El gran Lebowski

It's a travesty that most critics only read The Big Lebowski at its most superficial level and called it a modern take on a Raymond Chandler potboiler. I simply can't begin to perceive how one could sit down in front of this cinematic pop-poetry, as it plates gold on the silver screen, and not feel so incredibly alive. The dream sequence Busbee Berkley musical numbers are unique and awe-inspiring; the humor is rich, subtle, and clever in the way it satirizes politically correct arrogance; the free-flowing story avoids (even pokes fun at) nonessentials like plot points and pay-offs. But what really makes this film such a masterpiece, such a panacea, is the incredible humanism, the care that the Coen brothers put in developing The Dude (Jeff Bridges), Walter (John Goodman), Donnie (Steve Buscemi-tremendously endearing), and Brandt (magnificently played by Phillip Seymour Hoffman). Looking at the films use of Sam Elliott to play The Stranger, who constantly rambles about the many wonders of The Dude (among other things), it is clear that the film is an ode to a Dudist way of life. And in a time where so many film promise that they have the answer to the worlds problems and end up as slick, stylistic show-off films, what more could one ask for than a good-hearted film like this? Not to mention the performance by Jeff Bridges, which ranks among the best performances of the nineties; he has a relaxed slouch, a goofy smile, an enthusiastic dance, and his buttons can only be pushed by Walter, who John Goodman plays with charm and fury. The Coen brothers have always been considered 'cold' filmmakers, but there is nothing here but warmth and humanity (as is the case with the Coens' Fargo). What we have here is one of the greatest achievements in modern cinema and if you can't see that, grab a White Russian, hit the bowling ally, and find your inner-Dude as soon as possible.

The Coen brothers are up there with my very favorite filmmakers (Scorsese, Kubrick, Carpenter). I am very fond of their work. Throughout their irreverent career, they have explored different subjects and themes. Their best stories evolve from kidnapping schemes in films like "Raising Arizona " and "Fargo", one of my very favorites. I thought that film was fervently free. I was so ever wrong. It's as if the Coen Brothers have celebrated their complete breakthrough success (Academy Award winners), and now are willing to do whatever they please. "The Big Lebowski" is a film so meandering, so wonderfully novel, that I found myself missing the many other sporadic jokes as I was heaving from laughter. The film is basically about mistaken identity, eccentric characters, and a soiled rug. This film extols the bowler, the allies, even the pins. We experience an actual bowling ball POV, as the Dude (Jeff Bridges) hallucinates. This film has nihilists, feminists, millionares, paedophiles, drugged out hippies, underachieving students, incompetent criminals, pornographers and 'Nam veterans. This movie is open to anything , anything... Some people are turned off by absurd looniness, because it's so grandiosely different. Yet who couldn't chuckle, if not explode, when a bowler dressed in a tight purple suit licks a bowling ball's finger hole, and the camera pans down to reveal his name as Jesus! I will disclose no more, but urgently recommend you to traverse to your nearest video abode and rent this true escapists' feature. Abandon all solemn inhibitons, though! One can not keep a straight face whilst watching.

Those Coen brothers have an ear for language. You feel it in the sing-songy banalities of Fargo, and in the noiresque machine-gun dialogue of Miller's Crossing, but neither of these can prepare you for the feast for the ears that is The Big Lebowski.

Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).

As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?

This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.

The Big Lebowski is the type of movie that is so funny, and so clever, you want nothing more but to meet the Coen brothers, congratulate them personally for their unique talent, and get inside their heads and find out what makes these two geniuses "tick". The main characters are Jeff Bridges (who plays such broad roles like The Muse, The Contender, and Sea Biscuit), John Goodman (who should have won an oscar for best supporting actor for his character, Walter Sobchak)Juliane Moore (Maude Lebowski)and Steve Buscemi (who is unique in every Coen Brother movie).

The first time I saw this movie, I will admit that I enjoyed it, but did not fully appreciate its level of humor and raw talent. I thought the middle section was a bit too depressing and long. But trust me, this is a movie that gets more funny every time you see it, even if it's your thousandth time seeing it. Its level of comedy, action, brutality, and vulgarity become that much more evident and important.

The characters are brilliantly written by the coen brothers, and, likewise, are brilliantly portrayed by the actors. The Big Lebowski is like no other film. It will make you laugh and it will make you cry. There is no other film such as TBL that is sharp and witty all the way through. One of the Joel and Ethan Coen's best, and one of the movie industry's best comedic film of all time. You want to go see this flick.

My Rating : 9/10

You either hate it or love it. I am in love with 'The Big Lebowski'! I love most of the Coen Brothers' work and this one is right up there with Fargo and No Country For Old Men. It's super funny and can be watched again and again. I think I watch it once a year and always have a great time.

One that I highly recommend. Go watch it! And then watch it again and again.

AN AWESOME CULT FILM.