Olvídate de París

Multi talented Billy Crystal directed and wrote the screen play with Lowell Ganz. This comedy has its sad moments but even in tragedy this movie can be very funny. The cast in superb. Mickey Gordon, played by Crystal is a referee (When Harry met Sally, The Princess Bride) who has to go to Paris because his father wanted to be buried in France. The airline mishandled the corpse of his father. By the way this is a Tort in the US he could have gotten a lot of money because of that. He then meets Ellen Andrews, Debra Winger (An Officer and a Gentlemen, Terms of Endearment) who works for the airline. The story is told in a very creative fashion using a group of friends which meets in a restaurant and each tells part of the story. It starts with one couple and more friends keep coming and they do not know whether Mickey and Elle will show up and whether they are still together. Nice story telling! Just look at the names: Joe Mantegna (Up Close & Personal) is Andy; Cynthia Stevenson is Liz, Richard Masur (none other than the director of SAG himself) is Craig; Julie Kavner (Jake's Women, This is my Life) is Lucy who is on diet; William Hickey (I) is Arthur; Robert Costanzo, is the witty waiter his very funny lines; John Spencer (I) is Jack; Tom Wright (I) is Tommy; Cathy Moriarty is Lois; Johnny Williams (I) is Lou. Then there are all the athletes one can come up with. The Lady who plays the organ is so stuffy and funny! She loves to live in Paris, but she has follow her husband who is always traveling. I have seem this happen to many people.They tried to compromise but it does not work at all. Her father comes to live with them and that created more tension. Funny lines: " you asked for it, you got it Toyota!".

My favorite scenes: them driving around Paris; the bird glued to her face; when she shows up at the game and at the restaurant. I liked the movie. The music is nice. It made me laugh. I recommend it, it is an enjoyable movie.

On date 5 November 1998, IMDb user "OffYear" from Chicago wrote:

>Billy Crystal: The poor, stupid man's Woody Allen.

>Crushingly bad. Crystal, having already ripped off 'Annie Hall' with the vastly overrated 'When Harry Met Sally' now rips off the lesser 'Broadway Danny Rose'.

And, on date 13 March 2002, IMDb user "Movie-Robot" from New York agreed:

>The guy here who called Crystal "The poor, stupid man's Woody Allen" has a point.

On the other hand, on date 2 March 2002, "The Movie Buff" from Nyc had written:

>This movie holds the record of earliest advanced screening before being released of all-time, 18 years. The film was shown at an advanced screening back in 77 when it was under the working title ANNIE HALL!!!

Does it mean that Woody Allen, when directing "Broadway Danny Rose", ripped off "Annie Hall"!?

Ok, I apologize to these users, whose comments I found anyway very interesting, and suggested me a point of view I had not taken. That's the point! I was not able to see any unforgivable pillage from Allen's movies.

I think Billy Crystal did not want to Explain The Mystery Of Love neither to portrait New Characters Of Modern Times. This is mostly Allen's trade.

Forget Paris is essentially a light comedy, and Billy Crystal is a brilliant guy. Debra Winger is amiable and graceful and many funny dialogues are as original as unforgettable (as the one when he asks her to marry him).

There is actually a scene which irritated me, the one where they lie by the fireplace, I found it kitch, it does not fit well with the rest. But the movie is a must-see for all lovers of the genre.

What about the soundtrack? Well, it just picks up some of the most beautiful songs by Cole Porter, the Gershwins and some other great american composer. If it is lawful, well, it is a beautiful soundtrack!

FORGET Paris is a sweet romantic comedy which Billy Crystal made after his best romantic comedy, WHEN HARRY MET SALLY. This time, though, it is Debra Winger rather than Meg Ryan who is opposite him. But Winger does nicely in the Ryan part and Crystal does nicely too.

Crystal is a basketball referee who is accompanying his father's dead body to Normandy for burial. The airline sends the body to Switzerland accidentally, and Winger is the airline official who smooths Crystal's ruffled feathers. She even attends the funeral, and soon the two of them are exploring the sites of Paris together. They get on well, but Crystal has to return to the U.S. But he returns and proposes marriage. After an initial delay, Winger accepts the proposal, and we watch the resulting marriage.

It is an intensely felt love affair, but it isn't smooth. She does not like losing her high paying job in Paris to return to the U.S., nor that he is going around the country most of the time as a referee at games. He tries to work at a different job, and finds her father (William Hickey) driving him batty with his senility (he keeps repeating the Toyota automobile slogan from the 1990s). And there are more serious problems about infertility, including a funny routine when Crystal is repeatedly delayed running to a fertility clinic.

The story of their love affair and marriage is related by Joe Mantegna, Richard Masur, Julie Kavner, and John Spencer, at a dinner party in an Italian restaurant. The personalities and marriage situations of the friends of our hero and heroine get exposed too during the dinner. All of the friends give good performances as does Hickey and Robert Constanza as the world's most philosophically charming waiter. Listen to him describing various drinks.

The film is a feel good movie, and does well as such.

This movie is interesting and unique, in the sense that it focuses on love AFTER marriage, and not before.

Billy Crystal plays a basketball referee who travels to Paris in order to bury his recently-deceased father. However alone the way the casket is lost and he's stuck in Paris, where he meets another single woman (Debra Winger) who's under similarly unfortunate circumstances.

They go out, have a fun time, and then resume their normal lives. Crystal goes back to basketball in the US but soon finds he can't concentrate and keeps thinking about his relationship.

Eventually they reunite and get married but it's an uphill struggle.

The movie kind of reminded me of "GoodFellas" (!) due to its structure and how it focused on the downfall of the marriage. Like Ray Liotta's marriage in "GoodFellas" it's not all peachy like most Hollywood films portray them as being.

My favorite sequence is when Crystal is transporting his semen to a hospital and gets stopped by a traffic cop. Some very funny moments like this, as well as good chemistry between the stars and an interesting narrative structure, make it a worthwhile - if not particularly memorable - romantic comedy, better than many others in its genre. At least it's entertaining and believable.

Forget Paris is admittedly a film carried almost entirely by Billy Crystal, but with such witty delivery, he's perfect. Having said that, the whole cast look to be having a ball and it really comes across on-screen. Rose-tinted views of Paris, alongside near slapstick sketches in the States, makes for a fast-paced tale that you can just sit back and enjoy.

Mickey (Crystal) travels to France to bury his father, only to find that the airline has accidentally sent the body to the wrong airport. Ellen (Winger) is the airline official sent to assure Mickey that everything possible is being done. Despite meeting under such an awkward situation, soon enough they are walking the streets of Paris together and romance blossoms. But with lives on different sides of the Atlantic, there are going to be a lot sacrifices...

And if the movie ever begins to feel as though it might be getting bogged down in the romance, it steps out to the "present day" restaurant scene where friends are sharing the story, each telling a different part and eager to find out what happened in the end.

An entertaining, funny and above all, charming story.