PUNTUACIÓN EN IMDb
6,4/10
3,9 mil
TU PUNTUACIÓN
Una estudiante universitaria queda embarazada sin tener relaciones sexuales, lo que afecta a personas cercanas de diferentes maneras.Una estudiante universitaria queda embarazada sin tener relaciones sexuales, lo que afecta a personas cercanas de diferentes maneras.Una estudiante universitaria queda embarazada sin tener relaciones sexuales, lo que afecta a personas cercanas de diferentes maneras.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 2 nominaciones en total
Anne Gautier
- Eva
- (sin acreditar)
Johan Leysen
- Le professeur
- (sin acreditar)
Gisele Musy
- Maman salle d'attente
- (sin acreditar)
Serge Musy
- Petit garçon salle d'attente
- (sin acreditar)
Reseñas destacadas
Hmmm...I don't know if anything that I say about this movie will be relevant to anyone else. This movie has been in my consciousness for over 20 years and has influenced me in one way or another.
Trivia: It was because of the moving and sublime use of Mahler's 9th and Bach's Partita in this movie that I sought out the works of these composers and they've since become important points in my musical foundation.
At the lake the professor speaks of signals from outer space, the sound in the background is an electronic bzzt bzzt...but in the next shot we see the sound is merely the professor's magic marker as he doodles.
Mary politely nodding to instructions given by her basketball coach while piano music (J.S.Bach's wtc book1 prelude 1) swells in and out overwhelming the coach and the noise on the basketball court. She is still smiling and nodding and acting according to the earthly matters at hand even though The Voice calls to her. It is a very beautiful piece of cinema.
Mary and Joseph talking on the pier. In order to see him, Mary has to block out the blinding sun with her hand: that's the whole meaning of Mary brilliantly focused into one image.
The "oui, non" strophe/antistrophe appears first as a monologue by the student guiding the rubik's cube manipulator's hand to the solution, and then later as a monologue by Mary guiding Joseph's hand.
The "oui, non" strophe/antistrophe also appears in Godard's short film "Armide", his part of "Aria".
The little girl angel instructing Mary to "be pure, be tough." (I only have the Japanese DVD, so I'm paraphrasing. The original French is more flowing.) This is the first New Wave film - the first Godard film - I ever saw.
I discovered Jean-Luc Godard by reading James Monaco's "The New Wave".
I only plucked the Monaco book off the library shelf because at the time I was obsessed with "New Wave" bands like The Cure, Echo and the Bunnymen, The Smiths, New Order, etc.
The lipstick circles Myriem Roussel's open mouth, the end.
Trivia: It was because of the moving and sublime use of Mahler's 9th and Bach's Partita in this movie that I sought out the works of these composers and they've since become important points in my musical foundation.
At the lake the professor speaks of signals from outer space, the sound in the background is an electronic bzzt bzzt...but in the next shot we see the sound is merely the professor's magic marker as he doodles.
Mary politely nodding to instructions given by her basketball coach while piano music (J.S.Bach's wtc book1 prelude 1) swells in and out overwhelming the coach and the noise on the basketball court. She is still smiling and nodding and acting according to the earthly matters at hand even though The Voice calls to her. It is a very beautiful piece of cinema.
Mary and Joseph talking on the pier. In order to see him, Mary has to block out the blinding sun with her hand: that's the whole meaning of Mary brilliantly focused into one image.
The "oui, non" strophe/antistrophe appears first as a monologue by the student guiding the rubik's cube manipulator's hand to the solution, and then later as a monologue by Mary guiding Joseph's hand.
The "oui, non" strophe/antistrophe also appears in Godard's short film "Armide", his part of "Aria".
The little girl angel instructing Mary to "be pure, be tough." (I only have the Japanese DVD, so I'm paraphrasing. The original French is more flowing.) This is the first New Wave film - the first Godard film - I ever saw.
I discovered Jean-Luc Godard by reading James Monaco's "The New Wave".
I only plucked the Monaco book off the library shelf because at the time I was obsessed with "New Wave" bands like The Cure, Echo and the Bunnymen, The Smiths, New Order, etc.
The lipstick circles Myriem Roussel's open mouth, the end.
There is something about Godard that I find hypnotic. Even when you know it's not right, it still seems like it is perfect for the cinema! The way he moves his characters about within a frame. The mannerisms and political diatribe he allows his actors to divulge in, and sometimes the crude visual beauty makes for some mind stimulating cinema. And for this one, he pushes it that little bit further, as he does with all his work. The older he gets, the more eccentric he has become, and the more fascinating he is. To me, this is his last real masterpiece before he became the mad professor of the Wacky Cinema According To Godard!
