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IMDbPro

El rey pescador

Título original: The Fisher King
  • 1991
  • 13
  • 2h 17min
PUNTUACIÓN EN IMDb
7,5/10
94 mil
TU PUNTUACIÓN
POPULARIDAD
3471
15
Robin Williams and Jeff Bridges in El rey pescador (1991)
Home Video Trailer from Columbia Tristar
Reproducir trailer1:00
2 vídeos
99+ imágenes
Dark ComedyComedyDramaFantasy

Un ex DJ de radio, suicidado abatido debido a un terrible error que cometió, encuentra la redención en ayudar un hombre sin techo desemparado que fue una víctima involuntrario de ese error.Un ex DJ de radio, suicidado abatido debido a un terrible error que cometió, encuentra la redención en ayudar un hombre sin techo desemparado que fue una víctima involuntrario de ese error.Un ex DJ de radio, suicidado abatido debido a un terrible error que cometió, encuentra la redención en ayudar un hombre sin techo desemparado que fue una víctima involuntrario de ese error.

  • Dirección
    • Terry Gilliam
  • Guión
    • Richard LaGravenese
  • Reparto principal
    • Jeff Bridges
    • Robin Williams
    • Adam Bryant
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,5/10
    94 mil
    TU PUNTUACIÓN
    POPULARIDAD
    3471
    15
    • Dirección
      • Terry Gilliam
    • Guión
      • Richard LaGravenese
    • Reparto principal
      • Jeff Bridges
      • Robin Williams
      • Adam Bryant
    • 239Reseñas de usuarios
    • 99Reseñas de críticos
    • 67Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Ganó 1 premio Óscar
      • 14 premios y 39 nominaciones en total

    Vídeos2

    The Fisher King
    Trailer 1:00
    The Fisher King
    'The Fisher King' | Anniversary Mashup
    Clip 1:00
    'The Fisher King' | Anniversary Mashup
    'The Fisher King' | Anniversary Mashup
    Clip 1:00
    'The Fisher King' | Anniversary Mashup

    Imágenes147

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    + 141
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    Reparto principal56

    Editar
    Jeff Bridges
    Jeff Bridges
    • Jack Lucas
    Robin Williams
    Robin Williams
    • Parry
    Adam Bryant
    • Radio Engineer
    Paul Lombardi
    • Radio Engineer
    David Hyde Pierce
    David Hyde Pierce
    • Lou Rosen
    • (as David Pierce)
    Ted Ross
    Ted Ross
    • Limo Bum
    Lara Harris
    Lara Harris
    • Sondra
    Warren Olney
    • TV Anchorman
    Frazer Smith
    • News Reporter
    Mercedes Ruehl
    Mercedes Ruehl
    • Anne Napolitano
    Kathy Najimy
    Kathy Najimy
    • Crazed Video Customer
    Harry Shearer
    Harry Shearer
    • Sitcom Actor Ben Starr
    Melinda Culea
    Melinda Culea
    • Sitcom Wife
    James Remini
    • Bum at Hotel
    Mark Bowden
    • Doorman
    John Ottavino
    • Father at Hotel
    Brian Michaels
    • Little Boy
    Jayce Bartok
    Jayce Bartok
    • First Punk
    • Dirección
      • Terry Gilliam
    • Guión
      • Richard LaGravenese
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios239

    7,594.3K
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    Reseñas destacadas

    7erwinjones

    Grand Central Station scene is one of cinema's greatest

    Family film night and Sarah Erwin Jones. Choice but she was cajoled a bit by me to pick this over The Piano (which will be viewed shortly). The Grand Central scene alone makes this essential viewing. A fantastical exploration of Arthurian legend, Ethel Merman and the fragility of mental health. Jeff Bridges and Robin Williams are stunning with William's performance all the more poignant in light of his own personal demons. Mercedes Ruehl deservedly took the best supporting actress Oscar but Amanda Plummer also excels. Despite the fantasy world Terry Gilliam has never directed such vivid relationships on screen. A gem.
    Schlockmeister

    Movie with depth

    The movie's plot has been discussed enough, no need to rehash it here. I just wanted to add a few observations. In my opinion this is one of Robin Williams' best performances. I know that at the time he was heavily involved in Comic Releif and this story about mentally ill homeless men and acceptance of all types of people really fits the PC Comic Releif mentality, but he really did a great job here, portraying Parry, a man lost in fantasies of knights and ladies.

    Jeff Bridges is very Howard Stern-like as Jack Lucas, the insulated, rude talk show host. In 1991 Stern was still a New York thing, but being that his "fame" has since spread, we see who the character was based on with a little more clarity now.

    Michael Jeter as the homeless, depressed former cabaret singer was a delight in every scene he was featured in. His "singing telegram" scene to Lydia in her office was a classic.

    Mercedes Ruehl also stood out as sort of living outside this crazy world that Jack Lucas finds himself thrust into. Her home is a haven and scenes shot there are usually scenes of a return to normalcy in the story, a grounding.

    David Hyde Pierce has pretty much found his niche as the asexual, slightly fey character. This was basically a toned-down Niles Crane in a hat here.

    Amazing movie. Like other Terry Gilliam movies, they unwind like dreams and have the look of otherworldliness. I am sorry that the homeless people arent giddy and uplifting enough for some viewers, but in reality it is a pretty stark existance.

    Recommended highly.
    9dead47548

    One of Gilliam's best.

