Unos dragones emergen de la tierra y comienzan a prenderle fuego a todo para establecer su dominio sobre el planeta.Unos dragones emergen de la tierra y comienzan a prenderle fuego a todo para establecer su dominio sobre el planeta.Unos dragones emergen de la tierra y comienzan a prenderle fuego a todo para establecer su dominio sobre el planeta.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 3 nominaciones en total
Scott Moutter
- Jared Wilke
- (as Scott James Moutter)
Reseñas destacadas
This is an excellent dark fantasy, an adult fantasy, if you will and the acting is well up to the story. It is a good tight script and keeps a fast pace. The allegory of a post nuclear age brought on by the advent of dragons freed from a millennial dormancy, points to the problems of survival in such a world. Many of our greatest science fiction authors have speculated on this, and this film tends to bring it all together nicely.
My one complaint with this film is that it was shot so dark that it is hard to see a lot of the action. The novel idea of one male for all of the female dragons is an excellent one however. Much of the look of the dragons tends to remind one of the 1997 version of Godzilla, with the lairs of creatures underground. Christian Bale was good as Quinn, and Matthew McConaughy shines as Van Zan. Gerard Butler was wasted in the film, not because his performance was bad, by no means, but because his character needed to have more to do. Still a very watchable film.
My one complaint with this film is that it was shot so dark that it is hard to see a lot of the action. The novel idea of one male for all of the female dragons is an excellent one however. Much of the look of the dragons tends to remind one of the 1997 version of Godzilla, with the lairs of creatures underground. Christian Bale was good as Quinn, and Matthew McConaughy shines as Van Zan. Gerard Butler was wasted in the film, not because his performance was bad, by no means, but because his character needed to have more to do. Still a very watchable film.
Sure, it was cheesy and low budget, but the indomitable Rob Bowman didn't pull any punches in this futuristic drama about dragons. Giving a scientific edge to a creature based in fantasy, this film proved to be a rather refreshing step in science fiction, which means it won't be a well received one. Even if this film barely makes its money back, at least it leaves the door open for other fantastic ideas in the science fiction genre.
As for the film, the technical side was excellent. Bowman, a former television director proves he can do just as well with a 50 million dollar budget (?) and a tough to sell idea. Both Christian Bale and Matthew McConaughey were believable as care taking heroes. Their bipolar dynamic was especially excellent, creating tension not just in beliefs but also in culture and devotion to country. McConaughey was especially good as Van Zant (which was well cast, considering he is an actual southerner), bringing a role to his resume which I had never seen. All in all, a decent film to watch. 7/10
As for the film, the technical side was excellent. Bowman, a former television director proves he can do just as well with a 50 million dollar budget (?) and a tough to sell idea. Both Christian Bale and Matthew McConaughey were believable as care taking heroes. Their bipolar dynamic was especially excellent, creating tension not just in beliefs but also in culture and devotion to country. McConaughey was especially good as Van Zant (which was well cast, considering he is an actual southerner), bringing a role to his resume which I had never seen. All in all, a decent film to watch. 7/10
`Reign of Fire's' premise is simple: the world has been wiped out by airborne, fire-breathing dragons, who at first multiplied by the thousands but now themselves are starving and dying off. A few bands of people remain here and there trying to survive. Quinn (Christian Bale, with whiskers and glottal stops), who was on the scene as a boy in London when the first sleeping dragon awakened in a cave unearthed by an Underground project his mum was working on, leads a group of survivors in the north of England who're just trying to get a crop going for the next year and save a little mob of children. In comes Van Zan (Mathew McConaughey, with shaved head and brawny tattooed arms) leading an American helicopter crew. He's become a dragon slayer and since he's found there's only one male dragon left and it's somewhere around London, he's come to solicit aid. Quinn refuses. Van Zan pushes on to London without Quinn. They fail. He returns and begs Quinn to come as guide. What follows is the finale.
