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Añade un argumento en tu idiomaA second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happen... Leer todoA second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
- Dirección
- Guión
- Reparto principal
Tchéky Karyo
- M. Jacques, le projectionniste #1
- (as Tcheky Karyo)
Reseñas destacadas
10Remis
In this movie that i saw at least a hundred times, you just laugh every 5 seconds !! This kind of humour is really great, actors are so funny and so good... For somebody who wants to know how french humour is, go see it, you won't be disappointed :+)
What can you say about a film featuring a serial killer wearing a boiler suit, safety goggles and armed with a hammer and a sickle? Well, either it's an anti-Communist propaganda film or one that shouldn't be taken too seriously
or it better be a comedy. "City of Fear", the movie of the famous group of comedians who called themselves "Les Nuls" (in English, the "Nobodies") and directed by Alain Berberian is not just a great comedy whose story shouldn't be taken seriously, it's a comedy that takes seriously its mission of making us laugh and it's centered on a movie that actually takes itself seriously
and make us laugh as well. Talk about 'mise en abime'.
The film within the film is a lousy horror Z-movie titled "Red is Dead" (an obvious wink to "Evil Dead") a movie so bad a critic doesn't even want to waste his time reviewing it, and tells the director Odile Deray (Chantal Lauby) to go to hell. And she deserves it, the film is so bad it's unwatchable, but it's also so bad it's a laugh riot, and can even be considered one of the film's highlights. All the archetypes of cheap slasher films are there, from the chain-killing of the friends, the false alerts, the chase, the death, and the ending with an interrogation mark. This opening is like the first cartoon in "Who Framed Roger Rabbit", it wins us, as we're excited to see what's coming next and it sets the tone of the film, it's about the world of cinema. Even the victims of the killer who looks like "Red" from the film are the projectors of the film. This is not just "Les Nuls"' film, it's a film's film.
I guess there was something about Cinema and TV in the middle of the 90's, a sort of symbiosis that no one would have thought possible but that efficiently translated into the big screen at least, on the field of comedy. Basically, in French TV comedy, you had two teams, two branches of humor : "The Unknowns" (Les Inconnus) who came from theater and specialized in satire. Their 1995 "The Three Brothers" was the highest grossing movie. But they were preceded by their eternal rivals, "Les Nuls" who were raised by TV and were closer in tone to the Monty Python and SNL humor. Their most famous acts were parodies of commercials and TV news, and I can't resist to reveal my two favorite jokes. I'll Americanize the first: "Madonna said "I have a foot in New York and another in L.A we pity Kansas City" or Chabat telling his co-anchor "Penelope, is that a tampon on your ear" her answers is "Oh. Where the hell did I put my pen?"
This humor was often branded as "Canal +" spirit, the young and free-spirited channel (it wouldn't last), created in 1984, launched the career of many famous French comedians "The Nuls" were the first and most emblematic. There were Alain Chabat, Chantal Lauby, Dominique Farrugia and Bruno Carrete, the only one who doesn't star in the film as he passed away 5 years before of a devastating virus caught in some trip in Egypt. His friends paid tribute to Carrete by inserting some footage in a news report. Out of the remaining trio, Alain Chabat would live the most successful career, that would pinnacle 8 years later, by directing "Asterix: Mission Cleopatra", the second highest grossing movie at the time. And it says a lot that Chabat directed Asterix and made a big hit out of it.
Indeed, even if 95% of the movies parodied in "City of Fear" are from the other side of the Atlantic, "Evil Dead", "Basic Instinct" or "Terminator", Chabat's main influence was the master of comic-book writing: René Goscinny, creator of Asterix and Lucky Luke and whose trademark was a form of parody humor with no holds barred for the sake of laughs, a very fun, lighthearted and not too controversial humor. Goscinny's specialty was characters who were both marvelously stupid and touching. In "City of Fear", the film's star is Simon Jeremi, a guy who throws up whenever he's happy, he's like a mix of Averell Dalton and Rin Tin Can with a little touch from Alain Chabat. The film is very American-like but the comedic treatment of the story is much European. And this is why the film aged better than serious French films trying to look American.
