En 1862, Amsterdam Vallon regresa a la zona de Five Points, en Nueva York, en busca de venganza contra Bill el Carnicero, el asesino de su padre.En 1862, Amsterdam Vallon regresa a la zona de Five Points, en Nueva York, en busca de venganza contra Bill el Carnicero, el asesino de su padre.En 1862, Amsterdam Vallon regresa a la zona de Five Points, en Nueva York, en busca de venganza contra Bill el Carnicero, el asesino de su padre.
- Dirección
- Guión
- Reparto principal
- Nominado para 10 premios Óscar
- 50 premios y 135 nominaciones en total
Alec McCowen
- Reverend Raleigh
- (as Alec Mccowen)
Lawrence Gilliard Jr.
- Jimmy Spoils
- (as Larry Gilliard Jr.)
Peter-Hugo Daly
- One-Armed Priest
- (as Peter Hugo Daly)
Cian McCormack
- Young Amsterdam
- (as Cian Mccormack)
Reseñas destacadas
7=G=
"Gangs of New York" mixes real American history with a weak fictional human drama and a thick coat of Hollywoodization resulting in an over wrought behemoth wannabe epic misfire. Scorcese pulls together bits and pieces of the Civil War conscription act, Irish potato famine immigration, Tammany Hall and Tweed corruption, race/slave issues, slum gangs, etc. and creates a milieu which has an off-target post-apocalyptic sort of feel and then tries to cram DiCaprio down our throats as a hero though he does nothing particularly heroic in the context of the film. The flick features blood and guts street riots reminiscent of "Braveheart", a romance which doesn't work, an evil guy over acted by Day-Lewis and little else save a whole bunch of filler to give us a taste of the times and milk the extravagance for all its worth. In spite of all that, "Gangs..." received several Oscar noms and a thumb and a half up from critical corners with so-so approval from the public. Okay for fans of the principals and others into Hollywood blockbusters. Not for the jaded or those looking for substance or sophistication. (B)
Daniel Day-Lewis elevates this film from just "good" to "very good" or even "excellent." He is absolutely riveting, one of the most interesting "villains" I have ever seen on film. I am sorry Day-Lewis didn't win the Academy Award for his performance. He was just outstanding to watch. His facial expressions alone cracked me up!
Day-Lewis played "Bill 'The Butcher' Cutting" he is one nasty dude. However, there are no real "good guys" in this story. The supposed hero, played by Leonardo DiCaprio, is a revenge-seeking man with a ton of flaws himself. The rest of the characters are either thieves, gang members, corrupt politicians or corrupt policeman. Ah yes, another family-oriented film from that kindly director Martin Scorcese.
What Scorcese lacks in family values, he comes close to making up for in style. This is another fascinating visual film with great sets, costumes, color and camera-work. Other typical Scorcese touches are in here: Catholic-bashing and brutal language. (I question whether the f-word was used back in the days this film takes place.)
All in all, a tough film that could be too unpleasant to watch but for Lewis' outstanding performance and the spectacular visuals.
Day-Lewis played "Bill 'The Butcher' Cutting" he is one nasty dude. However, there are no real "good guys" in this story. The supposed hero, played by Leonardo DiCaprio, is a revenge-seeking man with a ton of flaws himself. The rest of the characters are either thieves, gang members, corrupt politicians or corrupt policeman. Ah yes, another family-oriented film from that kindly director Martin Scorcese.
What Scorcese lacks in family values, he comes close to making up for in style. This is another fascinating visual film with great sets, costumes, color and camera-work. Other typical Scorcese touches are in here: Catholic-bashing and brutal language. (I question whether the f-word was used back in the days this film takes place.)
All in all, a tough film that could be too unpleasant to watch but for Lewis' outstanding performance and the spectacular visuals.
Gangs of New York was is an epic historical crime movie directed by Martin Scorsese and stars Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Jim Broadbent, John C. Reilly, Henry Thomas, Brendon Gleeson, Stephen Graham and Liam Neeson in a special appearance.
