La chica no puede remediarlo

I always chuckle when comments moan about some film they review seriously which Helen Keller could tell is made to be a ridiculous comedy. Hey, like THE GIRL CAN'T HELP IT for example. How's this for the full hurricane force of the fun of it all: On Saturday June 11th 2005, as part of the Sydney Film Festival, there was a screening at the 2300 seat Sydney cinema treasurebox THE STATE THEATRE. Guess how many turned up: go on...have a guess...give up? well would you believe...... 2300 people !!! at $12.50 a ticket!! all ready to shatter the chandeliers and lift the roof in unison shrieking and howling with glee at this hilarious musical farce designed to do no more than outrageously entertain. And it did. Maybe best seen like this in a crowded picture palace of good natured punters keen to have communal cinema bliss, but I do believe it was all the rage back in 1956 as well, with Jayne doing Marilyn and Ewell leering and looking sideways. Fab deluxe colour never looked better and with a roster of glamour clad stars, all giving us their all for the FOX/Tashlin schedule it works superbly for 91 minutes of pure 50s delight. Yes it is funny! It's supposed to be! Just enjoy it. Or move to Australia.

Anyone curious about the lighter side of the Eisenhower years needs to catch this candy-box confection. Yes indeed, it's classic R&R with a number of star crowd-pleasers at their peak—The Platters, Gene Vincent & His Bluecaps, Fats Domino, Eddie Cochran, plus the one and only Little Richard. And for the lounge lizard crowd, it's a sultry Julie London crying her trademark river. And, of course, no 50's look-back is complete without a busty blonde. Here it's a cartoonish Jayne Mansfield defying the laws of gravity with her twin gunboats.

And it's all put together by sight gag specialist Frank Tashlin showing why his years as a Disney cartoonist were not misspent. Okay, the 100-minutes gets a little plot-heavy toward the end, plus watching the glamorous Mansfield get all ga-ga over a nerdy Tom Ewell is itself a cartoon. Still, there's a usually dour Eddie O'Brien mugging it up in hilarious fashion, along with a deliciously deadpan Henry Jones trailing behind. I can't believe TCM gave the results only an average rating. Someone over there was asleep. On the contrary, this is one of the most lively and entertaining documents from that cold war decade. Thank you, Frank Tashlin and Twentieth Century Fox.

"The Girl Can't Help It" is a cute little film--though not quite as funny and memorable as Jayne Mansfield's followup film, "Will Success Spoil Rock Hunter?". But like this followup, "The Girl Can't Help It" works because it never takes its self seriously and it's a good fit for the talents of Miss Mansfield--and is well worth your time.

The film begins with Tom Ewell being approached by an ex-gangster played by Edmund O'Brien. O'Brien wants this agent to represent his girlfriend (Mansfield)--a lady he swears is talented. However, what her talent is isn't readily apparent--except for her extreme sexiness. At this point, the best portion of the film occurs--when you hear the Little Richard song "The Girl Can't Help It". You see Jayne walking down the street--and the crazy reaction she gets from guys is really, really funny. However, while IMDb says that the milkman is played by Phil Silvers in this scene, it is NOT. I have seen this bit actor in many films though his name escapes me--I just know he's not Silvers (plus he's too skinny). So will Ewell manage to maker her a star? Or will the VERY jealous O'Brien have to put a hurt on him--as he's inclined to think that other guys are trying to muscle in on his girl.

This is a lightweight comedy and would be worth seeing just for that reason. However, the film also includes lots of great cameos by various early rock 'n roll groups--a WONDERFUL bonus. For example, you'll see the Platters, Little Richard and Fats Domino! Clever writing, great music and fun. If only Mansfield had made more films like this one.

Wanna see when Little Richard(She's Got It-Ready-Teddy & Girl Can't Help It), Gene Vincent(BeBop A Lula),The Platters(You'll Never Know), and Fats Domino(Blue Monday)perform their hits live as the actually sang them in 1956? Wanna see campy Jayne Mansfied at her sexiest, wittiest best? Paradoies, sight gags and clever writing make the rocker musical an even better comedy, which has stood the test of time. Jayne bubbles over, while Tom(Ewell) bubbles under and somehow in the end they both bubble up to the surface and find happiness, kids.......... If this isn't enough Calander Girl Julie London does a sultry. teasing version of her hit Cry Me A River that will drive any man to drink. Check the cars out, I once owned one of those. See this movie twice to fully appreciate the music and catch all the gags, clever lines and parodies.

Nobody is going to award this screenplay awards for being anything more than a satire of the music industry, with scenery chewing main characters playing it big and obvious...no subtlety here, Jayne Mansfield, a stunning beauty, has the most restrained performance of all of the main characters. The '50s broad stroke comedy hasn't aged as well as other films, but, that is to be expected as the beloved popular music of the generation that produced this film gave way to the genre that was actually being satirized, Rock and Roll.

That being said, the film was AHEAD of it's time in showing artists doing their originals for a mass appeal production. AT THE TIME, segregation existed in both CONCERTS and RADIO. Some radio stations would only play Pennimen (Little Richard), Domino and other black artist's songs that white artists had covered...The inclusion of the the original artists was a bold and interesting move, as, even in film history, there had been films targeted for audiences by race in much the same way as was the radio practice of the time.

The influence of those assembled artists, even the ones that the dialog was mocking, for instance, Eddie Cochran, can still be heard over 40 years after his untimely death...Summertime Blues is STILL a rock standard, and classic rock stations still play Little Richard, Fats Domino, and the Platters...Even the faded ghost of the music that was passing (literally and figuratively in the movie), Julie London, has gotten re-issues of re-mastered material on CD recently.

An entertainment on many levels, this film still exudes an exuberance, and quite unintentionally, preserves a visual record of the musical legacy of artists from Jazz to Rockibilly to R&B to Early Rock...and the joy of those performances is still infectious in the 21st century.