Nevada Smith

This was a western with a good cast and another intense, interesting revenge story. It's fairly long at 130 minutes but Steve McQueen is usually charismatic enough to carry a film, and he does so here, too.

As the title character, "Nevada Smith," McQueen is joined by a number of well- known actors of the 1960s: Suzanne Pleshette, Karl Malden, Brian Keith, Arthur Kennedy, Raf Vallone, Martin Landau Janet Margolin and Pat Hingle.

McQueen plays a man who is totally dominated by thoughts of revenge. It motivates his every move. I don't recommend that attitude, but it makes for a good movie.

It was nice to see this in 2:35:1 widescreen. Even though I owned a new tape, that nice western photography made the DVD purchase worthwhile.

A naive half-Indian, half-white teenager (Steve McQueen) evolves into a hardened killer as he tracks down his parents' murderers.

In the world of "revenge films", you have many that fall into the category of exploitation. This one rises above that and is much more nuanced, with some memorable characters. It also attempts to make comments on race and gender, though how successful it is on that is up to the viewer to decide.

How much does our protagonist rise above the revenge inside him? Well, in some ways he is pretty set in his ways. When presented with the Bible (which, amazingly, he had never heard of), all he takes from it is the "eye for an eye" bit. Maybe he never got to the New Testament.

The problem with any Steve McQueen western is that none measure up to The Magnificent Seven, his best cowboy role and one of the best westerns of all time.

Nevada Smith is not a perfect screenplay but it is nonetheless entertaining. It is the tale of a young boy who seeks revenge on three men who viciously tortured and murdered his parents. It has a predictable plot and some directorial flaws, but overall it meets the criteria for a good film; it is entertaining.

At age 36, McQueen is a bit hard to believe as a 'kid'. The story obviously spans many years in Max Sand's life and if the writers had played this up more McQueen's age would not have mattered. Even showing Max and Alex Chord in a winter setting followed by spring, something to show an extensive passage of time would have helped make McQueen's age more fitting (if he'd lost weight prior to filming it would also have helped). More emphasis should have been placed on his progression from illiterate, green half-breed to savvy gun slinger. The passage of time while he learned to read, use firearms, kill his first victim and recover from wounds at the Indian village, should all have been used more extensively to make Max Sand age into the character portrayed by McQueen.

But regardless of McQueen's actual age, by the time Max kills the first of the three men he is tracking and then gets himself thrown into a Louisiana prison to find another one, his character's age and looks are believable.

A superb cast of supporting actors backs up McQueen. Brian Keith is the perfect father figure who takes Max in and teaches him to use firearms and tells him about life and how to find the men who killed his parents. Suzanne Pleshette cannot be made to look bad no matter how hard the make up department tries. Even dirty and sweaty in the swamp, her natural beauty and class shine. These traits and her unique voice and soft movements steal any scene she is in. She almost upstages McQueen. Martin Landau, Arthur Kennedy and Karl Malden are as bad as any movie villains I ever saw.

POSSIBLE SPOILER: In the end, Max does the right thing. He purges his hate and embraces the bigger meaning of life. He doesn't forgive the murderers; he just elevates himself above them. He doesn't kill Fitch, instead after wounding him severely he walks away from a life of violence. For some reason, I believe he returns to the Indian tribe of his birth and to Neesa, the Indian woman who truly loves him. In any case, ultimately the film works.

This sidebar story from Harold Robbins THE CARPETBAGGERS was given class treatment by Paramount as a vehicle for McQueen, who lends some authenticity to a rather routine character motivated by a quest to avenge the brutal slaying of his parents at the beginning of the picture. Henry Hathaway lends visual elegance to what's basically a drawn-out, seedy revenge tale. Alfred Newman provides the rousing music. Moderately engaging.

A young man seeks revenge for the brutal murder of his parents. It's generally well made, but can't overcome a big casting flaw. The title character is supposed to be a teen-aged half-breed. Unfortunately, he's played by 36-year-old blonde-haired, blue-eyed McQueen. It's hard to buy when he is repeatedly referred to as a kid and a half-breed. McQueen tries to act young, but acting like a man half his age makes him appear mentally retarded. The film goes on too long, with an extended prison sequence (stangely reminiscent of "Papillon," which McQueen would star in seven years later) that seems out of place in a Western. The impressive cast is chock full of familiar faces.