The movie is a must watch classic which displays the birth of America and yes through bloody violence and brawls.
The movie displays the greatnesses of Martin Scorsese and his imagination and scope to take out the best from a simple revenge plot.
Acting should be appreciated by all the characters but Daniel Day-Lewis steals the show by his brutal violence in a gentle way.
The screenplay of the movie is slow but captivating and hold the viewers. Location of 1840 America is amazing and background music is good. It wouldn't be wrong to say that this is one of the finest piece of work by Martin Scorsese and a must watch for the viewers who like periodic movies.
The movie is a must watch classic which displays the birth of America and yes through bloody violence and brawls.
The movie displays the greatnesses of Martin Scorsese and his imagination and scope to take out the best from a simple revenge plot.
Acting should be appreciated by all the characters but Daniel Day-Lewis steals the show by his brutal violence in a gentle way.
The screenplay of the movie is slow but captivating and hold the viewers. Location of 1840 America is amazing and background music is good. It wouldn't be wrong to say that this is one of the finest piece of work by Martin Scorsese and a must watch for the viewers who like periodic movies.
You'd think Scorcese has bitten a bit more than he could possibly chew, this time. Well, he didn't. Gangs of new York is not an "epic masterpiece" and it ain't that because I seriously doubt the directors aim was that. It's a great movie in it's own account, but you have to watch it in the right way.
The plot: Tight enough and well paced, with a couple of lows (expected for a three-hour film) but generally it comes out pretty neat. Some may find it disturbing, as it contains extreme violence and it does not portray an America of happy workers, even happier slaves, benevolent rich and just authorities - instead, it portraits the true 1860 society. Definitely not for those who like their films with plenty of sugar on the top.
The epic and the drama: Well, basically the film is the story of two men. Around them things evolve and a brave new world comes forth - but we only get to watch snapshots of that world. Until the last sequence, that is when the whole city "explodes" (in some occasions literally...) and the streets are being covered in blood, and the two aspects (the main story and the events of the era) are being tied together in the same continuum.
At the same time, the director attempts to portrait the whole birth and growth of the United States, in a kind of parabole, but without loosing his focus on the main story and the surrounding. Scorsese dives deeply into the psychology of his heroes, without giving out any explanation of their acts other than the probable - he lets us figure it out ourselves, and that's a God-given gift.
The visuals: The film is disturbing, as it contains extreme violence. There are literally streams of blood, hacking, slashing, crushing - even some action movie fans (hey dude, look, he smashed his head with that thing... cool, man!") might find some parts of the film interesting. The last sequence is visually astounding, and it's by it's own account a reason to watch this film over and over again... if you got the stomach to actually cope with the disturbing images, that is.
The actors: I didn't think it would come a day when I'd say that Leo Di Caprio can act, but ...here I go: The kid can act. And quite good too. Guess he needed a Scorsese to put him in the right path. Same with Cameron Diaz - she has got some potential, seems so. Too bad she wastes it in films like "the sweetest thing" and other throw-ups like that. And... Daniel Day Lewis. Truly, with this performance, they should give him the Academy award. He portrays the vile "Butcher" in a way few would be able of, and he adds depth to a character that could very easily end up "two-dimensional". He is stunningly good.
New York, New York: Scorsese gets involved in something that compares to his previous work the way a fancy little sports car compares to a huge truck: A grandioso film of epic proportions and of great ambition. He does deliver, I believe. But this film shall not be acknowledged universally, because there is too much violence, corruption, lack of the good old white vs black (good vs evil, I mean) concept and does not sweeten the pill in any way. It's disturbing and raw, and it's a great. It's not a political film - in such, the director usually picks a stance, a "true" hero, an opposing view, and builds upon those. In this case, the director is truly endistancemented and keeps that distance, even from his "hero". There are no "good" people in that movie, all are acting like chess pieces in a predetermined way, but at the same time they try to burst out and do their own.
