PUNTUACIÓN EN IMDb
7,4/10
54 mil
TU PUNTUACIÓN
Una mezcla original de ficción y realidad ilumina la vida del héroe del cómic Harvey Pekar.Una mezcla original de ficción y realidad ilumina la vida del héroe del cómic Harvey Pekar.Una mezcla original de ficción y realidad ilumina la vida del héroe del cómic Harvey Pekar.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 31 premios y 50 nominaciones en total
Larry John Meyers
- Throat Doctor
- (as Larry John Myers)
Reseñas destacadas
Paul Giamatti plays Harvey Pekar, a writer of underground comic books that document his mundane life as a neurotic file clerk. We meet the other nerds and eccentrics who populate his life, including his fat, bespectacled co-worker with a habit of over-enunciating his words; a black co-worker who buys record albums from Pekar but accuses him of selling nothing but junk; and a female fan of his comics who throws up on her first date with him then announces they should dispense with the courtship and just get married. (He accepts the proposal on the grounds that he's lucky to have any woman who will have him.) Pekar meets Robert Crumb, who illustrates the first of Pekar's comics. He becomes a favored guest on David Letterman until delivering a vituperative rant against Letterman and NBC that gets him barred from the show.
"American Splendor" is mostly a dramatization, but has scenes interspersed where we meet the real Harvey Pekar and the real people in his life. The movie contains many piquant moments, including a scene where the actors and their real-life counterparts appear together on a soundstage. In another scene, Paul Giamatti as Harvey Pekar exits the green room of the Letterman show, followed by a real clip of the real Pekar on the real show. But when Pekar delivers his rant, we see Giamatti with an actor playing David Letterman. We also see an animated Pekar conversing with the real Pekar—or, rather, with Giamatti playing the real Pekar. The movie's visual design makes it look like a mobile comic book; many scenes are bridged with shots of the camera sweeping over comic panels that bridge the story for us.
This had to have been tricky to pull off, but the movie feels effortless. The nature of identity and the nature of reality are themes the movie presents with a lot of humor and insight. Giamatti is excellent and supported by a uniformly fine cast, especially Hope Davis as Joyce Brabner, the woman who threw up on their first date. I also enjoyed the jazz songs on the soundtrack. What a funny, entertaining, intelligent movie.
"American Splendor" is mostly a dramatization, but has scenes interspersed where we meet the real Harvey Pekar and the real people in his life. The movie contains many piquant moments, including a scene where the actors and their real-life counterparts appear together on a soundstage. In another scene, Paul Giamatti as Harvey Pekar exits the green room of the Letterman show, followed by a real clip of the real Pekar on the real show. But when Pekar delivers his rant, we see Giamatti with an actor playing David Letterman. We also see an animated Pekar conversing with the real Pekar—or, rather, with Giamatti playing the real Pekar. The movie's visual design makes it look like a mobile comic book; many scenes are bridged with shots of the camera sweeping over comic panels that bridge the story for us.
This had to have been tricky to pull off, but the movie feels effortless. The nature of identity and the nature of reality are themes the movie presents with a lot of humor and insight. Giamatti is excellent and supported by a uniformly fine cast, especially Hope Davis as Joyce Brabner, the woman who threw up on their first date. I also enjoyed the jazz songs on the soundtrack. What a funny, entertaining, intelligent movie.
By no means your average true story, American Splendor blends fact with fiction to create a slightly surreal world. Surreal, because it's so down-to-earth. It's a tale about the life of Harvey Pekar, essentially a relative non-entity. His one saving grace is that he writes comic books, the twist being that they're not about superheroes or anything extraordinary. Rather, they're about gritty reality. Pekar is the star of his own stories, and the life he leads, the people he knows and the everyday things he does are the essence of what his stories entail.
It's a strange story, and to rate it as a movie seems odd, somehow. The guy has led a pretty staple life, and there's nothing in it which elevates him above anyone else. Then again, that's really the point. There are plenty of elements in here which we can all relate to, and consequently, we find ourselves drawn into it. Ultimately it's convincing.
The acting is generally pretty impressive, particularly from Paul Giamatti as Harvey. Given the real Harvey features in the movie (Hence the blending of fact and fiction) we are able to compare them, and it must be said Giamatti gets it spot on. He does a great job of portraying a grump with a heart. By no means is Pekar ever shown as a mercenary worker, but it's pretty obvious he's one of the good guys; hence another strength here. Because he's shown as wysiwyg, you feel like you either know him, or are him. He's the epitome of your average man, and not even just American.
