Ciegas de amor

For anyone who has ever been truly, painfully lonely and done really stupid things under the influence of alcohol just to gain a little affection and affirmation, this movie will be like looking in the mirror. I winced when Uma's character literally flung herself at a guy who is, like a recent book popular dating book says, is just not that into her. The pain on Uma's character's face is just too much to take sometimes. I've watched this film twice and even though the I knew what was going to happen, seeing it a second time was just as heart-wrenching and touching. Kudos to all the actors, especially Uma Thurman and Gena Rowlands. PLEASE see every Gena Rowlands movie ever made - you won't be disappointed. She is one of the finest actors of our time.

I enjoyed this movie because it was REAL. Hollywood too often sugarcoat characters and their experiences, almost to the point that it makes you want to puke because you know real life never turns out that peachy. This ending wasn't exactly a happy one, all the problems weren't solved and you're left to imagine what went on afterwards. Nobody fell madly in love and got married like some fairy tale... that was refreshing. Splendid job by the actors, I love Juliette Lewis, and she was her usual charming self.

My only complaint, is why was Deb so.... frustrating? I found myself asking, 'Why is she being so difficult? Why doesn't she open her eyes and see what's going on? Does she really think Rick would want anything to do with a girl he picked up from a bar and had a one night stand with?' And so forth. SHE'S the one putting HERSELF in these ridiculous and tragic situations. Halfway through the movie I just got so tired of her endless cynicism. Miss Thurman was terrific, don't get me wrong, but the character irritated me somewhat, maybe that was just me.

Other than that, I think this is one of the best HBO films so far. They really have a knack for bringing real life to the screen, I'm hardly ever disappointed. Quite a few women can probably relate to one of the characters or at least seen themselves, at one time, in their predicaments. I mean, we all want to find true love... but make sure you're looking in the right place! 7/10.

This movie is every good thing that was written on this board and maybe more.

First, when I saw that movie in the guide i had never heard of it before but being a fan of Lewis and Thurman I couldn't let this pass even if apriori the plot SEEMED a little less than original.

Boy was I in for a surprise. Not all great first scene gives you a good film but all good film will give you a great intro scene, but this one gets its greatness in it's "nothingness". There is so "nothing" about it that as soon as you see Juliette and Uma come on the screen, your jawbone drops.

Not only are they unrecognizable but from the moment you see them you KNOW and FEEL exactly where you are, who you are dealing with and that's exactly every director's dream...or nightmare...can I put my audience in the context of the next x minutes.

This could have been an ordinary movie with an ordinary story..who wants to hear about screwed up bimbos stuck in no name city, no name job and a no name life, But somehow without ever falling into melodrama, pity or cliché, you just fall in love with every caracter.

This is a very well directed movie as it is far from obvious and easy to move a story like this into such an enjoyable moment.

As far as acting goes, well as someone else said, It's off the chart. I love Lewis (Natural born killers at her best...here too) and frankly I've seen alot of Uma but she literally blew me away in this. Both are so good that like I said from the first scene they appear, all you see are the caracters not the actresses.

You can see what a truly beautiful women is when even with an "altered down" image of herself (to say the least) you just can't get your eyes off her (yeah I'm a man)

I think the scene in the bar when she really goes loose is stunning and again it comes from a subtle chemistry between good directing and good acting, As a man I felt like the barman which the camera just give you a quick glimpse just to give you the hint. You look at her and you feel love and compassion even admiration for that woman while if it had been badly acted and/or directed she could have looked stupid and slutty so again masterfully crafted. In other scenes you feel her misery and you want it to end as bad and fast as her.

I can't just say I enjoyed that movie, it feels more like you've met real people that were graceful enough to share their life for a monent, wide open. So real that iI felt as an everyday guy like me could ask Uma out for a drink...that's something :-)

My hat to HBO for this one

I rate this highly 'cos of the performances of Thurman and Lewis. They were absolutely outstanding. I take on board the comments about the dodgy accents, music, anachronistic details, but they don't matter to 99% of the people who watch. The characterisations were great! Even if they didn't leave you precisely where intended, they were consistent and you could buy into them.

I really like the comment here to the effect that the film would have some merit if the characters achieved even a hint of self-awareness by the end of the film. This is an important point, and I would agree whole-heartedly if the film had a different title. The title is all that's needed to give this film perspective, to place it specifically and allow it to be what it is without reference to the frame that gives it meaning.

Mira Nair, the talented director of this film keeps surprising us. She gets excellent acting from the different casts in all her movies. "Hysterical Blindness" is no exception. Ms. Nair working on the screen play by Laura Cahill, and based on Ms. Cahill's own stage play, takes us to a town in New Jersey, so close to Manhattan in geography, but far away in the way these people seem to be living in another planet.

Debby Miller blames her mother for whatever is wrong with her life. Her father left her when she was quite young. Her mother, Virginia, makes ends meet by working as a waitress in a local diner. Both daughter and mother have been cheated out of happiness because of the loss they have experienced. While Debby dwells on her unhappiness, Virginia seems to have adjusted quite well.

Debby is a woman that is desperate to find a man. Obviously, she is quite capable to give her best into any relationship. It's sad how she goes after the one man she should have avoided in the worst way. It will be too late before she realizes the mistake she has made.

Throughout the film, Debby and Beth, share their hopes and aspirations. While Beth is grounded, Debby is flighty, hoping for things she can't have. On the other hand, Virginia meets a nice man, Nick, at the diner. They begin a friendship that unfortunately is cut short by tragedy. All in all, the film final scenes tells us that Debby realizing her mistakes goes back to her roots and to her friendship with Beth.

The strength in the movie is the great performances Ms. Nair gets out of the four principals. Uma Thurman is good as the Debby. Gena Rowlands, as the mother, makes an appealing Virginia, who makes us care about her. Juliette Lewis, as Beth, is also endearing. Ben Gazzara makes a short, but effective contribution as Nick, the man who finds love with Virginia.

This is a film that shows Ms. Nair's talents perfectly.