Taggart

Taggart is now officially the longest running cop show on British T.V. and indeed has been on for 3/4 of my lifetime. There are several reasons for its longevity but surely the main one is the underlying grim humour that enhances every episode. While it was undoubtedly at it's peak in the Mark "there's been a muurder" McManus years, it has recently returned to peak form with the introduction Alec Norton as the "heid man." Norton combines McManus's tough demeanor with an acting ability that outweighs his predecessor. But then McManus didn't need to be an Al Pacino, he WAS the character, dour and caustic. The other characters always provided a little colour along with occasionally convoluted personal lives. However the real star in Taggart was always Glasgow. while Glasgow has changed greatly since the '80's the city's character and natural humour always shines through. The title song puts it that "this is no mean town, this is no mean city", well it's obviously a mean enough city to sustain a 22 year murder series without ever really seeming unbelievable like the village of "Midsomer Murder" which has a body count higher than New York's! All in all a good cop show and one that as long as it can keep Alec Norton, should continue for a few more years yet.

My wife and I recently watched all 11 seasons on Amazon and really liked it. McManas is great as DCI Taggart. The show keeps you guessing until the end of each episode. My wife and I often pick a minor background character as the murderer, which turns out to be correct. It deserves better than its 7.2 rating. We gave it an 8.0, but would like to give it a 7.5. We think the low rating is due to most episodes being over 2 hrs. long and sometimes slow-moving

When it was first broadcast all those years ago in 1983, as a mini-series named Killer, Glasgow was very much a city of ship building, heavy engineering and manufacturing - most of which for various reasons was in terminal decline.

Killer caught the character of that city that is now long gone - the cranes, dingy streets, sawdust pubs, old tenements and schemes - and that's been the one constant in Taggart. The evolving face of the city of Glasgow...and it's implicable, unchanging, nature.

The late Mark McManus - in a first rate performance - perfectly eptimisoed the lead character and his city - hard drinking, hard bitten, tough and laconic; yet possessing a dry humour, savviness and a very real decency. In his obituary McManus was described as a sensitive, intelligent man a world away from the character - and as fondly regarded as he was by many Glaswegians, fame did not come easily to McManus. Very sadly, his association with the role led to some verbal abuse and physical harassment. Towards the end of his life he went through a series of difficult breavements.

The other lead player was always Glasgow. It's fascinating watching the evolution of Glasgow over the course of each season. Perhaps my favourite episode was 'Root of Evil' set against the backdrop of debt collectors, Morningside (in Edinburgh) and the immensely popular but now almost forgotten 1988 Garden Festival. It was great stuff...as was 'Evil Eye', ' Flesh and Blood', 'Double Jeopardy' and 'Hostile Witness'.

Also noteworthy was the guest appearances and cameos. Alan Cumming, Robert Carlyle, Diane Keen, John Hannah, Jill Gascoigne and Celia Imrie - very striking as a gangster's moll - all made welcome appearances.

Taggart was more than just a hard copper. Inspired from Glasgow's literature, particularly William McIlvanney's subtle, underrated Laidlaw series - another detective with many of Taggart's characteristics. Any coincidence that the theme song was 'No Mean City'?

In short the McManus era is definitely a worthwhile watch. It's currently playing on UK Drama - I certainly catch it when I can.

It's several years now since Taggart ended, and it's still a great watch. It spanned many years, and had different phases, in my opinion the early years with Mark McManus were the best, the dark, gritty writing, coupled with the charisma of the original Detective are a winning combination. I enjoyed the later years also, but wish they'd stuck with the longer running times, the character development in the earlier years was tremendous.

Some wonderful episodes over the years, my personal favourite Death Call had all of the elements, drama, crazed killers and a complex story, but there were many classics, Nest of Vipers, A Death Foretold and Gingerbread, I could go on, there were many.

Many wonderful guest and regular performances over the years, Blythe Duff shone over the years, she was the glue that held it all together, when she was given great material she performed amazingly.

It did seem to end at the right time, the last series was poor, particularly when compared to episodes from the show's glory years. I think it's still the longest running Detective series, will Midsomer Murders overtake it?

I love the accents, landscapes and views of Scotland.

Excellent series 9/10

Over the years, I've grown weary for the depressing drudge that British television companies churn out and have turned to American imports for entertainment. However, never once have I tired of watching a 'Taggart' episode as it's a show that's never been less that great.

Set in Glasgow, the shows sees Maryhill CID investigating the various homicide cases that cross their desks. The team was initially headed by DCI Jim Taggart (played by Mark McManus) with Mike Jardine and Jackie Reid as his underlings but, after McManus' death in 1994, Jardine took command which, in turn, passed onto DCI Matt Burke whose character is much like an incarnate of Taggart.

'Taggart' excels because the story lines are intriguing, continually leaving viewers guessing over the murderer's identity right to the end of the episode, and the characters are solid and engaging without unnecessarily delving deep into their personal lives (many detective and medical shows have been ruined by focusing too much on the characters' love lives and their sad, pathetic childhoods). There is also the dry Glasgow wit that provides an injection of humour to the show as, after all, there can't be many programmes out there where people are referred to as 'tinkies', 'baldie' or 'deid'! It's no surprise this is Britain's longest-running detective show and it's the strength of 'Taggart' that saw it survive after Mark McManus' death and, subsequently, the death of the title character. Long may it continue!