Mi Idaho privado

This movie isn't about being, or even about being a hustler. "My Own Private Idaho" is about finding a home. In his finest performance, River Phoenix plays Mike, a narcoleptic street hustler with false memories of a terrific childhood. Mike wants to find his mother and family, but how or why he left them is never discussed. This is a movie that shows life at the lowest rung, and is very similar to Kerouac's "On the Road" and especially John Rechy's "City of Night." (In fact the line about becoming a fairy is straight from "City of Night"). Mike and Scott (Keanu Reeves) are both male prostitutes in Oregon. Why either of them have drifted into this profession is anyone's guess. Scott is clearly not gay, but Mike might be and their relationship is what holds the movie together. The film works on many levels, but does have its flaws. It's faux-Shakespearen scenes make the film drag in the middle. Van Sant directed the movie like a dream, which is what Mike's life basically is.

This is a haunting and very sad tale about friendship and finding a home. The performances, especially Phoenix and Udo Kier and Van Sant's dream-like direction are what you remember. "My Own Private Idaho" may be a flawed film, but in my opinion, it is one of the very best of the '90's.

Gus Van Sant has always been an interesting filmmaker. He cares about character and story and through the process, his artistic integrity is able to shine through his work and that is why he's considered a prominent director in independent cinema. My Own Private Idaho is more of is more well known independent features and is often viewed as a triumph of independent cinema from the 1990s.

The film follows Mark Waters (River Phoenix) an aimless, misguided young man who hustles on the streets and is yearning to find his way in life. His best friend is Scott Favor (Keanu Reeves), who is also a young man and and a hustler, but who instead is running away from his life in the hope of finding something better. Scott comes from a lot of wealth but chooses not to live that lifestyle because when he's this young and wild, he just doesn't believe that its right for him.

However the film is centered around Mark, who is played with such brutal honestly by the late River Phoenix. River is completely dedicated to the character and brings a wonderful vulnerability to a lost soul and it makes him relatable. We watch him go from scene to scene, leaving us as unaware of his future as he is. We watch him make many mistakes and we want him to better himself but such a task is not easy. Because that's the way life is.

Mark hustles because its just who he is. We don't know how he got here, but we know that he has fallen into this lifestyle and it has consumed him. He needs the money. All of his friends are hustlers, too. He has dreams but its tough to say if he ever truly wants to leave the lifestyle. It seems that getting clients and often falling asleep during it (due to him being narcoleptic) doesn't seem to take as much of a toll on him as does his thoughts about his mother, or his feelings for his best friend.

Gus Van Sant crafts a very fine film here that focuses on such a lifestyle that we're not exposed to in our every day lives and turns it into something we can all relate to. It all comes back to that road, the road that we're all on. Does it really end? Probably not. Much like in the way that Mark is shown standing on that road, staring out into the nothingness. Its really about our lives. We live and we're happy, and we're sad, and we're lonely, and we're lost, and we've found ourselves, all of these things happen on the very same road that never ends.

Gus Van Sant, truly one of the best directors in this century, has a visionary eye that enables audiences to see life in a different/new way. In this case he takes Henry IV- usually overshadowed by Henry V, and turns it in to a heart wrenching tale that modern audiences can appreciate. The visual pictures that get layered on and on and on our eyeballs are like dance steps carefully plotted. The use of lesser known actors is refreshing, and the chemistry between River Phoenix and Keanu Reeves is overwhelming. This is a must see for any lover of independent films, for any person tired of predictable plots, or for anyone who wants to open their heart to vulnerable characters and love them. This movie gets you involved.

My Own Private Idaho is in many ways a fresh, unique, and one of a kind film. It definitely will not be a film for everyone, but I did find it both interesting and entertaining, and kind of poetic. Phoenix turns in a solid final performance of his career. As for Reeves, I think his performance fits his character just about right. As two hustlers doing their thing, Van Sant handles the material from a fun, interesting, and unique perspective that gave the proceedings the necessary momentum to carry it through some of the less successful elements of the film. Overall, despite some issues I found My Own Private Idaho memorable and worth checking out.

I adore this movie, have owned it on VHS long before there was anything else and have seen it an insane number of times. It isn't perfect, but with me personally, though I'm a European female and thus have no personal life experience that could resemble anything the main characters go through, it struck a chord of universality that made it heart-breaking. The pathos in it, the bitter poetry, the warped magic is just unbelievably beautiful... and painful. It is visually inventive and the casting - even Keanu Reeves's, which has been so often criticised - is top-notch. Reeves's character is a flippant, spoilt young man who goes through life acting in his own self-glorifying drama: what better actor to cast in that role than someone whose acting is so contrived? And Phoenix... well, what can I say... to me, this is THE River Phoenix role, the one that can single-handedly turn him into an immortal, a legend. The Shakespearian quotations I adored: the relationship between Prince Hal and Falstaff from Henry IV, Part II is among the most mesmerising of the Bard's dramatic repertoire - that play was like an emotional earthquake to me. My Own Private Idaho caught its spirit perfectly, and translated it into a context that was original in its own right yet more faithful to Shakespeare in feeling than a more literal transposition might have been. Also, I found the portrayal of Rome in the part in which River's character goes out there to search for his mother, refreshingly true to life and totally cliché-free. As an Italian from Rome, it's very rare that I see a non-Italian film portraying my city of origin with so much authenticity. The FEEL of the place at a given time - the late 80s - was spot-on. In conclusion: to me, not only was My Own Private Idaho one of the best adaptations of (at least parts) of a Shakespeare play that I've seen, but also a tragedy of almost Shakespearian intensity in its own right. It had it all: the unhealthy, consuming passion (the fatal flaw), the power struggles, the young heir in his reckless, youthful days eventually maturing into the arrogance of the privileged (Keanu), the parental ghost that one of the protagonists looks to as his prophetic voice, the voice that may give his life a meaning (River's search for and the flashbacks to the memory of his mother), the intense pathos throughout, the tragic deaths at the end... that film is just pure magic to me! Just writing about it makes me want to see it again - what, for the 20th time or something?! And the tragedy at My Own Private Idaho's core is so universal, it really becomes completely secondary whether it's about and between men, women, homosexuals or heterosexuals.