If you probe too deeply into the premise you're not going to have any fun, but fun is what this movie offers, glorious mindless fun and, above all, fabulous apocalyptic visuals of twisted metal, crepuscular landscapes, dark hulking ruins, and men crawling through them to fire off weapons at the evil birds, which look very graceful as they sweep through the skies and spurt out long expanding streams of fire. Shots are so stunningly composed you want them to freeze-frame. Within the dark end-of-the-world light there is amazing clarity. Working with Ridley Scott's cinematographer Adrian Biddle, X-Files director Rob Bowman has produced the best fantasy landscape this year next to `Lord of the Rings.' When Van Zan leads a hunt in the sky, it's like a computer game, and sometimes we see the game through the eyes of the dragon and it looks like a degraded digital film. However, it's not ingenuity of conception but sheer aesthetic appeal that makes the visuals of this movie so good.
The other large positive factor is the very solid, mostly English cast including a number of appealing youngsters led by Scott James Moutter as Jared, Quinn's adopted son, not to mention Bale, who brings a striking level of naturalness and conviction to his role as the sensitive, conscience-stricken Quinn. Bale's a foil to McConaughey's American macho militarist icon. McConaughey, whose finely chiseled face can be seen staring in mirrors in `Thirteen Conversations About One Thing,' is having a lark playing a brute here, but in the moments when he isn't shouting, he gives Van Zan almost as much conviction as Bale gives Quinn. Ladies are in short supply in this story: there's Alex (Izabella Scorupco) as Van Zan's helicopter pilot who winds up with Quinn, and for five minutes there's Alice Krige as young Quinn's mum. But since this movie's ideal audience might surely be young teenage boys, that's probably enough. Other things are lacking too, such as more variety in the dragons, more recognizable details of the wrecked London of the final scenes, some more colorful characters among Quinn's community, as in post-apocalyptic classics like `Mad Max.' But to say that is to miss the point, which is that this is a fast, exhilarating ride that's a feast for the eyes. If you want to view all this as a `B' horror picture, fine: just grant that it's a first-class version. To be seen, by all means, on a big screen, preferably in a big, old-time movie house.
If you probe too deeply into the premise you're not going to have any fun, but fun is what this movie offers, glorious mindless fun and, above all, fabulous apocalyptic visuals of twisted metal, crepuscular landscapes, dark hulking ruins, and men crawling through them to fire off weapons at the evil birds, which look very graceful as they sweep through the skies and spurt out long expanding streams of fire. Shots are so stunningly composed you want them to freeze-frame. Within the dark end-of-the-world light there is amazing clarity. Working with Ridley Scott's cinematographer Adrian Biddle, X-Files director Rob Bowman has produced the best fantasy landscape this year next to `Lord of the Rings.' When Van Zan leads a hunt in the sky, it's like a computer game, and sometimes we see the game through the eyes of the dragon and it looks like a degraded digital film. However, it's not ingenuity of conception but sheer aesthetic appeal that makes the visuals of this movie so good.
The other large positive factor is the very solid, mostly English cast including a number of appealing youngsters led by Scott James Moutter as Jared, Quinn's adopted son, not to mention Bale, who brings a striking level of naturalness and conviction to his role as the sensitive, conscience-stricken Quinn. Bale's a foil to McConaughey's American macho militarist icon. McConaughey, whose finely chiseled face can be seen staring in mirrors in `Thirteen Conversations About One Thing,' is having a lark playing a brute here, but in the moments when he isn't shouting, he gives Van Zan almost as much conviction as Bale gives Quinn. Ladies are in short supply in this story: there's Alex (Izabella Scorupco) as Van Zan's helicopter pilot who winds up with Quinn, and for five minutes there's Alice Krige as young Quinn's mum. But since this movie's ideal audience might surely be young teenage boys, that's probably enough. Other things are lacking too, such as more variety in the dragons, more recognizable details of the wrecked London of the final scenes, some more colorful characters among Quinn's community, as in post-apocalyptic classics like `Mad Max.' But to say that is to miss the point, which is that this is a fast, exhilarating ride that's a feast for the eyes. If you want to view all this as a `B' horror picture, fine: just grant that it's a first-class version. To be seen, by all means, on a big screen, preferably in a big, old-time movie house.