    Arguably Gilliam's best film, and certainly his best acted. As usual, Bridges is completely natural and absorbed in his role. This is the only time I've seen Robin Williams combine his best humor with his severe talent for dramatic work. He seamlessly switches from being wildly charismatic to being an empathetic, heart broken man just trying to escape his past. The basic structure is one which has been done many times, but never has it been mastered as Gilliam has done. The parallels in the story are remarkable. Parry's name being short for Parsifal, a knight of the Holy Grail. Parry saves Jack just as Parsifal saved the Fisher King. Also, Parry's flight from the Red Knight is reflected from Parsifal's battle with the Red Knight. Another parallel is seen when Parry's haunted past is brought back to him after kissing Lydia, just as Parsifal is reawakened after kissing Kundry. Gilliam creates all of this beautifully, yet keeps it very subtle and light. The film itself combines outrageous humor, heartwrenching drama and even some thrilling chase scenes. The hallucinations and flashbacks also have a very haunting ambiance to them. The film really is a tour de force on all fronts. As always, Gilliam creates a very haunting yet comfortable ambiance through some of the best cinematography I've ever seen.
    8mtnhi

    Wow! Sooooooooo overlooked. A mini-masterpiece

    I've watched Robin Williams/Jeff Bridges in this "fairytale" more times than I count. Finally bought it. You have to watch it at least twice , in my opinion,because the first time all I could do was try to let it "settle in".

    I love movies that hit me broadsided and then blind me! I keep trying to watch it with my daughter, who only likes love stories, but if I can keep her still long enough she'll find out that this IS a love story, of the most incredible kind. A love story for all mankind.

    I hate to gush, but if it's ever called for, it's called for here.

    The first time I saw it, I was soooooooo impressed with Mercedes Rhuel's performance and actually said to my friend in the theatre, "That woman's gonna get nominated for the Oscar for this performance", which of course she won for her performance. So, I'm not so unsophisticated after all.
    McGonigle

    The perfect Robin Williams movie (and much more)

    This movie is really exceptional in a lot of ways. It's got one of those plots, full of ironic reversals and personal struggle, that's been turned into melodramatic trash in every creative medium ever invented. With Robin Williams as the magic crazy guy and Jeff Bridges in an 80s ponytail, the ways the basic concept could have gone awry (in other hands) are truly frightening to contemplate. But with Terry Gilliam at the helm, The Fisher King speaks to your emotions more directly and powerfully than 90% of the movies out there without degenerating into sappiness.

    Perhaps the most brilliant acheivement of this movie is the way it takes Robin Williams' crazy-improvisational persona and makes it an integral part of the story. Instead of being a tacked-on adjunct to the "real" movie, Williams' stream-of-consciousness patter is essential to the work as a whole.

    At the same time, Gilliam is making an almost-mainstream movie for the first time in his career, while explicitly referencing his past (the Holy Grail). It all comes together into a movie you will never forget.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      For the "waltzing commuter" scene in Grand Central station, the main hall of the terminal was shut down for the shoot from 8pm until the first commuter trains arrived at 5:30 am the next morning. Lighting effects outside of the large terminal windows made it seem to be 5:00 in the evening the entire night, and over 400 extras waltzed around the mirror-ball topped Information Booth again and again throughout the night. Now, on New Year's, an orchestra plays there and people waltz for real.
    • Pifias
      After the double-date dinner at the Chinese restaurant, Anne unlocks the door to the apartment and puts her keys in her purse. Then she is hugging Jack, and the keys are still in her hand.
    • Citas

      Parry: Did you ever hear the story of the Fisher King?

      Jack Lucas: No.

      Parry: It begins with the king as a boy, having to spend the night alone in the forest, to prove his courage so he can become king. Now, while he's spending the night alone, he is visited by a sacred vision. Out of the fire appears the Holy Grail, symbol of God's divine grace. And a voice said to the boy, "You shall be keeper of the Grail, so that it may heal the hearts of men." But the boy was blinded by greater visions of a life filled with power, and glory, and beauty. And in this state of radical amazement, he felt for a brief moment not like a boy, but invincible - like God... so he reached into the fire to take the Grail, and the Grail vanished, leaving him with his hand in the fire, to be terribly wounded. Now as this boy grew older, his wound grew deeper. Until one day, life for him lost its reason. He had no faith in any man - not even himself. He couldn't love, or feel loved. He was sick with experience. He began to die. One day, a fool wandered into the castle, and found the king alone. And being a fool, he was simple-minded; he didn't see a king. He only saw a man alone, and in pain. And he asked the king, "What ails you, friend?" The king replied, "I'm thirsty - I need some water to cool my throat." So the fool took a cup from beside his bed, filled it with water, and handed it to the king. As the king began to drink, he realized his wound was healed! He looked in his hands, and there was the Holy Grail, that which he sought all of his life. And he turned to the fool and said with amazement, "How can you find that which my brightest and bravest could not?" And the fool replied, "I don't know. I only knew that you were thirsty."

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Dogfight/Late for Dinner/Rambling Rose/Blood & Concrete (1991)
    • Banda sonora
      How About You?
      Written by Ralph Freed & Burton Lane

      Produced by Ray Cooper and George Fenton

      Whistled & Sung by Harry Nilsson

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    Preguntas frecuentes25

    • How long is The Fisher King?Con tecnología de Alexa
    • What is 'The Fisher King' about?
    • Is 'The Fisher King' based on a book?
    • What did Jack Lucas say to the caller?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de enero de 1992 (España)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • El rei pescador
    • Localizaciones del rodaje
      • Hunter College High School, Madison Avenue, Manhattan, Nueva York, Nueva York, Estados Unidos(Exterior of Holy grail castle)
    • Empresa productora
      • Tri-Star Pictures
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 24.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 41.895.491 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 311.662 US$
      • 22 sept 1991
    • Recaudación en todo el mundo
      • 41.895.736 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      2 horas 17 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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