So, let's get to the story. Projectionists die whenever they project "Red is Dead", they're played by iconic character actor Tcheky Cario, classic legend Daniel Gelin, a pal, Jean-Pierre Bacri and former rocker-turned-actor Eddy Mitchell. To lead the investigation, there's an elegant charming police detective played with cool seriousness by Gérard Darmon. And there's Chabat as the bodyguard hired by Odile to protect Jeremi. And with that crazy joyful bunch, you just have one of the highest ratio of gags from any French film. It doesn't necessarily make it the funniest, but at least, it's the most consistent, and it never gets too shy on pushing a gag further and further. When, at the hotel, Jeremi declares he wants to eat pig's gums, it's funny already, but then Serge asks for a restaurant that serves pig's gum, and get an answer, Martinez, the best pig's gum in the city.
There are bits of humor that would have made the Zucker Abrahams brothers and the Simpsons writers extremely proud, and what is so impressive is that the film, in that midst of hilarious gags, finds the time to tell us a story, with a beginning, an end, a climax and a resolution, and a fine musical number between Chabat and Darmon, that might give you a foretaste if you want to check on Youtube. It's called "La Carioca".
As for "City of Fear", fear not to watch it, as it's first class A comedy made-in-France.
The film within the film is a lousy horror Z-movie titled "Red is Dead" (an obvious wink to "Evil Dead") a movie so bad a critic doesn't even want to waste his time reviewing it, and tells the director Odile Deray (Chantal Lauby) to go to hell. And she deserves it, the film is so bad it's unwatchable, but it's also so bad it's a laugh riot, and can even be considered one of the film's highlights. All the archetypes of cheap slasher films are there, from the chain-killing of the friends, the false alerts, the chase, the death, and the ending with an interrogation mark. This opening is like the first cartoon in "Who Framed Roger Rabbit", it wins us, as we're excited to see what's coming next and it sets the tone of the film, it's about the world of cinema. Even the victims of the killer who looks like "Red" from the film are the projectors of the film. This is not just "Les Nuls"' film, it's a film's film.
I guess there was something about Cinema and TV in the middle of the 90's, a sort of symbiosis that no one would have thought possible but that efficiently translated into the big screen at least, on the field of comedy. Basically, in French TV comedy, you had two teams, two branches of humor : "The Unknowns" (Les Inconnus) who came from theater and specialized in satire. Their 1995 "The Three Brothers" was the highest grossing movie. But they were preceded by their eternal rivals, "Les Nuls" who were raised by TV and were closer in tone to the Monty Python and SNL humor. Their most famous acts were parodies of commercials and TV news, and I can't resist to reveal my two favorite jokes. I'll Americanize the first: "Madonna said "I have a foot in New York and another in L.A we pity Kansas City" or Chabat telling his co-anchor "Penelope, is that a tampon on your ear" her answers is "Oh. Where the hell did I put my pen?"
This humor was often branded as "Canal +" spirit, the young and free-spirited channel (it wouldn't last), created in 1984, launched the career of many famous French comedians "The Nuls" were the first and most emblematic. There were Alain Chabat, Chantal Lauby, Dominique Farrugia and Bruno Carrete, the only one who doesn't star in the film as he passed away 5 years before of a devastating virus caught in some trip in Egypt. His friends paid tribute to Carrete by inserting some footage in a news report. Out of the remaining trio, Alain Chabat would live the most successful career, that would pinnacle 8 years later, by directing "Asterix: Mission Cleopatra", the second highest grossing movie at the time. And it says a lot that Chabat directed Asterix and made a big hit out of it.
Indeed, even if 95% of the movies parodied in "City of Fear" are from the other side of the Atlantic, "Evil Dead", "Basic Instinct" or "Terminator", Chabat's main influence was the master of comic-book writing: René Goscinny, creator of Asterix and Lucky Luke and whose trademark was a form of parody humor with no holds barred for the sake of laughs, a very fun, lighthearted and not too controversial humor. Goscinny's specialty was characters who were both marvelously stupid and touching. In "City of Fear", the film's star is Simon Jeremi, a guy who throws up whenever he's happy, he's like a mix of Averell Dalton and Rin Tin Can with a little touch from Alain Chabat. The film is very American-like but the comedic treatment of the story is much European. And this is why the film aged better than serious French films trying to look American.
So, let's get to the story. Projectionists die whenever they project "Red is Dead", they're played by iconic character actor Tcheky Cario, classic legend Daniel Gelin, a pal, Jean-Pierre Bacri and former rocker-turned-actor Eddy Mitchell. To lead the investigation, there's an elegant charming police detective played with cool seriousness by Gérard Darmon. And there's Chabat as the bodyguard hired by Odile to protect Jeremi. And with that crazy joyful bunch, you just have one of the highest ratio of gags from any French film. It doesn't necessarily make it the funniest, but at least, it's the most consistent, and it never gets too shy on pushing a gag further and further. When, at the hotel, Jeremi declares he wants to eat pig's gums, it's funny already, but then Serge asks for a restaurant that serves pig's gum, and get an answer, Martinez, the best pig's gum in the city.