This was a bit different than one expected. There was no nonsense, no tongue-in-cheek humor or special-effects just for the sake of it: this was simply a humans vs. dragons story taking place in the future. No laughs and nothing hokey, which is what I expected. They played it straight, simply as a fight story between the two parties.
Yes, there were credibility problems with the story but overall, it was good escapist adventure. The dragons were realistic-looking, the scenery dreary but the story interesting and intense in spots.
I wouldn't buy it, but I would definitely recommend it if you are looking for a night of adventure on film. You could do a whole lot worse, especially with two young actors who have arrived as stars: Christian Bale and Matthew McConnaughey.
Yes, there were credibility problems with the story but overall, it was good escapist adventure. The dragons were realistic-looking, the scenery dreary but the story interesting and intense in spots.
I wouldn't buy it, but I would definitely recommend it if you are looking for a night of adventure on film. You could do a whole lot worse, especially with two young actors who have arrived as stars: Christian Bale and Matthew McConnaughey.
Seems like I'm in a minority enjoying this one! It amazes me that so many people are quick to put the boot in to this (admittedly) silly but entertaining b-grade post-apocalyptic thriller yet line up to watch the absolutely awful and overblown Star Wars movies. Yes, I said b-grade, because despite the budget being close to $100 million, that's exactly what it is, a b-grade sci fi movie, no more, no less. Fans of Roy Ward Baker's 'Quatermass and the Pit', Larry Cohen's 'Q: The Winged Serpent' and Tobe Hooper's 'Lifeforce', all of which 'Reign Of Fire' reminded me of at various points, will enjoy this one more than the Blockbuster crowd. Christian Bale ('American Psycho') and Matthew McConaughey ('Frailty') are both pretty good as the leader of an underground community and a hardass military man respectively, who both have different approaches to their shared problem - the ongoing threat of dragon attacks. Yes, in this future dragons are real and have devastated the world, and only a handful of human survivors exist. Once you can accept that premise, and some of the "scientific" explanations for the why and wherefores of the dragons, you're in for a wild ride. No-one's gonna argue this is a great movie, but it's a lot of fun, and I recommend it, especially with beer and pizza.
¿Sabías que...?
- CuriosidadesThe flame breath was inspired by the bombardier beetles, small carabid coleopters. Their peculiar defense mechanism involves the ejection from their abdomen of two different chemicals, which react and produce a hot noxious spray. This was the actual base for the dragons' breath, as explained by Dan DeLeeuw: "our art director, Mike Meaker, had seen an African beetle with a similar defense mechanism. It sprayed a chemical out its rear and made sparks to ignite the stream. So our idea was that there are two glands at the back of the dragon's throat, producing chemicals. The dragon spits out the liquids with muscles constricting the glands. When the two streams cross 15 or 20 feet in front of the dragon they naturally combust." Before actually spitting fire, the dragons pull back and shake their head -- then thrust it forward violently. This behaviour was once again based on spitting cobras.
- PifiasVan Zan and Alex tell Quinn that there is only one male dragon and, like fish, the females lay their eggs and the male makes a "pass" to fertilize them. Yet when Quinn discovers the egg inside the downed dragon, there is an embryo visible, which should only happen AFTER fertilization.
- Citas
Denton Van Zan: Envy the country that has heroes, huh? I say pity the country that needs them.
- ConexionesFeatured in Troldspejlet: Episodio #27.3 (2002)
- Banda sonoraFire
Written and Performed by Jimi Hendrix
Courtesy of Experience Hendrix LLC/MCA Records
Under license from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- El reinado del fuego
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 60.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 43.061.982 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 15.632.281 US$
- 14 jul 2002
- Recaudación en todo el mundo
- 82.150.183 US$
- Duración1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the Hindi language plot outline for El imperio del fuego (2002)?
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