Comando en el mar de China

This taut war film is set during spring 1942 WWII, a superior officer(Henry Fonda) assigns a reluctant American lieutenant (Clift Robertson) a dangerous mission in island of New Hebridas . At the island of Pacific , British military rule over the South region, while Japanese govern the North part . The goal of US Navy turns out to be the occupying the Japanese zone . For getting the objective is necessary destroying a radio station from Japanese . The lieutenant goes to the regiment commanded by a colonel (Harry Andrews) joining forces for participate the suicidal mission . It's formed a commando under orders a captain (Denholm Elliott) and a motley gang of soldiers released after fall of Singapur , as a tough sergeant (Percy Herbert who was actually a prisoner of the Japanese Army in The Second World War) , a mad soldier (Ian Bannen), a despicable private (Ronald Frazer) , among them.

This exciting war movie contains thrills , noisy action , rousing adventure , tension , lots of violence and twists and turns . Well made plot is based on a story by Robert Sherman and the same director Robert Aldrich . The powerful Aldrich camera crams in as much shock impact as possible . The picture kept afloat by the skills of their all-star cast formed by largely British actors . Michael Caine as a cynical soldier sustains and compels interest by careful concentration on his acting with cockney accent . Clift Robertson as lieutenant avoiding patriotism , gives a good performance , as always . There're strong portrayals by Ronald Fraser as a rogue private and Ken Takakura as Japanese officer . Thrilling and suspenseful musical score by musician Gerard Fried, Stanley Kubrik's usual . Nice cinematography by Joseph Biroc reflecting appropriately the lush jungle . Tense and brilliant direction by Robert Aldrich , a warlike (Dirty Dozen,Attack) and Western (Ulzana's raid , Apache , Veracruz) expert . It's a must see and a standout in its genre .

"Too Late the Hero" is an excellent WWII piece whose plot served as the basis for "Aliens" and "Southern Comfort" and is just as good as those other excellent movies: reluctant hero Cliff Robertson joins a motley group of soldiers (here British troops, including loud-mouthed Michael Caine and mad Ian Bannen) led by an incompetent officer, Denholm Elliot, and an experienced sergeant, Percy Herbert, who dies early on. Soon they are being stalked by a very ruthless enemy (Japanese troops led by Ken Takakura, whose role is, refreshingly, not a stereotype - coming across as a rather efficient officer) and shifty Ronald Fraser attempts to save his skin at the expense of the others. As this is Robert Aldrich there is a lot of brutal action, the characters have very few redeeming features but are excellently portrayed by Robertson and the excellent selection of British character actors, and are very anti-military! The climactic scene where the survivors race across open ground under fire from the Japanese is one of the best climaxes ever!

Film Makers in Hollywood weren`t allowed to make anti-vietnam war films in the late 60`s , early 70`s so they decided to make allegories instead. Famous examples are MASH and SOLDIER BLUE. What strikes me is that no one ever refers to this great war film as the definitive Hollywood proxy Nam statement.

The story is simple : Soldiers carry out dangerous mission. But these soldiers are badly led and totally reluctant to carry out their duty. They`d rather " frag " their commander and go home than earn medals . And war isn`t shown as a glorious thing , it`s brutal , dehumanising and most of all terrifying. Also watch out for the very humane portrayal of the enemy officer. Is it sympathy for the Japanese or the Vietnamese that he`s shown this way ?

I could point out all the things I love about this film but it`d take too long. The only two things I disliked about TOO LATE THE HERO was a couple of plot holes. First one`s the fact that the Japanese are good at stopping the enemy from escaping the jungle but are totally hopeless at letting them enter it in the first place ! A major strategic mistake I`d have thought. Secondly Lawson decides he wants to carry out his mission after all which turns him into a bit of a cliche. But don`t let that put you off. TOO LATE THE HERO is compelling , bloody and intelligent.

TOO LATE THE HERO is a top notch war film about a british unit plus one american who must destroy a japanese communications station on a island. The mission for all purposes is impossible. TOO LATE THE HERO is long in a few spots, yet the film overcomes this flaw and the pace flows smoothly again. The film has a gritty realism to it which is aided by the deep jungle locations the film was shot at. Fans of FARWELL TO THE KING will enjoy this film as well, as it is up the same alley as that Nick Nolte film. OOne thing I enjoyed about this film were the casualty levels on the japanese and allied sides; these were were very realistic.

Too Late the Hero is a cynical war adventure with a set of rather unsavoury, antagonistic characters caught in an unforgiving, hot environment where they risk being embushed at any time by Japanese soldiers. It manages to stay interesting for two hours until building up into a fabulous, exciting finale. Not a big soldiers action film like The Dirty Dozen or Platoon, Too Late the Hero is nevertheless my favourite of the genre, although it took a couple of watchings to appreciate the simple, yet original, intelligent plot development, the realistic, yet interesting and even at times amusing dialogue and characters (for instance, Caine telling Robertson in his cockney accent: "now what's got you jumping about like a frog with a bullet up his ass..") and the suspenseful and well-made action sequences. It is not always easy for this kind of film to retain a kind of unsentimental realism and be entertaining at the same time. Yet, Too Late the Hero does it. While they are not particularly sympathetic characters (there are none in the film, except maybe for the Japanese major), Cliff Robertson and Michael Caine manage to become likeable anti-heroes in their own way, each giving excellent performances; American Robertson wondering what the hell he is doing among a rough bunch of Brits fighting the Japanese on a Pacific island until he decides to find his destiny as a hero, and Caine as a brash, cynical, rude, insubordinate and altogether hilarious cockney, mainly concerned about saving his skin. Too Late the Hero does not dwell into making an elaborate anti-war statement. It takes for granted that war is hell and any sane man would just worry about surviving like Caine, Robertson or most of the other soldiers on an increasingly suicidal mission - not as the leader of the group, brilliantly played by Denholm Elliott, who appears suspect and foolish for trying to maintain traditional combat values and discipline. The interactions between Robertson and his unfriendly British companions add to the interest and credibility of the film, while the unusual chase through the jungle and its exciting conclusion contribute to its originality. Not the best war film ever, but a unique one.