Buffalo '66

buffalo 66 is a lot like its creator, vincent gallo: harsh, unkempt, dangerous looking,a sure bet to be a miserable loser. at first glance this film seems to have nothing going for it, but give it ten minutes and then see if you can turn away. a dissection of a loose circling collection of emotional misfits, Vincent Gallo's creation (he wrote, directed, starred in the thing and even wrote the original music for the film) of billy brown, his parents and Layla, the girl who comes to love him is an amazing thing. what at first sounds like annoyingly fake bravado soon reveals the tormented souls beneath. again and again the film confounds expectations morphing into one of the most moving and convincing portraits of love and redemption imaginable. a justly deserving winner of its numerous art film awards (especially those earned by former child actress christina ricci in a devastated angel performance)buffalo 66 earns all the risks it takes and reminds us that even the worst first impressions can sometimes be wrong

Vincent Gallos directorial debut film. Billy Brown who is just released out of prison abruptly kidnaps Layla, an amenable tap dancer to pose as his wife while he visits his parents for the first time in 5 years. The raw cinematography and unconventional editing makes this movie unique. Billy's resilient persona and Layla's willingness keeps you intrigued. With performances by the characters that you never see coming, this blossoming romance between two complete strangers becomes relatable and captivating.

I fell in love with this movie. Before I saw it, I didn't know much at all about Vincent Gallo. I saw the trailer that was attached to "Out of Sight" and was like "well, that looks interesting. Maybe I'll check it out sometime." It took me a long time to track it down, but it was so worth the wait. One thing I can honestly say, is that the trailer is NOT deceptive. It pretty much tells you EXACTLY what you're going to get. One thing I wasn't expecting thoug, was the humor. There were times in this movie that I had to rewind and watch over because I was laughing so hard from the previous scene that I missed what was going on. Despite the film's depressing tone and deliberately grainy look, there are a lot of laughs here. Most of them come from the character of Billy Brown.

Never in my life, have I seen a more pathetic hero. The guy is almost totally unlikeable without ONE redeeming quality. In the opening frame, he's being released from Prison. He's been there for something like five years and it's obvious that he's coming out of there in the clothes that he was wearing when he went in. His wardrobe is hilarious and his red ankle boots are a laugh riot. As are his pants that appear to be about four inches too short. You can tell when you first see him that this guy is a real piece of work. The first ten minutes or so focus on our new friend trying to find a bathroom, without any luck. When he finally does find a restroom, he is harassed by an obese homosexual. This sets up a scene that is kinda sick but darkly funny.

Next thing, we learn the plan (part of it anyway) that Billy has up his sleeve. We meet his lunatic parents through a phone conversation and learn that they are clueless that Billy has been in lockup for the last five years. Apparently, they are stupid enough to believe that their son has been working in a foreign country as a government agent. They also believe that he is married. So he has to find a girl to pose as his wife. This sets up even more hilarious scenes as he kidnaps a young tap-dancer. I'm not going to go much farther. But the movie does get even funnier. Not only is it funny but it covers a lot of emotions. Here's a guy who's clearly been a loser his whole life, trying desperately to impress his parents who could care less about him. It sounds really depressing, but it's actually inspiring and, because it ends on a high note, it's uplifting.

While it may not be for everyone, it's still a very entertaining and rewarding film. It's been a few years since Gallo has done anything, but I'm really looking forward to his next project.

If anything, I'd say that this is a black-comedy/character study. It's probably the most original film of 1998 and it did take a lot of chances with its unique style. I have no complaints about this movie whatsoever and I'm giving it the highest score possible. It's a 10+.

Considering that Vincent Gallo made a film that i pretty much hated, THE BROWN BUNNY, It's reassuring that he still has made this great film. I really had a ball watching this one. From the opening sequence of him leaving jail to the heartwarming, yet chilling ending scene, this is a film with lots of great moments. A man has just gotten out of jail and is to visit his parents, but first he needs a girlfriend and decides to kidnap a ballet dancer and force her to role play as his girlfriend. But when she starts to get too into the idea, the man shows his limits in a series of comic events ranging from darkly funny, to very inspired. And yet in between these events are moments of extremely depressing and moody sort of moments that elevate the film into a truly original masterpiece. A little bit brutal, a little bit surreal, and very depressing, the film manages to strike a perfect balance of comedy and drama and incorporate them into a truly original independent classic. It's definitely not for everyone, as a lot of the films i comment on are, but the audience that it is made for will fall in love with BUFFALO' 66.

Vincent Gallo's directorial debut is a powerhouse of fine acting, writing, and direction, not to mention a showcase for some truly jaw-dropping cinematography. Buffalo 66 is one of the finest independent films that I have ever seen, and perhaps the most fascinating character study I have yet to see on film.

Christina Ricci provides one of the year's best performances as Layla, the odd but tenderhearted tap dancer who provides Gallo's Billy Brown with the only true love he has ever received. Ricci's performance is brilliantly understated, and she relays just as much heartfelt meaning in one glance of her beautiful, dark eyes as Gallo does in his barrage of rapid-fire monologues.

There are also fine supporting performances from Ben Gazzara and Angjelica Huston, as Billy's utterly dysfunctional parents, Mickey Rourke, as a sleezy bookie, Jan-Michael Vincent, as Billy's touchingly loyal friend and owner of a bowling alley, and Kevin Corrigan, as Billy's slow but well-meaning best friend.

Buffalo 66 is an incredibly moving and beautiful film. It provides some of the starkest movie images of blue-collar society to come along since the '70s. The on-___location Buffalo, New York sites are haunting in their bleakness, and the filtered photography emphasizes this all the more.

On top of all of this, Gallo provides a mesmerizing performance as Billy Brown-a man who has spent so much of his life pining for love and tenderness that he doesn't know how to deal with it once it is staring him in the face.

Simply put, Buffalo 66 is a staggering achievement. Vincent Gallo is a fiercely talented filmmaker and a force to be reckoned with in the future.