It's a quirky subject for a movie, but it certainly works and entertains. It's so ordinary yet surreal that it demands your attention, and it's a worthwhile journey to go on.
For many people, this movie is a mirror.
It's a strange story, and to rate it as a movie seems odd, somehow. The guy has led a pretty staple life, and there's nothing in it which elevates him above anyone else. Then again, that's really the point. There are plenty of elements in here which we can all relate to, and consequently, we find ourselves drawn into it. Ultimately it's convincing.
The acting is generally pretty impressive, particularly from Paul Giamatti as Harvey. Given the real Harvey features in the movie (Hence the blending of fact and fiction) we are able to compare them, and it must be said Giamatti gets it spot on. He does a great job of portraying a grump with a heart. By no means is Pekar ever shown as a mercenary worker, but it's pretty obvious he's one of the good guys; hence another strength here. Because he's shown as wysiwyg, you feel like you either know him, or are him. He's the epitome of your average man, and not even just American.
It's a quirky subject for a movie, but it certainly works and entertains. It's so ordinary yet surreal that it demands your attention, and it's a worthwhile journey to go on.
For many people, this movie is a mirror.
I guess I am sucker for biographies of weird people. This certainly qualifies for that.
What makes this film different from others is the combination of fictional and real people playing the two main characters: Harvey and Joyce Pekar. For most of the film, Paul Giamatti portrays Pekar - the main focus of the film, and Hope Davis plays his wife, Joyce. However, interspersed in the film are comments from the real Harvey and Joyce. Strange!!!
The only thing stranger that the film structure is the story of these actual people. You wouldn't think that two dull introverts like this could be made to look so interesting, but they are. What a testimony to the job the filmmakers did here....and the actors. Giamatti was amazing.
After seeing this movie, I was inspired to go out and obtain several of Harvey Pekar's comic books. Whew! I should have stuck with just the movie. The comics stink!! Don't waste your money.
What makes this film different from others is the combination of fictional and real people playing the two main characters: Harvey and Joyce Pekar. For most of the film, Paul Giamatti portrays Pekar - the main focus of the film, and Hope Davis plays his wife, Joyce. However, interspersed in the film are comments from the real Harvey and Joyce. Strange!!!
The only thing stranger that the film structure is the story of these actual people. You wouldn't think that two dull introverts like this could be made to look so interesting, but they are. What a testimony to the job the filmmakers did here....and the actors. Giamatti was amazing.
After seeing this movie, I was inspired to go out and obtain several of Harvey Pekar's comic books. Whew! I should have stuck with just the movie. The comics stink!! Don't waste your money.
Successfully innovative, American Splendor combines fiction and reality in a spellbinding and amusing way, winning awards at Cannes and Sundance, and proving its maxim that life is pretty complex (and endlessly fascinating) stuff . . .
The story features Harvey Pekar, as himself, as the played by actor Paul Giamatti and as the comic book persona that he has created based on himself. Pekar is downbeat, depressed, in a dead end filing job, rather bitter. His best friend is a self-confessed nerd. Yet when the events of his life are epitomized in comic book snapshots they are intensely poignant, they seem to reach the disenfranchised, the dysfunctional within each of us. We follow him into a marriage that is as weird as he is. The originality of the material is reflected in its postmodern style of presentation, self-awareness of audience-manipulation blending seamlessly with entertainment and artistic delivery. Scenes are introduced and blended with comic book taglines, storyboarding, and even transitions from interloping set discussions with the real Pekar to the actor playing the scene under discussion. If it sounds pretentious, it's not simply because it works so well and in an unpretentious way. Lovingly created and very moving. Probably the first real classic of 2003 and not to be missed, and for lovers of jazz/blues a soundtrack collectors item.
(Seeing it at the Edinburgh International Film Festival I also had the privilege of seeing the real life Pekar, his wife and adopted daughter together with Paul Giamatti, truly topping off a multi-media experience haha!)
