Añade un argumento en tu idiomaAn eager rookie cop gets transferred to a tough downtown Philadelphia precinct after stopping a powerful man for traffic violations. When his old cop buddy is murdered, he wants in on catchi... Leer todoAn eager rookie cop gets transferred to a tough downtown Philadelphia precinct after stopping a powerful man for traffic violations. When his old cop buddy is murdered, he wants in on catching the killer.An eager rookie cop gets transferred to a tough downtown Philadelphia precinct after stopping a powerful man for traffic violations. When his old cop buddy is murdered, he wants in on catching the killer.
- Dirección
- Guión
- Reparto principal
- Inspector Ben Glass
- (as Frank McCarthy)
Reseñas destacadas
It's churlish to suggest that Downtown is merely a cash in of the buddy buddy inter racial cop movies, that, as we know, were made viable entertainment fare by the likes of Lethal Weapon and Beverly Hills Cop. Starring Forest Whitaker (Dennis Curren) and Anthony Edwards (Alex Kearney), Downtown is as much about a fish out of water scenario than it is polar opposite cops working together. With both things dovetailing together to create an engaging actioner that's worth the time of those who are stuck for something light to watch.
Suffering a touch in the last finale due to an inevitable mawkish character strand, some minor irks stop this from reaching greater heights, chiefly that David Clennon's barely grumpy villain is just not strong enough for some dramatic heft. However, there's some genuinely funny scenes between Edwards and Whitaker, the action set-pieces are well staged and thus Downtown gets most of the genre's requisites right. Nice support comes from Joe Pantoliano as a bizarre looking hit-man and Penelope Ann Miller as Kearney's fraught girlfriend, Lori Mitchell. 6.5/10
It's not really a cop movie. Yes, the scumbags are dealing dope and killing cops, but this is about a black cop that lost his partner (Forest Whitaker) and a fish out of water - a white cop in the worst precinct in the inner city (Anthony Edwards). One is afraid of losing another partner, and the other just wants to learn how to do real police work.
It's funny, it's tender, it's sickly sweet at times, but it is really a good story about relationships; not only between cop partners, but between the wives and their husbands.
Give it a chance.
"Downtown" is a routine buddy cops film, with no chance to give 20th Century Fox a hit in the genre to parallel its loner cop annuity, "Die Hard".
Scripter Nat Mauldin's by-the-numbers premise has white bread young cop Anthony Edwards become the fish out of water transferred from the comfy suburbs to Philadelphia's inner-city Diamond Street district. He's had a run-in trying to arrest powerful businessman David Clennon for speeding. It's telegraphed tha Clennon will be back as the main plot cog.
Emphasizing his flair for slapstick (with oodles of blood and bruises that the Three Stooges never incurred), Edwards displays myriad forms of incompetence, instantly incurring the wrath of his new boss (Art Evans). He attaches himself, unwanted, to young but seasoned black detective Forest Whitakr and tries to solve the murder of his former partner from the 'burgs, perpetrated near the Diamond Street police station. A scam involving stolen Mercedes autos and corrupt police provides some interest along the way.
Chemistry between the two leads occasionally works, but helmer Richard Benjamin fails to maintain a consistent tone. Atop the slapstick and black humor there is some unnecessary ultra-violence and both mawkish and dramatic scenes that clash with the intended good-timey feel. Best attempt at injecting depth beyond the surface gags is Whitaker's lengthy monolog recalling the death of his first partner, delivered movingly by the "Bird" star.
Supporting turns by Penelope Ann Miller and Kimberly Scott as the leads' wives are well-played, and ic's most memorable role is Evans' showy effort as the foul-mouthed, explosive top cop downtown. Villains Clennon and Joe Pantoliano seem miscast and he thesps play it tongue-in-cheek and way too light.
Pic's biggest bone comes when Whitake is written out of the film before the last reel. It's designed as a plot twist, but comes off as pointless -one infe4rs while watching that the thesp had to run off and fulfill another film assignment. He pops back in for a coda scene but it's too late since he's missing at the de rigeur shootout with the heavies.
Tech credits are impressive, notably Terry Leonard's frequent and scary car chases and stunts. War zone atmosphere of the Philly setting is well conveyed, though the film was shot primarily in L. A.
The film included shooting scenes, car chase scenes, and a bit of comedy splashed in for good measure.Forest Whitaker played a fairly good part and is a decent actor, the problem with films these day is that 90% of them are swarming with new/fresh from drama school teens, we need to hang on to our good actors.
overall, a good cop flick worth the 90 min. - 7/10
Forest Whitaker did a good job acting in this one. He's a skilled actor. He's been in a lot of movies I've seen but I didn't know it was him at the time because he wasn't one of the main characters so I couldn't pick him in the credits.
It is a good blend of action and comedy. There are some exciting chase scenes and good jokes.
Overall I thought it probably isn't worth all the money I had in my pocket at the time but is still worth a rent. It is a good buddy cop movie, any fans of the Lethal Weapon series will probably find this enjoyable.
¿Sabías que...?
- CuriosidadesThe film has often been considered as being one of the knock-offs of 'Lethal Weapon' (1987).
- PifiasWhen Alex says "Get off here!" at the exit for the Bryn Meyer Suburbs, they are definitely on a major multiple lane highway, but when Dennis takes the exit, it shows them on a side road.
- Citas
Henry Coleman: A fuck-up. Another goddamn, four-star, class-A fuck-up! Every backward candy-ass shit-for-brains fuck-up in the city, I get 'em. Not Wynnefield, not South Philly, not Germantown, me!
- ConexionesReferenced in Gente loca (1990)
- Banda sonoraDowntown
Written by Def Jef, Matt Dike and Michael Ross (as Mike Ross)
Produced by Matt Dike and Michael Ross (as Mike Ross)
Performed by Def Jef
Courtesy of Delicious Vinyl Records
Selecciones populares
- How long is Downtown?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 10.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 2.346.150 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 821.626 US$
- 14 ene 1990
- Recaudación en todo el mundo
- 2.346.150 US$
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