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Marilyn

  • 1963
  • Approved
  • 1h 23min
PUNTUACIÓN EN IMDb
7,8/10
132
TU PUNTUACIÓN
Marilyn (1963)
Documentary

Añade un argumento en tu idiomaAnthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.Anthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.Anthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.

  • Dirección
    • Henry Koster
  • Guión
    • Harold Medford
  • Reparto principal
    • Marilyn Monroe
    • Rock Hudson
    • Lauren Bacall
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,8/10
    132
    TU PUNTUACIÓN
    • Dirección
      • Henry Koster
    • Guión
      • Harold Medford
    • Reparto principal
      • Marilyn Monroe
      • Rock Hudson
      • Lauren Bacall
    • 5Reseñas de usuarios
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes7

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    Reparto principal29

    Editar
    Marilyn Monroe
    Marilyn Monroe
    • Self
    • (metraje de archivo)
    Rock Hudson
    Rock Hudson
    • Narrator
    Lauren Bacall
    Lauren Bacall
    • Schatze Page
    • (metraje de archivo)
    • (sin acreditar)
    Anne Baxter
    Anne Baxter
    • Kit Dodge Jr.
    • (metraje de archivo)
    • (sin acreditar)
    • …
    Cyd Charisse
    Cyd Charisse
    • Self
    • (metraje de archivo)
    • (sin acreditar)
    • …
    Charles Coburn
    Charles Coburn
    • Sir Francis 'Piggy' Beekman
    • (metraje de archivo)
    • (sin acreditar)
    Wally Cox
    Wally Cox
    • Self (scene from "Something's Got to Give")
    • (metraje de archivo)
    • (sin acreditar)
    Dan Dailey
    Dan Dailey
    • Self
    • (metraje de archivo)
    • (sin acreditar)
    • …
    Tom Ewell
    Tom Ewell
    • Self (scene from "The Seven Year Itch")
    • (metraje de archivo)
    • (sin acreditar)
    Betty Field
    Betty Field
    • Self (scene from "Bus Stop")
    • (metraje de archivo)
    • (sin acreditar)
    Mitzi Gaynor
    Mitzi Gaynor
    • Katy Donahue
    • (metraje de archivo)
    • (sin acreditar)
    Betty Grable
    Betty Grable
    • Self
    • (metraje de archivo)
    • (sin acreditar)
    • …
    June Haver
    June Haver
    • Self (scene from "Love Nest")
    • (metraje de archivo)
    • (sin acreditar)
    Celeste Holm
    Celeste Holm
    • Karen
    • (metraje de archivo)
    • (sin acreditar)
    Hope Lange
    Hope Lange
    • Self (scene from "Bus Stop")
    • (metraje de archivo)
    • (sin acreditar)
    William Lundigan
    William Lundigan
    • Self (scene from "Love Nest")
    • (metraje de archivo)
    • (sin acreditar)
    Dean Martin
    Dean Martin
    • Self
    • (metraje de archivo)
    • (sin acreditar)
    • …
    Ethel Merman
    Ethel Merman
    • Self (scene from "There's No Business Like Show Business")
    • (metraje de archivo)
    • (sin acreditar)
    • Dirección
      • Henry Koster
    • Guión
      • Harold Medford
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios5

    7,8132
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    Reseñas destacadas

    9ptb-8

    Astounding! Genuinely fascinating!

    Ohhhhhh. drat.