The story features Harvey Pekar, as himself, as the played by actor Paul Giamatti and as the comic book persona that he has created based on himself. Pekar is downbeat, depressed, in a dead end filing job, rather bitter. His best friend is a self-confessed nerd. Yet when the events of his life are epitomized in comic book snapshots they are intensely poignant, they seem to reach the disenfranchised, the dysfunctional within each of us. We follow him into a marriage that is as weird as he is. The originality of the material is reflected in its postmodern style of presentation, self-awareness of audience-manipulation blending seamlessly with entertainment and artistic delivery. Scenes are introduced and blended with comic book taglines, storyboarding, and even transitions from interloping set discussions with the real Pekar to the actor playing the scene under discussion. If it sounds pretentious, it's not simply because it works so well and in an unpretentious way. Lovingly created and very moving. Probably the first real classic of 2003 and not to be missed, and for lovers of jazz/blues a soundtrack collectors item.
(Seeing it at the Edinburgh International Film Festival I also had the privilege of seeing the real life Pekar, his wife and adopted daughter together with Paul Giamatti, truly topping off a multi-media experience haha!)
Throughout the years, people have read dozens of comic books: Spider-Man, Batman, Superman, The Green Latern, X-Men, Hulk, etc., looking for escape from reality, but at the same time, looking for a relation from those books. With "American Splendor" on the other hand, it's quite a different comic book. What makes it so special? It's depicting real life where it shows the character Harvey Pekar in different situations.
"American Splendor" is a comic/drama biography about the life of Harvey Pekar(Played by Paul Giamatti) in which the film plays like a comic book showing scenes that are real and fiction. Even the real Harvey makes appearances quite often in the film to talk about his life, his wife(Joyce) and everything that sort of made him the person who he is today.
Harvey Pekar can be described as one of those characters who don't seem to give a damn about the world. The reason that I root for this character is that he's the type person that lives in his own world, from not giving a crap about the incidents in the world, to not having a formal college education, to working at a dead end job where in the future, people are still laughing at him. And yet, I don't blame him. I am reminded of two other movies that had losers, but made an impact on male society: "The Big Lebowski" and "Fast Times At Ridgemont High" in which both male characters didn't have to worry about anything or go out on dates, or even pleasing society(shame on you, people).
All in All, American Splendor is a great movie. Though the film's target audience are for guys, I still encourage people to see this movie. The film also stars, Hope Davis portraying Harvey's wife, Joyce.
One of the Best Films!
"American Splendor" is a comic/drama biography about the life of Harvey Pekar(Played by Paul Giamatti) in which the film plays like a comic book showing scenes that are real and fiction. Even the real Harvey makes appearances quite often in the film to talk about his life, his wife(Joyce) and everything that sort of made him the person who he is today.
Harvey Pekar can be described as one of those characters who don't seem to give a damn about the world. The reason that I root for this character is that he's the type person that lives in his own world, from not giving a crap about the incidents in the world, to not having a formal college education, to working at a dead end job where in the future, people are still laughing at him. And yet, I don't blame him. I am reminded of two other movies that had losers, but made an impact on male society: "The Big Lebowski" and "Fast Times At Ridgemont High" in which both male characters didn't have to worry about anything or go out on dates, or even pleasing society(shame on you, people).
All in All, American Splendor is a great movie. Though the film's target audience are for guys, I still encourage people to see this movie. The film also stars, Hope Davis portraying Harvey's wife, Joyce.
One of the Best Films!
¿Sabías que...?
- CuriosidadesNBC would not lease out the actual Late Show with David Letterman (1993) footage where Harvey Pekar finally lashed out at David Letterman, so the scene had to be recreated with actors.
- PifiasThe scene where Harvey gets stuck behind the old Jewish woman leaves out a detail that would help it make sense.
In the movie, she says that the glasses are 6 for $2, but she couldn't carry 12 last time,, so they should charge her only $1.50 for the additional 6. There is no explanation as to why she should be charged less.
In the story from the original comic, she says that the glasses are 6 for $2 or 12 for $3.50, but she couldn't get all 12 last time, so they should charge her only $1.50 for the 6 she is buying now.
- Citas
Real Harvey: I felt more alone that week than any. Sometimes I'd feel a body lying next to me like an amputee feels a phantom limb. All I did was think about Jennie Gerhardt and Alice Quinn and all the decades of people I had known. The more I thought, the more I felt like crying. Life seemed so sweet and so sad, and so hard to let go of in the end. But hey, man, every day is a brand new deal, right? Just keep on working and something's bound to turn up.
- Créditos adicionalesThe opening credits are displayed in the style of Harvey Pekar styled comic book panels.
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- How long is American Splendor?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 6.010.990 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 159.705 US$
- 17 ago 2003
- Recaudación en todo el mundo
- 7.986.084 US$
- Duración1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was American Splendor (2003) officially released in India in English?
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