El robo del siglo

"Operation Amsterdam" from 1959 stars Peter Finch, Alexander Knox, Tony Britton and Eva Bartok in a Rank film based on a true incident. In 1940, there was a British move to get industrial diamonds out of Holland so that the Germans could not make use of them.

A British Major (Britton) travels to England with two diamond experts (Knox and Finch) to persuade diamond merchants in Amsterdam to give over their industrial diamonds, which would be brought to England.

There is danger all around them, with soldiers, shootings, and bombings everywhere. At a harbor, a young woman, Anna (Eva Bartok) tries to drive into the water to commit suicide after her fiancée's parents are killed, as she blames herself for inadvertently causing their death. The men are able to stop her and make use of her car, and her knowledge of Amsterdam, all the while not sure if they can even trust her. No one, in fact, can trust anyone, since German parachuters are disguised as Dutch soldiers.

Jan (Finch's) father, who is a diamond merchant in Amsterdam, appeals to his circle to relinquish their stashes so that the major and the men can bring them to a destroyer on which Churchill is allowing them to travel. The time is short -- will the merchants cooperate? Or have they come a long way for not very much? I found this film very exciting and very moving. The atmosphere was tense throughout. Peter Finch gives a wonderful performance as Jan, and he was so handsome and had good chemistry with the beautiful, mysterious Anna of Bartok. Alexander Knox seemed to be an afterthought, not given much to do.

Knowing what the Dutch suffered during the war made this an emotional experience watching the courage of the people who helped the men along the way. This wasn't the officially formed resistance, but an earlier group who didn't want the Nazis in Holland and probably were the core people when the official Resistance began.

Highly recommended. I think the story is compelling enough to overcome editing criticisms, the time of release criticisms and the like. Powerful stories are timeless.

The movie makes the best out of a fairly unique story that is probably based on true historical facts. It is about a one day expedition to Amsterdam in May 1940, shortly before the arrival of the invading German troops. In a race against time exiled Dutch jewelers try to get all the industrial diamonds out of the country and bring them to Britain before the Germans can take them. It is a quick in and out operation organised by the British government that has to be accomplished in one day - and no easy task as the jewelers have to be convinced by sheer argument it is the right and sensible thing to do (hard to decide in the Netherlands in May 1940, I am certain).

In a strange way this movie is surrealistic and realistic at the same time. There is a lot of good ___location shooting, the sun drenched streets of Amsterdam are virtually deserted, the atmosphere is ghostly. At times there is gunfire in the distance. There are some disoriented Dutch soldiers hanging around, or shall I say loitering? The effect is strangely threatening. At one time two groups of soldiers start shooting at each other. In another scene, one of the day trippers steps into a pub in a totally empty square. And there they are, the Dutch! Sitting peacefully behind their pints and discussing the latest news from the front. The transition really took me completely by surprise, it was incongruous but strangely effective and somehow totally believable.

There are harrowing scenes. When the day trippers disembark, the harbour is in chaos and full of refugees – a strong contrast to the mentioned deserted streets in the town center. When they finally succeed in organising a meeting with all of Amsterdam's important jewelers, their Jewish colleagues express the opinion that for them it might be wiser not to make the Germans angry by giving away the jewels. They can be convinced to agree to the evacuation of the stones that are invaluable to the armament industry, although it is made perfectly clear that the day trippers can take no refugees with them. All these issues are treated in a rational and unemotional way which actually strengthens the impact of the tragic situation.

In addition the movie also has some action scenes, a car chase and, as the culmination of the absurd general situation, the heist of a jewel depository by partisans who help the day trippers, with an ensuing fierce shootout with a detachment of Dutch troops. The acting is good, Peter Finch (Network) is cool as usual and gives a convincing performance as the son of an eminent Amsterdam jeweler and leader of the expedition. Eva Bartok is stylishly beautiful and enigmatic as a Dutch woman with uncertain alignments who joins the day trippers after they saved her from a suicide attempt (driving her car over the pier in the harbor, a car, incidentally, that comes in mighty handy). So, a hell of a lot goes on in Operation Amsterdam.

The 'flaws' noted above are not really that serious. Firstly, yes the sudden appearance of Willem suggested a cut scene, a frequent occurrence in many movies, owing to pacing and duration considerations - could have been better handled, but it was explained briefly. Secondly, the various groups of Dutch soldiers, some fighting each other, was fully explained several times in the dialogue - the city has been infiltrated with German fifth columnists, and nobody is sure who is friend or foe! In the battle scene by the canal the late arrivals have been sent by the man at the government department, to help the 'good guys'. Thirdly, you are correct that the OFFICIAL Dutch resistance was not yet organised, but the resistance fighters in the story are early volunteers who are trying to hamper the German occupation of Amsterdam, and will no doubt form the nucleus of the resistance movement that would soon follow. So, you see, not really serious flaws at all!

OPERATION AMSTERDAM is a strong WW2 movie with a great premise: a team including a Brit and two Dutch are sent into Amsterdam just as the Nazis are invading the country. They've been tasked with retrieving a priceless cache of diamonds from the city's jewellers and thus preventing them from falling into German hands. Along the way they must contend with German mines, bombing, Fifth Columnists, and the German soldiers who have already begun arriving in the city.

It's one of the strongest backdrops I can remember seeing in a film and the suspense goes through the roof from the outset. What I liked about OPERATION AMSTERDAM is that, despite the outlandish premise, the whole thing is rooted in realism; there are no gung-ho heroics, just characters struggling through as best they can. The production values are excellent and while there isn't a wealth of needless action in the film, a climactic firefight is expertly choreographed and one of the best filmed ever (eat your heart out, HEAT!).

The cast is very fine and includes Peter Finch in a solid hero-type role. My favourite character was that of the lovely Eva Bartok, who plays a resistance fighter with courage and determination, even more so than the men she helps. The real star of the show, though, is director Michael McCarthy, who had previously only helmed TV fare and low budget B-films. In OPERATION AMSTERDAM he was given a proper budget and ran away with it, although the success was bittersweet; he died in the same year the film was released.

Operation Amsterdam is a pleasant surprise. It has both a strong story and some unusual cinematic touches to keep the viewer interested.

The story of the British secret service agents who are sent to Amsterdam to recover industrial diamonds before the German invasion is a familiar one, and their eventual safe escape is predictable enough.

What interested me was the atmosphere of fear and bleakness that the producers manage to convey. The empty streets, in bright sunlight; the columns of fleeing people; the confusion of not knowing who are enemies or friends, makes for a better than average effects.

Added to this a score made only with drums, and some very abrupt editing that is almost painful to watch, makes this a worthwhile watch.