
Un androide aparentemente indestructible viaja desde el año 2029 hasta el año 1984 para asesinar a una camarera cuyo hijo no nacido liderará a la humanidad en una guerra contra las máquinas.... Leer todoUn androide aparentemente indestructible viaja desde el año 2029 hasta el año 1984 para asesinar a una camarera cuyo hijo no nacido liderará a la humanidad en una guerra contra las máquinas. Se envía a un combatiente de esa guerra para que proteja a la mujer cueste lo que cueste.Un androide aparentemente indestructible viaja desde el año 2029 hasta el año 1984 para asesinar a una camarera cuyo hijo no nacido liderará a la humanidad en una guerra contra las máquinas. Se envía a un combatiente de esa guerra para que proteja a la mujer cueste lo que cueste.
- Dirección
- Guión
- Reparto principal
- Premios
- 9 premios y 8 nominaciones en total
- Punk
- (escenas eliminadas)
- Policeman
- (as William Wisher Jr.)
Resumen
Reseñas destacadas
As we all know what the story is, I'll just tell you a bit about what is so fascinating about it. First I have to mention Michael Biehn. He has the real starring role. He is the character that has to explain everything to the audience. He has to explain this complicated story so that we know what is happening and why. It is not an easy job to do something like that and still come off looking all right. But Biehn is simply awesome in this film. A microcosm of his performance can be seen when Sara bites him. Biehn ( Kyle Reese ) replies " Terminator's don't feel pain. I do. Don't do that again. " That is such a great line delivered with the perfect expression, the perfect tone and the perfect timing. Biehn is perfect for the role.
This is also the first film that I saw as a youngster that ever warned me of the dangers of nuclear war and of the rapid advancements of machinery. Perhaps I was too young and naive to fully understand all that James Cameron was trying to say, but now that I am older, I can honestly say that the two Terminators are perfect anti nuke films. And they are so passionate with what they have to say. I like it when a film has something to say. I enjoy being entertained in the process but if you can manage both then you have a masterpiece. This is a masterpiece.
Finally. there are two other reasons to enjoy this film. One, this is the first film where "I'll be back" was spoken. Now it is part of Arnolds vernacular. Secondly, Bill Paxton is in it. And he adds spark to any film that he's in. Especially here, as the idiot punk leader that really gets the hell beat out of him, he has some great lines.
A great film.
`The Terminator' is a classic good versus evil struggle, with little in the way of greys clouding the issue. The terminator is an unstoppable brutal remorseless killer, and it perfectly suits Arnold Schwarzenegger's limited acting abilities. His few lines, including the infamous `I'll be back' are all well judged and timed, and give a great feeling of precision and inhumanity to his character. Coupled with his chiselled features, he's the best choice for the role. Michael Biehn is playing a character type that he'd reprise two years later in Cameron's `Aliens' - the human tough guy: he's got the fight, but still the ability to love and care for people. His features are well chosen for this and although his delivery of lines is hardly exceptional - they tend to come out in the same tone of voice - he's able to carry his part. Linda Hamilton is the woman-thrown-into-chaos, somewhat reminiscent of Sigourney Weaver's Ripley character in `Alien', although Hamilton doesn't have Weaver's strength of presence. All the actors are, for an action science fiction, above average and so never distract.
It's the script, with Cameron's force behind it that lifts the movie from mediocrity. Yes, there's a certain amount of corniness - the `we loved a life time' element for example - but the movie has a real sense of conviction present. The movie believes in itself and, through its passion, will make you believe too. There's a general sense of darkness in the movie - rarely do we see daylight, and, when we do, it's often the soft light of dawn. There's a nice sense of tension in the action scenes, helped not only by Cameron's camera work but also by an excellent electronic score (including a fantastic brooding credit sequence). Sure some of the SFX look clunky in these days of `Attack of the Clones' and `The Fellowship of the Ring', but they still work. There's a certain sense of inevitability, intertwined with hope, permeating the picture that creates a mood I particularly enjoyed and that's harder to find in the current crop of science fiction movies.
`The Terminator' is not a perfect picture. The movie lags in some parts, and the romance element is fairly contrived. Despite all that the movie brims with energy and promise, a script that mostly delivers, characters you can enjoy, and the ultimate Arnie role. Well worth catching. 8/10.
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Linda Hamilton Returns to Her Iconic 'Terminator' Role
¿Sabías que...?
- CuriosidadesWhile shooting this film, James Cameron often resorted to what he called "guerilla filmmaking" as a way of getting around acquiring permits needed to film certain scenes. This involved the production crew and actors quickly arriving at a specified ___location, shooting the scene and leaving before the police arrived. As a result, some of the people seen in a few shots are actual everyday citizens completely unaware they're in a movie. This was also used for re shoots with Cameron even calling and waking Arnold Schwarzenegger once at 3am to meet him at a ___location already in full costume to quickly re-shoot a scene. Cameron also used this tactic to film the very last scene where Sarah drives off into the desert. Waiting for the heat to rise to the point that ripples could be filmed a highway patrolman appeared. Producer Gale Ann Hurd convinced him they were working on a UCLA film project and he allowed them to finish.
- PifiasWhen Sarah is in the night club she has to put change into the pay phone to call 911.
While 911 calls are free, many pay phones in the 1980s required you to insert a coin in order to obtain a dial tone.
- Citas
The Terminator: [59:15] I'm a friend of Sarah Connor. I was told she was here. Could I see her please?
Desk Sergeant: No, you can't see her she's making a statement.
The Terminator: Where is she?
Desk Sergeant: [uses his pencil to point to the bench] Look, it may take a while. Want to wait? There's a bench over there.
[points to bench]
The Terminator: [looks around, examining the structural integrity of the room, then looks back at him] I'll be back!
- Créditos adicionalesThe opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself.
- Versiones alternativasNBC edited 7 minutes and time-compressed 4 minutes of this film for its 1987 network television premiere.
- ConexionesEdited into The Terminator: 'Terminated' Scenes (2001)
- Banda sonoraYou Can't Do That
Performed by Tryanglz
Written by Ricky Phillips
Published by Ricky Lynn Phillips Music (BMI)
Selecciones populares
The Amazing Arnold
The Amazing Arnold
- How long is The Terminator?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- The Terminator
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.400.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 38.371.200 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.020.663 US$
- 28 oct 1984
- Recaudación en todo el mundo
- 78.371.200 US$
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