The verdict: A fabulous film, which is going to be recognized for such in some years
The plot: Tight enough and well paced, with a couple of lows (expected for a three-hour film) but generally it comes out pretty neat. Some may find it disturbing, as it contains extreme violence and it does not portray an America of happy workers, even happier slaves, benevolent rich and just authorities - instead, it portraits the true 1860 society. Definitely not for those who like their films with plenty of sugar on the top.
The epic and the drama: Well, basically the film is the story of two men. Around them things evolve and a brave new world comes forth - but we only get to watch snapshots of that world. Until the last sequence, that is when the whole city "explodes" (in some occasions literally...) and the streets are being covered in blood, and the two aspects (the main story and the events of the era) are being tied together in the same continuum.
At the same time, the director attempts to portrait the whole birth and growth of the United States, in a kind of parabole, but without loosing his focus on the main story and the surrounding. Scorsese dives deeply into the psychology of his heroes, without giving out any explanation of their acts other than the probable - he lets us figure it out ourselves, and that's a God-given gift.
The visuals: The film is disturbing, as it contains extreme violence. There are literally streams of blood, hacking, slashing, crushing - even some action movie fans (hey dude, look, he smashed his head with that thing... cool, man!") might find some parts of the film interesting. The last sequence is visually astounding, and it's by it's own account a reason to watch this film over and over again... if you got the stomach to actually cope with the disturbing images, that is.
The actors: I didn't think it would come a day when I'd say that Leo Di Caprio can act, but ...here I go: The kid can act. And quite good too. Guess he needed a Scorsese to put him in the right path. Same with Cameron Diaz - she has got some potential, seems so. Too bad she wastes it in films like "the sweetest thing" and other throw-ups like that. And... Daniel Day Lewis. Truly, with this performance, they should give him the Academy award. He portrays the vile "Butcher" in a way few would be able of, and he adds depth to a character that could very easily end up "two-dimensional". He is stunningly good.
New York, New York: Scorsese gets involved in something that compares to his previous work the way a fancy little sports car compares to a huge truck: A grandioso film of epic proportions and of great ambition. He does deliver, I believe. But this film shall not be acknowledged universally, because there is too much violence, corruption, lack of the good old white vs black (good vs evil, I mean) concept and does not sweeten the pill in any way. It's disturbing and raw, and it's a great. It's not a political film - in such, the director usually picks a stance, a "true" hero, an opposing view, and builds upon those. In this case, the director is truly endistancemented and keeps that distance, even from his "hero". There are no "good" people in that movie, all are acting like chess pieces in a predetermined way, but at the same time they try to burst out and do their own.
The verdict: A fabulous film, which is going to be recognized for such in some years
For about three months now, I have (on an almost daily basis) passed a movie theatre not far from my home. On the side of this movie theatre is a huge poster advertising the movie "Gangs of New York". Meanwhile, all I heard about on television was the buzz about the upcoming "Gangs of New York". So, when this highly publicized movie finally opened, I went and saw it.
I went to the theatre, I bought my ticket, I found a seat in a very crowded theatre and I sat. For three hours I sat in that dark theatre and I watched what was one of the most amazing movies I have ever had privilege to see.
It is hard to even begin to explain why this movie was amazing, but it was. The way it was shot is brilliant. The cinematography is spectacular. The story is completely enthralling.
Although the movie was just shy of three hours long, it was not at all boring to watch. The story was captivating and although I knew how it was going to end (because, after all, it is a movie based on a true-ish story), it was incredible to watch how it got that end.
Above all, the movie was beautiful to watch. I have to admit to those who have not yet seen it that "Gangs" is quite violent. However, the violence was well shot and it was fairly necessary to the story.
