an amazing guy.