There are bits of humor that would have made the Zucker Abrahams brothers and the Simpsons writers extremely proud, and what is so impressive is that the film, in that midst of hilarious gags, finds the time to tell us a story, with a beginning, an end, a climax and a resolution, and a fine musical number between Chabat and Darmon, that might give you a foretaste if you want to check on Youtube. It's called "La Carioca".
As for "City of Fear", fear not to watch it, as it's first class A comedy made-in-France.
This is "Les Nuls"'s first movie and if it isn't a masterpiece, it's an enjoyable comedy. Odile Deray is the press attaché for the film "Red Is Dead" but the film is so dumb that reporters don't want to promote it. However, the projectionist is killed and due to this it creates a great publicity around the movie and meanwhile murders go on. Then Deray is asking a cop (Serge Karamasov) to protect not only the projectionists but also the main star of the film: Simon Jérémi.... Alain Berbérian and "Les Nuls" have made a funny film which is full of clever visuals and ringing brainwaves; the best example is the murder of the fourth projectionist when "Les Nuls" are adding the sound effects to the scene themselves! Moreover, the comic of the film is very fanciful and there are some useless elements but it's because they are useless that they are funny. For example, we learn Patrick Bialès's whole life (the main inspector of Cannes) but it brings nothing to the plot! The screenplay, in spite of several weaknesses, is inspired and full of numerous details and sentences that score the bull's eye.
The movie is well made thanks to its actors too and I am under the impression that they, voluntarily, don't take themselves seriously , especially Gérard Darmon who is irresistible in his first appearance when he answers the reporters in several languages! Even famous French actors have got a small role (Tcheky Karyo, Daniel Gélin, Jean-Pierre Bacri and Eddy Mitchell are in the projectionists' roles)! At last the film is obviously a parody of horror and detective films. I think about "Psycho" when the projectionists are killed. To sum up: a fanciful but efficient comedy and if you watch it for the first time, you might be disappointed. You have to watch it several times to appreciate it. It happened with me.
The movie is well made thanks to its actors too and I am under the impression that they, voluntarily, don't take themselves seriously , especially Gérard Darmon who is irresistible in his first appearance when he answers the reporters in several languages! Even famous French actors have got a small role (Tcheky Karyo, Daniel Gélin, Jean-Pierre Bacri and Eddy Mitchell are in the projectionists' roles)! At last the film is obviously a parody of horror and detective films. I think about "Psycho" when the projectionists are killed. To sum up: a fanciful but efficient comedy and if you watch it for the first time, you might be disappointed. You have to watch it several times to appreciate it. It happened with me.
It is really a fresh and original comedy. I have seen it again and again. To spend 1h30 laughing look at this!!! If you don't like it i allow you to beat me!! bye
Having "discovered" Alain Chabat only a couple of days ago I didn't know if I would like this film, despite all the other good comments it got. This is because I don't speak French. I watched the French version with English subtitles, because it wasn't available with German ones. And I can deeply assure everyone who thinks about seeing this piece of art: Do it! It's hilarious, wild, crazy and above all French! After only five minutes into the film I had tears of laughter running down my cheek. I think nobody will fail to notice the huge amount of jokes in this film, if you know any French or not. Most of the comedy is of physical nature, there are of course some puns but never mind. Just go and see it. Or better buy it instantly as you will want to see it over and over again! I promise!
¿Sabías que...?
- Créditos adicionalesNous tenons également à remercier très vivement Tcheky Karyo, Jean-Pierre Bacri, Daniel Gélin, Eddy Mitchell qui ont eu l'amabilité de se faire tuer pour nous (We are also very grateful to Tcheky Karyo, Jean-Pierre Bacri, Daniel Gélin, Eddy Mitchell for having been kind enough to be killed for us)
- ConexionesFeatured in Fan des années 90: 1994 #1 (2009)
- Banda sonoraLove Story
Music by Francis Lai
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Fear City: A Family-Style Comedy
- Localizaciones del rodaje
- Cinéma Beaumont-Palace, Beaumont-sur-Oise, Val-d'Oise, Francia(flashback scene featuring Emile and Odile outside a movie theater)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
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What is the Spanish language plot outline for Cannes, ciudad del miedo (1994)?
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