    Yes, folks, I am astounded this excellent doco has been so neglected and forgotten as to not be available on video or DVD ...and incredibly not commented upon or reviewed on the IMDb. I can't be the only person in 2005 who knows this exists. Anyway, here's the info: made in 1963 as a Marilyn Monroe - Fox release to take the place of SOMETHING'S GOTTA GIVE which, as we all know was scrapped adding to her demise. Fox filled in the schedule blank (and mopped up as much MM sympathy cash as possible) by creating this 90 minute documentary with intros and links shot in cinema-scope on a blank stage with Rock Hudson narrating the clips from all her Fox films. It looks a lot like the format used later in THAT'S ENTERTAINMENT PART 2 with ladders and spotlights and studio bits for the narrator to wander through before various scenes or musical numbers are presented. Those films with sequences originally shot in 1.33 are presented as such in center frame and the cinema-scope clips fill the whole screen. I have also just discovered thanks to Box office Bill on the Roxy page on the Cinema Treasures site that in 1952, the "Diamonds Are A Girl's Best Friend" song number was shot in two formats: the 1.33 look as released in the feature GENTLEMEN PREFER BLONDES and an experimental cinema-scope version which sat in the vault until it was (now) possibly used as the finale for this c/s doco. I remember showing MARILYN at my cinema in the 70s and 80s and remarking how good this sequence looked in cinema-scope, thinking it was a cropped version of the 1.33. Well, not the case and there is the truth of it. Very good. Thankyou Box office Bill. So it was used eventually, but in a sad celebration. Apart from all this, MARILYN is an excellent doco and today more so as it compiles all the best Fox bits as a stand alone feature. Fox should rediscover their own excellent compilation feature here and get it out into stores on DVD tomorrow! Now if we can get FOX to do the same style of doco with "a celebration of Cinemascope" and a "Fabulous Foxes" and a "Technicolour Two hours" compilation we would sing their praises, instead of moaning the vault is locked. Start with MARILYN. This documentary is a major discovery for anyone in any century.
    7PopcornPlease

    Thrown together

    Twentieth Century Fox threw together this "tribute/homage" to Marilyn a year after she died to make even more money off her and to recoup its losses from her last unfinished film, Something's Got to Give. Plain and simple, it has nothing to do with celebrating her and everything to do with being a money grab to exploit her further. Rock Hudson was hired to narrate because he was at the peak of his popularity and Fox figured they'd make even more money with Hudson at the helm. It's interesting to a degree, but also incomplete and impersonal. It's also become so obscure that it's nearly impossible to find.

    A reviewer here stated that Hudson and Monroe were never even remotely friends and this isn't true. They didn't socialize together, but Monroe once stated that she looked upon Hudson as "a big brother" and that he was one of what became known as her "telephone friends." (Judy Garland being another.) They'd sometimes talk late at night when one or the other couldn't sleep. Hudson also took the news of her death hard and later remarked to a friend, "if only she had called me that night."
    buchan99

    Diamonds is not a CinemaScope

    The clip of Diamonds Are A Girl's Best Friend used in the doc is not an alternate CinemaScope take. It is the exact version lifted from the original Academy Ratio version of Gentlemen Prefer Blondes. However, the doc was released as a Scope movie, and they zoomed-in on the 1.33 image to create a faux Scope version. Wish it were an alternate version, but sadly it is not... That said, the documentary is a lot of fun, especially in light of Rock Hudson's known public history today compared to that of 1963. It's also interesting watching Rock being manly by smoking while watching the clips - looks terribly effected from today's perspective. It does contain the clips from her unfinished film which has been released on DVD a while back.

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    Argumento

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    • Curiosidades
      For almost 3 decades, this documentary contained all the clips from the unfinished film "Something's Got To Give" the public saw. It was said the film was 'unwatchable,' Marilyn's scenes were 'terrible,' and the colour had faded from the negatives. The only one of these true was the last - the colour had degenerated over time. One reason the film was kept from public view, was so it would go along with 20th Century Fox's long-held (fabricated) story of Marilyn being the (sole) cause of the film being shut down. In actual fact, Marilyn had been rehired by Fox - several days before her passing - at terms which were much fairer to an actor of her magnitude, and would also be the concluding film in Marilyn's Fox contract. Tragically, this film, never was, the truth was withheld for decades.
    • Versiones alternativas
      Alternate prints run 94 minutes, including additional sequences from There's No Business Like Show Business (1954), Bus Stop (1956) and Let's Make Love (1960).
    • Conexiones
      Features Billete a Tomahawk (1950)
    • Banda sonora
      Marilyn
      Written by Ervin Drake and Jimmy Shirl

      Performed by The 20th Century-Fox Studio Orchestra

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 18 de abril de 1963 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Die Welt der Marilyn Monroe
    • Empresa productora
      • Twentieth Century Fox
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 23 minutos
    • Color
      • Black and White
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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