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Una estudiante mimada se escapa de casa, y queda embarazada mientras hace autostop, y acaba como modelo de moda para un par de esteticistas a los que les gusta fotografiar a mujeres cometien... Leer todoUna estudiante mimada se escapa de casa, y queda embarazada mientras hace autostop, y acaba como modelo de moda para un par de esteticistas a los que les gusta fotografiar a mujeres cometiendo delitos.Una estudiante mimada se escapa de casa, y queda embarazada mientras hace autostop, y acaba como modelo de moda para un par de esteticistas a los que les gusta fotografiar a mujeres cometiendo delitos.
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Although John Waters is best known for "Pink Flamingos", his two best films are "Female Trouble" and "Desperate Living". Why? Well, as far as "Female Trouble" is concerned, it is the film that invented Dawn Davenport (Divine), one of the trashiest white schoolgirl tramps ever to strut her stuff in a pair of cha-cha heels. Dawn's amazing life is documented in this film and it's a cracker from beginning to end. You will laugh, you will cry, you will vomit and you will die as you behold the deliciously disgraceful antics of the indefatigable queen of crime and sleaze.
All the delightful Waters regulars (the achingly gorgeous Edith Massey, the fantastically filthy David Lochary, the marvellous Mink Stole and the putrid Ms. Mary Vivian Pearce) are paraded about like proud circus exhibits as Waters' weaves a rags to bitches story of one woman's rise from the suburbs of Baltimore to her fall in a city without pity.
Certainly this was one of the first films to explore the issue of criminals becoming celebrities. Dawn Davenport's ascent to the ceiling of crime is hilarious and perceptive and Waters clearly knew where all this was going. For mine, Waters lost his zing after "Desperate Living" when his movies got softer and his characters started turning up on TV shows like "Wally George", "Jerry Springer" and the earlier "Oprah" eps. What was fresh when Waters started doing it felt redundant when he kept doing it into the eighties and nineties.
Divine is, was and always will be a legend, and I consider myself fortunate that I once spent half an hour chatting with the great man and actor. Vincent Peranio's production design is spectacularly obnoxious and Van Smith's costumes, as always, are knitted from the threads of trash heaven.
Waters does not put a foot wrong and ends proceedings on a surprisingly emotional note.
All the delightful Waters regulars (the achingly gorgeous Edith Massey, the fantastically filthy David Lochary, the marvellous Mink Stole and the putrid Ms. Mary Vivian Pearce) are paraded about like proud circus exhibits as Waters' weaves a rags to bitches story of one woman's rise from the suburbs of Baltimore to her fall in a city without pity.
Certainly this was one of the first films to explore the issue of criminals becoming celebrities. Dawn Davenport's ascent to the ceiling of crime is hilarious and perceptive and Waters clearly knew where all this was going. For mine, Waters lost his zing after "Desperate Living" when his movies got softer and his characters started turning up on TV shows like "Wally George", "Jerry Springer" and the earlier "Oprah" eps. What was fresh when Waters started doing it felt redundant when he kept doing it into the eighties and nineties.
Divine is, was and always will be a legend, and I consider myself fortunate that I once spent half an hour chatting with the great man and actor. Vincent Peranio's production design is spectacularly obnoxious and Van Smith's costumes, as always, are knitted from the threads of trash heaven.
Waters does not put a foot wrong and ends proceedings on a surprisingly emotional note.
"Female Trouble" is one of John Water's best movies, probably the best of his pre-respectable (read: pre-"Hairspray") flicks. Posessing a much more strong (and bizarre) plotline than the also brilliant "Pink Flamingos", "Female Trouble" documents the exploits of Dawn Davenport, a horrible juvenial delinquent turned criminal played by the unbeatable Divine.
This was Water's last film to features his entire original ensemble of actors (Divine, David Lochary, Mink Stole, Mary Vivian Pierce, and Edith Massey) and each has a memorable and hilarious role. Stole steals the show as Dawn's "retarded" 14 year old daughter, but Edith Massey is also great as Aunt Ida, who constantly urges her nephew Gator to turn gay ("The world of the heterosexual is a sick and boring life!").
The scene where Dawn hits Ida on the head with a fish is worth the whole price of admission. Recommended!!!
This was Water's last film to features his entire original ensemble of actors (Divine, David Lochary, Mink Stole, Mary Vivian Pierce, and Edith Massey) and each has a memorable and hilarious role. Stole steals the show as Dawn's "retarded" 14 year old daughter, but Edith Massey is also great as Aunt Ida, who constantly urges her nephew Gator to turn gay ("The world of the heterosexual is a sick and boring life!").