First of all, the supposed obscurity or the film. The first bit, 'The Book of Mary', is a short directed by Godard's partner and long-time collaborator, Anne-Marie Mieville. Its main connection with 'Hail Mary' is that the girl, Mary, is called Mary... Oh, and that the two films are always shown together.
Watching 'Hail Mary' while the religionists are fighting one of their wars, I find it embarrassing to admit I noticed, but: there's nothing obscure about the film; it's a dead straight retelling of all that bible stuff. A lot of the film's pleasure is recognition: oh, that was The Annunciation! Look, Jesus has run off to the Temple! Of course, Eve and her Czech emigre lover don't have anything to do with Mary and Joseph, but as soon as you realise that it's him, rather than her, who's important, it becomes clear: Oh, yeah, he's that 'voice crying in the wilderness', making ways straight, etc, John the Baptist! This is where the problems start. Visually, the film's amazing: nudes, lakescapes, sunrises, moons--transcendent images are rarely so alluring. But when religious ideas are 'updated'--the baptist as a prophet of computers and Rubik Cubes; Gabriel as air-travel--they just seem arbitrary, and the attempt to preserve their transcendent qualities plays itself out as farce. By the end, despite the technical accomplishment, I'm left thinking Godard's accidentally remade Life of Brian.
Worth seeing for the glimpse of Binoche, though, while she's still the sexiest hen about, and before The New Bridge Lovers turned her face into a bourgoise fetish.
Watching 'Hail Mary' while the religionists are fighting one of their wars, I find it embarrassing to admit I noticed, but: there's nothing obscure about the film; it's a dead straight retelling of all that bible stuff. A lot of the film's pleasure is recognition: oh, that was The Annunciation! Look, Jesus has run off to the Temple! Of course, Eve and her Czech emigre lover don't have anything to do with Mary and Joseph, but as soon as you realise that it's him, rather than her, who's important, it becomes clear: Oh, yeah, he's that 'voice crying in the wilderness', making ways straight, etc, John the Baptist! This is where the problems start. Visually, the film's amazing: nudes, lakescapes, sunrises, moons--transcendent images are rarely so alluring. But when religious ideas are 'updated'--the baptist as a prophet of computers and Rubik Cubes; Gabriel as air-travel--they just seem arbitrary, and the attempt to preserve their transcendent qualities plays itself out as farce. By the end, despite the technical accomplishment, I'm left thinking Godard's accidentally remade Life of Brian.
Worth seeing for the glimpse of Binoche, though, while she's still the sexiest hen about, and before The New Bridge Lovers turned her face into a bourgoise fetish.
Without going into too much about it, this is more a image piece, the religious retelling about the story of the virgin Mary, who got mysteriously pregnant. The small film in it's starting, "The Book of Mary" is of Mary as a child, who lived in wealth. Her parents split up, where the sweet, little and very mature child, would visit her father, every often. The way the little Mary interacted with her parents, especially her mother, makes you appreciate what having a families about. The nude scene in the bath with mother and child, I admit, was confronting, it's frankness of not holding anything back, expressing the inestimable love between them, a natural human emotion, was one of many beautifully filmed scenes. I like the scene too with the father, helping the daughter with her trigonometry. Beautiful told. Some scenes were repeated, I don't why, like the shot of a jet, sailing over the woods. The second real film, has Mary grown up, her lover, a taxi driver having to come to terms with the unexplained pregnancy. Mary of course, can not allow herself to get pregnant, shunning the boyfriend when he goes to feel her stomach. This beautiful film does feature some nude shots of Mary, a beautiful actress filling the role, with such innocence, and independence in a film, it's beautifully told tale worth the view alone, for the double minded viewer. This controversial piece will cater also, to that a small number, who would given it the flick while sitting on the video shelves, including the non arty viewers. Incidentally, in Adelaide, in it's showing in 1985 at the Fair Lady, someone made a bomb threat, if the screening season went ahead.
I think most people fail to realise that what this film really does is look at the way in which images are constructed and i think it does so very effectively and interestingly and all who doubt that are missing the point. I think the use of sound+image in the film is worthy of study and should not be dismissed as merely boring, the scenes of mary naked are not pornographic or artistic they arte framing flesh and the body not fetishized objects that we are used to seeing on screen.
¿Sabías que...?
- CuriosidadesPope John Paul II publicly condemned the film, stating that it was likely to offend the deeply religious. His remarks have since been used as a means to advertise the film.
- ConexionesFeatured in Histoire(s) du cinéma: Les signes parmi nous (1999)
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- How long is Hail Mary?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 600.000 US$ (estimación)
- Duración1 hora 12 minutos
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
What is the German language plot outline for Yo te saludo, María (1985)?
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