All of the actors put in extremely good performances. Leonardo DiCaprio really proved that he's not just a pretty face and that he does actually have a great deal of talent (which can also be seen in his other movie of the season, "Catch Me If You Can"). Cameron Diaz' performace also proves that she can do much more than the standard romantic comedy. Also, after hearing reports of Daniel Day Lewis' REALLY getting into his character, I admit that it was completely worth it. His character (William Cutting/Bill the Butcher) is so complex and although you know you hate him, you can't decide why (for there are so many reasons).
In conclusion, if you have not seen this movie yet, go. Go now. See it. This is one of the epic movies of our time. I heard that Scorcese has been conceptualizing this movie for over twenty years; I could tell. The story this movie tells is one that I had never heard and the way in which it was told makes it seem very important for us to know. The message that is conveyed, although not an entirely wholesome one, is an important one to learn and, if considered, is very relevant to our time. However, my only message to you is this: see this movie.
I went to the theatre, I bought my ticket, I found a seat in a very crowded theatre and I sat. For three hours I sat in that dark theatre and I watched what was one of the most amazing movies I have ever had privilege to see.
It is hard to even begin to explain why this movie was amazing, but it was. The way it was shot is brilliant. The cinematography is spectacular. The story is completely enthralling.
Although the movie was just shy of three hours long, it was not at all boring to watch. The story was captivating and although I knew how it was going to end (because, after all, it is a movie based on a true-ish story), it was incredible to watch how it got that end.
Above all, the movie was beautiful to watch. I have to admit to those who have not yet seen it that "Gangs" is quite violent. However, the violence was well shot and it was fairly necessary to the story.
All of the actors put in extremely good performances. Leonardo DiCaprio really proved that he's not just a pretty face and that he does actually have a great deal of talent (which can also be seen in his other movie of the season, "Catch Me If You Can"). Cameron Diaz' performace also proves that she can do much more than the standard romantic comedy. Also, after hearing reports of Daniel Day Lewis' REALLY getting into his character, I admit that it was completely worth it. His character (William Cutting/Bill the Butcher) is so complex and although you know you hate him, you can't decide why (for there are so many reasons).
In conclusion, if you have not seen this movie yet, go. Go now. See it. This is one of the epic movies of our time. I heard that Scorcese has been conceptualizing this movie for over twenty years; I could tell. The story this movie tells is one that I had never heard and the way in which it was told makes it seem very important for us to know. The message that is conveyed, although not an entirely wholesome one, is an important one to learn and, if considered, is very relevant to our time. However, my only message to you is this: see this movie.
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
¿Sabías que...?
- CuriosidadesTo simulate Bill the Butcher's fake eye, Sir Daniel Day-Lewis had his own eyeball covered in prosthetic glass. Day-Lewis learned to tap his fake eye with the tip of a knife without blinking.
- PifiasWhen the competing fire companies arrive at the house fire, one fireman wears modern-day fireman's pants. He may be a real-life firefighter, in the scene as a safety precaution.
- Citas
Amsterdam Vallon: It's a funny feeling being taken under the wing of a dragon. It's warmer than you'd think.
- Créditos adicionalesNoises from the modern day New York streets play over the second half of the closing credits.
- Versiones alternativasScorsese's original cut of the film was 216 minutes (3 hours & 36 minutes) long.
- ConexionesEdited into U2: The Hands That Built America (Version 1) (2002)
- Banda sonoraBrooklyn Heights
Composed by Howard Shore
Produced by Hal Willner
Recorded and mixed by Eric Liljestrand
Additional mixing by Tom Lazarus
Additional recording and mixing by Geoff Foster
Orchestrations by Jeff Atmajian
Conducted by Andy Brown
Solo counter tenor by Will Towers
Solo boy soprano by James Kanagasooriam
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Gangs de Nueva York
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 100.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 77.812.000 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 9.100.000 US$
- 22 dic 2002
- Recaudación en todo el mundo
- 193.772.504 US$
- Duración2 horas 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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