The scene where Dawn hits Ida on the head with a fish is worth the whole price of admission. Recommended!!!
This really isn't a movie for everyone, but over the years I have been introduced to John Waters movies and they re my guilty pleasure! Before John Waters became mainstream, he made a whole series of art-house movies like this using grotesque characters and ridiculous story lines, but somehow they worked. I guess you gotta be a little weird and twisted in the head to enjoy them!!!! He should not be dismissed as a Director who's out to shock you for the sake of it, he's showing you a slice of life that most of us have no real knowledge about. Of course, all the characters are larger than life (in more ways than one!!!). I enjoy his style of movie making - it may be quite amateur in his early days, but you can see that his skill improves with each movie. I'm not ashamed to say that I enjoy a lot of his work!! Mark my words, this movie is certainly NOT for everybody!!! Make sure you know what you are letting yourself in for before you watch it!!!! It's pretty gross in places!! It's so tasteless it's good!!!!
Devine was certainly no stranger to trash films when John Waters assembled the cast of this Baltimore gem, and it shows. Devine is gregarious, derisive at times, a stunning fem fatale who nearly steals the show as both Dawn Davenport, and her alter-ego, Earl, who staggers and lurches his way into our hearts. This film is one of the few times Devine did male drag, and he pulls it off with astonishing effect. Mink Stole is priceless as Taffy, Dawn's long suffering daughter, and of course who could forget Edith Massey as the torturous Aunt Ida and Dawn's nemesis. Almost as brilliant are the performances of Mary-Vivian Pearce and David Lochary, the demented couple who, after interviewing her to become a client in their Le' Lipstick beauty salon, befriend Dawn and encourage her into a fetid and ribald modeling career. Yes, it's shameless, destined for ruin, utterly unbelievable, and I loved every minute of it. Water's dialog is vehement, abominable, and not to be equaled. It's a shame that he hasn't been able to find replacement versions of Devine and Massey. It was the unorthodoxy of his whole approach to film in the 1970s that endeared thousands and made Devine a gay household name. I hope one day he can return to his roots and get down to building more fine trash.
The first time I saw Female Trouble I was a sheltered suburban white boy and it blew me away. The film begins in white suburbia and we quickly see that Dawn Davenport ( Divine) has just about had it with her lame parents and teachers. She is driven to extremes by the numbing vacuity of her surroundings." I hate this school and all these teachers who don't know one thing.I hate my parents too."From there Dawn follows her own dim lights to where they will lead her. She's always true to herself and is refreshingly driven by her id. I applauded her audacity and courage as I watched her destiny unfold and lead to it's awful end. But I watched from the numb, vacuous safety of my suburban shelter. One thing I noticed was how close a connection there is between Dawn her friends Chicklet and Concetta and Edina Monsoon and her friend Patsy Stone of Absolutely Fabulous. Like Dawn, Edina is a willful, childish, self-centered grown-up with a daughter who is appalled by her mother's immaturity. Both Taffy and Saffy are the voices of maturity while their mothers and their friends are the irresponsible children.
¿Sabías que...?
- CuriosidadesThe movie critic Rex Reed hated the film, to the point that in his review he had asked, "Where do these people come from? Where do they go when the sun goes down? Isn't there a law or something?" The quote was posted on the Waverly Theater poster, and in Village Voice ads for the film. When Female Trouble was released on DVD, this quote was on the front of its box.
- PifiasWhen Taffy throws a tantrum and is taken to the bed in the attic, she reaches for the manacles although she is being restrained against her will.
- Créditos adicionalesFor Charles Watson (the Manson Family member). Waters' prison visits to Watson inspired the "crime is beauty" theme of the film, and Waters used a toy wooden helicopter Watson made for him in the credits.
- Versiones alternativasUK video versions were cut by 5 secs to remove a shot of Earl's disfigured penis during his attempted rape of Taffy. The cuts were waived for the 2007 EIV DVD release.
- ConexionesFeatured in Divine Waters (1985)
- Banda sonoraFemale Trouble
Sung by Divine
Music by Bob Harvey
Lyrics by John Waters
Arranged by Don Cooke
Published by Pentagram
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- How long is Female Trouble?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Female Trouble
- Localizaciones del rodaje
- Little Tavern, 519 East 25th Street, Baltimore, Maryland, Estados Unidos(diner in "Dawn Davenport, Career Girl" montage)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 25.000 US$ (estimación)
- Recaudación en todo el mundo
- 9820 US$
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