Osôshiki

Entertaining and enjoyable are words that best describe the mechanisms set in motion reflected by the film's ability to hold a viewer's interest and curiosity. Funny and erotic at times the film creates a surreal atmosphere that offers surprises so that you end up watching because you're not certain what will happen next or, at times, the direction in which the film intends to take you. That the film was originally produced in black and white goes some way towards enhancing its surreal impact. While the acting is convincing, the people easy to relate and the background always worthy of note. This is a film that needs to be viewed several times in order to properly digest the complexities of its composition and successful depiction of aspects relating to death.

Told by Wabisuke Inoue (Tsutomo Yamazaki), this is a story about his father in law's sudden death from a heart attack and the ensuing arrangements for the wake and funeral, culminating with the actual rituals themselves. This film runs the gamut of emotions, and that is where its brilliance is. At times you laugh at the sometimes zany characters, but then there are moments so touching you find yourself, if not in tears, at least becoming part of the moving experience. For anyone who has ever been involved in the planning of a wake/funeral, here it is: The quibbling over the cost, the obnoxious relatives (one guy, Aoki, brought his video camera), the squabbling between the principal characters on "what he would have wanted", the people who are drinking and enjoying themselves too much to leave etc. But, when you feel there is a point where this is all absurd, there is a moment where someone really feels the loss. That, to me, is what makes the film so great. It has a smile on its face, but sometimes pain in the heart. Enjoyable and moving, its a real gem.

As we all know, the three most significant events for most people and that give the greatest insight into their cultures are births, weddings, and funerals. Ososhiki tells the story of how a family conducts and behaves at the funeral of one of their relatives. The director does a great job of presenting the ridiculous, absurd, and selfish behaviors they exhibit as well as beautiful, emotional, and loving behavior.

I have never seen a film quite so strange to me as this , but it made a real impression, at times very funny, sometimes sad but always watchable and endearing.

The scene where the kids are looking in on the cremation of the body,was at first unnerving,but also hilarious.

The little details in the script make it worth watching again and again.This was the first Itami film I saw and afterwards I sought out as many as I could get hold of.

The acting was superb, at times I felt as though I was intruding on the family, and felt almost embarrased.

A wonderful Japanese (black) comedy that deals with the serious, yet funny situation of a funeral. Many black comedies will be more funny than serious, after all, the movie is making fun at a serious issue. Still, The Funeral jumps back between characters that creates a balanced story that is serious, yet funny. Many comedies will not include moments of culture. Here, the movie makes several moments of the story very real as the story showcases the culture of a certain people and their customs. Director Juzo Itami was considered one of Japan's interesting film makers. Since his suicide in the 1990's, very few film makers have come close to capturing his style of movie making. Similar to Passed Away and Marvin's Room, The Funeral is a touching movie with moments of pure delight.